ELM Foundation: Art and Healing

In conversation with founder Melinda Riddle McCoy

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Melinda Riddle McCoy, inside Tomas Vu’s spherochromatic dome. Photo by Nathan West @nathanwestphoto

The mission of ELM Foundation is to promote the healing power of the arts. Our methods include advocating the benefits of arts therapy, providing multidisciplinary arts education, and building sustaining mentorships—all working together to cultivate a lifelong love of self-expression and awareness through a creative process. ELM Foundation was launched on February 20th, 2019 in honor of Emma Lauren McCoy whose intense childhood experience inspired the creation of this nonprofit organization which offers children who have experienced parental loss or family structure adjustments, paths for healing through art and art therapy. In addition to its multidisciplinary art education and therapy, ELM hosts at the adjacent boiler space exhibitions, currently featuring Tomas Vu’s solo project, The Man Who Fell to Earth 76/22. Melinda McCoy, the founder of ELM sheds some light on the foundation and how art plays a pivotal role in it.

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Ribbons Become Space at SL

Elizabeth Riley, Structure from Light, collaged sculptures, inkjet-printed video stills on paper

At the end of “Dragons of Iceland,” a video the NYC based multi-media artist Elizabeth Riley made throughout her SIM residency in Reykjavik, the dragon protagonist is determined to escape the societal constraints and limitations placed on women when the artist was growing up. The dragon flies into a gushing waterfall which for Riley symbolized finality. But later-on, after she returned from the residency, Riley has both deconstructed and reconstructed this video into a sculptural installation, and throughout the process of art making, the dragon’s route shifted from a fall into the abyss to a portal into a different artform. Elizabeth Riley’s solo show, “Ribbons Become Space,” at SL invites us to experience an exuberant journey. The journey starts as you enter the front gallery space with a 2011 video installation “Dragons of Iceland,” continues throughout the back gallery space with two related large-scale wall works made recently for the SL Gallery, then loops back as you exit, leading us back to the video installation with a new perspective.

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