The Immigrant Artist Biennial – In Dialogue

Images and Art: In and Out of Politics with Carlos Franco and Keren Anavy

Keren Anavy. Archipelago, 2023. Ink and colored pencils on mylar, plexiglass, shells, concrete bricks, and plywood. Dimensions variable. Courtesy of the artist and The Immigrant Artist Biennial.

As part of The Immigrant Artist Biennial 2023, artists Carlos Franco (b. Puerto Rico) and Keren Anavy (b. Israel) both showed their work in the group exhibition Enmeshed: Dreams of Water at NARS Foundation. Franco’s work often deploys appropriated images and linguistic symbols. He seems to be exploring the contextual complexities behind how signification takes shape and how signification continues to evolve as a context-dependent subject. Anavy’s site-specific work has been connected to the multifaceted paradigm of “ecological order,” according to the book Transnational Belonging and Female Agency in the Arts. Her fabricated environments consider the “liminal geographic spaces between political art and escapism.”

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Baris Gokturk: Danse Macabre in Public Spaces: Painting Euphoria and Madness in Times of Crisis


Baris Gokturk, working on All Saints at The Boiler@ ELM Foundation

Baris Gokturk’s installations are intricate, layered, and admirably ambitious in both meaning and form. The Turkish born New York based artist asks the big questions – what is his role as an artist, individual, immigrant within the larger context of a world in crisis? In All Saints he exhibited at the Boiler space at the ELM foundation he combined imagery of dance and fire into a monumental installation.

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