process art – Page 2

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October 21, 2022November 2, 2022, by Anne Sherwood Pundyk

Rainer Gross: Double Take, Solo Exhibition at East End Arts, Riverhead, NY

Gallery view, East End Arts, Riverhead, NY. Courtesy East End Arts and the artist.

In Double Take, Rainer Gross’ solo show at East End Arts through November 5, 2022 in Riverhead, NY, the artist invites the viewer to take a step closer to his abstract, intensely colorful paintings. Gross offers the viewer the satisfying experience of engaging intellectually with the underlying organizing principle of his compositions while savoring a sumptuously layered array of the results. His paintings are comprised of two (sometimes four) identically sized, stretched rectangular canvases shown side-by-side. He applies pools, bands, bars and patches of saturated hues of oil paint on one canvas and water-based pigment on the other. While the colors are still wet, the paired canvases are then placed together, face to face. When pulled apart, the forms on one canvas imprint on the other creating a shared Rorschach-like result. The artist refers to his paintings as “twins.” The side-by-side canvases are nearly identical, yet their differences become an intriguing puzzle to recognize, trace and sort. This easy-to-grasp concept offers a frisson of delight for the viewer as they experience the variety of its execution.

November 17, 2021November 2, 2022, by Art Spiel

Joseph Fucigna: DRIP-DROP, TICK-TOCK, HERE + NOW at the Housatonic Museum of Art

Previewing with Joseph Fucigna

A picture containing indoor, floor, wall, ceiling

Description automatically generated — *DRIP-DROP, TICK-TOCK, HERE + NOW*, Housatonic Museum of Art. Photo: Paul Mutino

Joseph Fucigna is a multi-media artist whose work is rooted in process, play and the innate qualities of the materials used. Through experimentation, and innovation, he creates sculptures, paintings and drawings that are known for their power to transform materials, ingenuity and odd but compelling subject matter. His one-person show, DRIP-DROP, TICK-TOCK, HERE + NOW, was originally scheduled to open at the Housatonic Museum of Art in Bridgeport, Connecticut in September 2018. Due to water damage from a fire above the space, it was rescheduled for September 2020, and postponed a second time due to COVID. At this time the exhibition opens for the third time on October 28^th and runs through December 10^th, 2021.

June 7, 2021July 22, 2021, by Etty Yaniv

Nicole Kutz: When the conditions all fall in place

Nicole Kutz in the studio, 2020, Photo courtesy of Nicole Kutz

The Nashville based artist and curator, Nicole Kutz, meditates in her paintings on life’s transience through handmade pigments and dyes. She frequently draws on the Japanese Wabi-sabi aesthetics, as well as the artforms of shibori and kintsugi, to create ethereal abstracted worlds, where you can find beauty in imperfections.

November 30, 2020November 30, 2020, by Etty Yaniv

Amy Butowicz: Boudoir Theatre at Peninsula Art Space

In Dialogue with Eric Fallen, Founder and Executive Director

A room full of furniture

Description automatically generated — Duet, 2020 76.5”h x 84”w x 53”d Canvas, acrylic paint, wood, furniture parts, wheels, and hinges

Amy Butowicz solo show Boudoir Theatre at Peninsula Art Space features a collection of domestically scaled sculptures staged as a group of characters which are readily associated with notions of sensuality, ornamentation, and haute couture. Bulging cushion-like forms, meticulously hand-stitched over wooden structures, display intricate patterns and rich material suggestive of bedding, vanities, corsets and human anatomy. Bold and tender simultaneously, these anthropomorphic forms defy the disdain and fear that are frequently imposed upon feminine artforms, spaces, and bodies. Eric Fallen, founder and executive director of the Red Hook based Peninsula Art Space elaborates on Amy Butowicz’s exhibition and on his art venue.

July 27, 2020August 8, 2020, by Etty Yaniv

Gabriel J. Shuldiner – Hybridsculptural Bruteminimalism

sLAY1_2019, postapocalypticblack®* [ modified acrylic polymer emulsion | carbon black pigment | calcium carbonate | water | modified industrial urethane enamel | modified polyurethane thermoset cellular plastic | vinyl acrylic co-polymer emulsion | acrylic stain-block sealant | mastic adhesive | polyurethane adhesive | solvent-based ink | nuisance dust | studio detritus | spit | air | light ]*proprietary | chrome enamel spray aerosol | cotton duck canvas | repurposed polystyrene | blackened stainless steel flat head hinge screws | reinforced galvanized steel wire, overall dimensions: 20.75 x 19 x 5.25 in.

