Tatiana Arocha: Mama Coca

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Hojas en movimiento sobre el fuego [Leaves in motion over the fire], 2023. Soft Ground etching on Hahnemühle and pigment print on Kozo paper, hand-painted with acrylic. Triptych, each 35 1/4 x 26 1/2 inches. Photograph by Etienne Frossard

Tatiana Arocha is a Brooklyn-based artist whose practice has focused on installations that include rubbings, photographs, and drawings of plants and landscapes taken from the many ecological niches of her native Colombia. Increasingly, her art and advocacy have focused on the coca plant, notorious for its role in the war on drugs, which has destroyed indigenous communities and their territories across South America. Informed by her research, her current installations and publications highlight the coca plant’s ceremonial role in the indigenous cultures that cultivate it, pushing back on the demonization it has endured in the West. Her work also suggests new avenues for how the plant can be a force for good in the Global North and South.

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Jeannine Bardo – Penchant for Storytelling


Detail: Lifelines, 2019, house paint, silver ink 8’7” x 12’9”. Photo courtesy of John Ros

In her drawings and installations Jeannine Bardo explores a wide array of narratives and information she encounters daily, ranging from stories in the news to patterns in nature. Jeannine Bardo describes for Art Spiel what brought her to art making, her process and projects, her role as co-director of BioBAT Art Space, as well as her role as the founder of Stand4 Gallery and Community Arts Center in Bay Ridge. Since our interview process took place a while before the on going pandemic and the current seismic events in our society, the artist was given the opportunity to share her reflections on these recent events as a prelude to discussing her work.

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