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ADJUSTED for Inflation at Kunstraum

Featured Project with curator Ashley Ouderkirk

ADJUSTED for Inflation, Part 1 installation image. (Artworks visible by Sandra Zanetti, Taisha Brehaut, Bartho Staalman, and Amir Hariri.) Photo by Jenna London.

ADJUSTED for Inflation, the group show curated by curator-in-residence Ashley Ouderkirk at Kunstraum LLC features eighteen works by fourteen members and artists in residence—Annette Back, Taisha Brehaut, Laura Clark, Aleksy Cisowski, Giacomo Colosi, Amir Hariri, Catherine Lewis, Rita Nannini, Olga Rabetskaya, Bartho Staalman, Sato Sugamoto, Dimana Zaharieva, Cassandra Zampini, and Sandra Zanetti. The title, ADJUSTED for Inflation, is based on the economic term referring to the “real” value of money, after considering how much the price of an average good or service has increased. The curator says that the exhibition, like the economic concept, aims to reveal how our emotions determine the “real” value of any situation—the more complex the hardship, the greater the emotional cost and more distorted the adjustment. It runs through September 10th, 2022.

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Pauline Decarmo: Exit – the Path to New Beginnings at LABspace


Installation view of Pauline Decarmo: Exit at LABspace, 2022, photo courtesy LABspace

Some artists paint stunning abstractions, some artists deftly execute exquisite realistic images, while others ingeniously develop astute conceptual work, but the truly magical art is work that can intelligently create the aura of time, space, and experience. Fortunately Pauline Decarmo, by using any means necessary, does exactly that in her exhibition, Exit, on view at LABspace in Hillsdale NY through May 29.

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Nice to See you Again at Underdonk

Featured Project: with curators Leonora Loeb and Keisha Prioleau-Martin


Opening night of Nice to See you Again, In the foreground: Madeline Donahue, Butterflies, 2021, glazed ceramic, 8” x 7” x 6”

The group show Nice to See you Again at Underdonk features work by ten artists whose paintings, sculptures, and photographs address the loaded meaning of the outdoors during the pandemic—a shared sense of longing for the openness of the outdoors while simultaneously also craving for the warmth of the indoors. The show is organized by Leonora Loeb and Keisha P:rioleau-Martin and runs from October 30 th through November 20 th , 2021.

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Hedwig Brouckaert: Un-Informing

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Hedwig Brouckaert in her Studio in the Beginage in Ghent Belgium, August 2021

New York city based artist Hedwig Brouckaert is currently working on a body of work for two solo shows, one at the Emory & Henry College in Virginia, where she is invited as visiting artist in January 2022, and one for Galerie El in September in Belgium. She has been developing Peel (America), a collage series of magazine images of skin on marble tiles, which she started during the lockdown. She says the tiled walls in public spaces have become like skin surfaces that were feared during the pandemic, as touch has become complicated. She is fascinated by the contrast between the depth and time visible in a marble tile, created by age-old geographical processes, and the temporality of magazine paper. “Even though magazines – and mass media images in general – arrive as pristine, glowing objects in the mail or on the newsstand they are meant to disappear quickly and to become trash, to be replaced by the most recent up-to-date information,” she says.

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Generations of Public Artists Converge at Welling Court Mural Project


Daze and Crash for Welling Court Mural Project. Photo by Joe Iurato

A few weeks back, an intergenerational group of five iconic NYC graffiti and street artists descended on Welling Court Mural Project (WCMP) in Astoria, Queens. The latest batch of mid-sized murals to grace this otherwise unassuming treasure trove of paint at the intersection of Main Avenue, 30th Avenue, and Welling Court includes Chris “Daze” Ellis, John “CRASH” Matos, JM Rizzi, Queen Andrea, and Joe Iurato, a world-class lineup whose collective come-up eras span the 1970s into the aughts.