Gabriel J. Shuldiner dislikes categorization of his work to the point that he invents new “isms” to describe its allusive hybridity – its DNA can be traced to abstraction with elements of minimalism, expressionism, and Arte Povera. While Shuldiner’s use of material is extensive , his use of color is restricted to mostly black, with tinges of other colors at times. Gabriel J. Shuldiner shares with Art Spiel some of his thought and work processes.

May 30, 2020May 31, 2020, by Etty Yaniv

Artists on Coping: Hallie Cohen

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

*Hallie Cohen at the American Academy in Rome working on Mi Ricordo III,ink on yupo paper, 60” x 144”. Photo by Francis Levy.*

Hallie Cohen is a New York-based visual artist and curator. She is a Professor of Art, and Director of the Hewitt Gallery of Art at Marymount Manhattan College. Her subjects are topographies of real or imagined places, which toggle between abstraction and unreliable narration. Cohen explores natural phenomena, using the instability of the water-based medium to investigate the dynamic between chance and control and between conscious and unconscious thought processes. She has curated over 30 exhibits which explore science, psychology, neurology, politics, and the environment. She has recently had a virtual artist talk about her work.

May 10, 2020May 9, 2020, by Etty Yaniv

Artists on Coping: Wendy Letven

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Wendy Letven, *Flowtopia II*, 2020. Site-specific installation, Urban Outfitters Headquarters ©Wendy Letven, courtesy Urban Outfitters

Wendy Letven interprets natural form and pattern through a reductive creative process in sculpture, installation and painting. She received a B.F.A. from Tyler School of Art, an M.F.A. from Hunter College and is a MacDowell Colony Fellow. She’s created installations for Urban Outfitter Headquarters (Philadelphia, 2020), Portal: Governors Island (New York, 2019), Art on Paper Fair (New York, 2019), Flatiron Prow Artspace (New York, 2018), and The Sheila R. Johnson Gallery at the New School (New York, 2018) among others. Wendy currently has a solo show at Fou Gallery in Brooklyn, entitled, Lines Falling Together in Time.

April 19, 2020April 19, 2020, by Etty Yaniv

Artists on Coping: Patricia Miranda

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Patricia Miranda is an interdisciplinary artist, curator, and educator, and founder of MAPSpace and The Crit Lab. Her process-oriented objects and installations utilize found textile and books altered with handmade natural dyes and pigments as acts of ecofeminist lamentation and resistance. She has been awarded residencies at I-Park, Weir Farm, Julio Valdez Printmaking Studio, and Vermont Studio Center, and been Visiting Artist at Vermont Studio Center, the Heckscher Museum, and University of Utah. She received an artist grant from ArtsWestchester/New York State Council on the Arts and was part of a year-long NEA grant working with homeless youth.

April 18, 2020April 16, 2020, by Etty Yaniv

Artists on Coping: Liz Jaff

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Liz Jaff creates installations, objects, outdoor interventions and drawings using formal structures, pattern and repetition to talk about permanence and impermanence, perceptions of time and the role of memory in shaping experience. Poetry, storytelling, Flamenco, Butoh theater and personal narrative are important influences. She lives and works in New York City.

April 8, 2020April 7, 2020, by Etty Yaniv

Artists on Coping: Christina Massey

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

*Christina Massey, Crafty Collusion 4, Acrylic and enamel paint on canvas, paper, fabric, repurposed aluminum and wire, 82” H x 68” W x 13” D, image courtesy of the Artist*

Christina Massey’s work is somewhere between that of painting and sculpture, craft and fine art, process based and conceptual. She has exhibited extensively in the NY Metropolitan region having completed over a dozen solo shows. Her work has awarded her an FST StudioProject Fund Grant, Brooklyn Arts Fund Grant, SIP Fellowship at the EFA Robert Blackburn Printmaking Workshop, Puffin Foundation Grant and Mayer Foundation Grant. Massey’s work is in the collections of the Janent Turner Museum, Art Bank Collection in DC, Credit Suisse and multiple private collections. She currently lives and works in Brooklyn, NY.