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Eirini Linardaki: Occupying Public Spaces

In Dialogue with Eirini Linardaki


The artist in Radiator Gallery, interactive magnetic collage artwork

For Greek based artist and activist Eirini Linardaki, who had been born and raised in Athens than moved and resided in France, cognitive diversity is at the forefront of her art projects. She sees her strength in building networks with different voices which help create an environment where diverse Ideas matter more than individual achievement. Through diverse social engagement methods, she aims to show that art is activism. She strongly believes that art can create direct channels for feeling and understanding within public spaces and communities, building trust and hope.

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Artists on Coping: Leslie Kerby

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Candyland, 2016, Mixed media collage: paper litho transfer, pen and ink, oil, 30 x 22 inches

Leslie Kerby works in a variety of media to create thematically interlinked bodies of work. Motivated by social networks at moments of change, she examines the shipping container and medical industries, cemeteries and financial inequality. Represented in collections at Columbia University and Bradbury Art Museum, Arkansas State University, Kerby has received commissions from Norte Maar, BRIC Arts | Media and Visual Arts Center of New Jersey, and was awarded residencies at the American Academy in Rome, the Virginia Center for Creative Arts (Virginia and France), and the School of Visual Arts. Her work has also appeared at Verge, Spring Break and AQUA Miami, and has been reviewed by Hyperallergic and Two Coats of Paint.

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An Odd Symbiosis: Action in Non-Action

Artist Tirtzah Bassel, at the opening night of The Lines Start Here

Charged with urgency, precision and an acute sense of place, Tirtzah Bassel’s luminous oil paintings at Slag capture figures lingering in uncannily familiar public spaces.  Whether the subject matter of these canvases are crowds, couples, or single figures, the related verbs are of present continuous tense; standing, sitting, resting. These paintings, waiting in line at Trader Joe’s, sitting on an Ikea sofa to check a text message, or stretching horizontally on a bare mattress in the bedroom section, all entail the action in non-action. Although the commercial spaces these figures populate are filled with utilitarian objects such as red (and empty) shopping carts and a row of colorful sofas or beds, these interiors convey a strong sense of void. Objects multiply, proliferate and are caught along with their creators at the same space in an odd symbiosis.  Continue reading “An Odd Symbiosis: Action in Non-Action”