Highlights
It’s a rare joy to encounter immersive installations that truly activate space and affect the viewer both intellectually and viscerally. This spring, three standout New York exhibitions— Alicja Kwade at Pace, Anastasia Komar at Management, and Pierre Huyghe at Marian Goodman—do just that. Each exhibition envelops visitors in an environment that challenges the senses and pushes the boundaries of perception, while decentering the human’s place within it: Komar contemplates the primordial origins of life and the interconnectedness of all living things; Huyghe imagines a collaborative ecology where humans, animals, machines, and artificial intelligence co-create new realities; and Kwade abstracts away the human almost entirely, leaving behind only our systems for measuring and making as the scaffolding for a parallel, perhaps post-human world.
Continue reading “Art Spiel Picks NYC: Decentering the Human—Or at Least Trying To”