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Public Events in all Five Boroughs

Local Artists and Cultural Organizations in Each Borough to Host Outdoor, Socially Distanced Press Conferences with Performances March 18-19


FreeDa Banana leading an outdoor dance class during LEIMAY Block Party. Image courtesy LEIMAY.
Image Credit: Shige Moriya

One year after New York City’s arts and cultural sector suddenly shut down over the period of one week in response to the COVID-19 pandemic, events in each borough will mark the somber anniversary. Comprised of speeches by local elected/cultural leaders and performances by New York artists, this day of programming memorializes the shut down while looking forward to the needs of a resilient NY artistic community. The events are united by the dual themes of #CultureRemembers and #CultureForward, and will take place on Thursday, March 18, and Friday, March 19. Local leaders and artists will participate in all of them.

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Artists on Coping: Cathy Diamond

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Studio Portrait, photo by Elizabeth Reagh, 2019

Cathy Diamond is a New York City-based painter. For decades, her imagery has fused elements of nature and figuration into a kind of narrative abstraction. Residency fellowships in Wyoming, Virginia, Maine and elsewhere form the building blocks of works developed in her Queens studio. Diamond spent two decades in Williamsburg, exhibiting there at Farrell-Pollock Fine Art, Sideshow Gallery, Gallery Boreas and Janet Kurnatowksi Gallery. She has shown extensively in New York City. Diamond’s paper works travelled to national print fairs with Oehme Graphics. She recently exhibited at 490 Atlantic Gallery and at SRO Gallery in Brooklyn. Diamond is Adjunct Lecturer of Painting and Drawing at Borough of Manhattan Community College.

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Artists on Coping: Cibele Vieira

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Cibele Vieira in her studio

Cibele Vieira is a Brazilian-born artist whose work has been exhibited at Petzel Gallery, Gallery Geranmayeh, Valentine, Front Room Gallery, Christopher Henry Gallery, and Soho Photo in NYC; Ateliê 397 Gallery, the Bienal de Fotografia de São Paulo, and Casa de Cultura Mário Quintana, in Brazil. Her work is in the collections of the Ado Malagoli Museum and Rio Grande do Sul Contemporary Art Museum in Brazil, and the Kiyosato Museum in Japan, and has been published in The Village Voice, Brooklyn Rail, Hyperallergic, Visura Magazine, L Magazine, Culture Front, Washington City Paper, O Globo, Correio Braziliense, Zero Hora and Private Magazine. She was awarded First Place, Vision Awards 2000, by the Santa Fe Center for Visual Arts, and is currently an artist in residence at New York Presbyterian Hospital.

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Artists on Coping: Deborah Wasserman

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Deborah Wasserman in her studio, The Pool, CalArts 2018, photograph by Rafael Hernan

Inspired by her rich South American and Middle-Eastern background, Deborah Wasserman makes personal and visceral art stirred by Ecofeminist themes. A graduate of the California Institute of the Arts and the Whitney Independent Study Program, she has exhibited nationally and internationally, and is a grant recipient of the Experimental Television Center, Aljira Center for the Arts, the America-Israel Cultural Foundation, and is a Skowhegan fellow. She received an IAP Social Practice fellowship from NYFA in 2017, a grant from the Puffin Foundation in 2018, a grant from Citizens committee for New York in 2019, a Queens Council On The Arts New Work grant in 2020, and a Su-Casa award from the New York State Department Of Cultural Affairs every year since 2015.

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Artists on Coping: Elisabeth Condon

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Elisabeth Condon in front of Urban Idyll at Ditmars Blvd., Queens, in 2019. Photo Phillip Reed

Informed by scroll painting and 20th century abstraction, Elisabeth Condon’s landscapes intersect nature and décor. While the overlap of New York and Florida inspire the majority of her compositions, Condon frequently travels to numerous residency fellowships from Shanghai and Mexico City, to the Grand Canyon and Florida Everglades. She recently completed Urban Idyll, thirty-six laminated glass panels for the NYCT Astoria-Ditmars Blvd. Station in Queens, commissioned by MTA Art & Design. Her work has been recognized by the Joan Mitchell Foundation, Pollock Krasner Foundation, and State of Florida Individual Fellowships.

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