The two-person show of luminous abstract wall works at Atlantic Gallery offers viewers a dynamic sensory experience where light, shadow and unexpected materials form a conversation about how we see and engage with the world.
Installation view of Dance the Distance in Atlantic Gallery, 2025
Dance the Distance: Anne Berlit and Michele Foyer at Atlantic Gallery. Curated by Suzan Shutan. It runs through March 23, 2025
Visiting Artists & Critics Series Lecture Reception for Artist + Curator, UCCS GOCA’s Marie Walsh Sharpe Gallery of Contemporary Art, Ent Center for the Arts. Photos: Allison Daniell Moix, Stellar Propeller Studio
High + Low: D. Dominick Lombardi Retrospective at the Marie Walsh Sharpe Gallery in Colorado Springs, features 20 distinct chapters of Lombardi’s career, with artworks spanning nearly five decades. Curated by T. Michael Martin, Director of the Clara M. Eagle Gallery at Murray State University in Kentucky, the exhibition highlights the common thread throughout Lombardi’s work—an interest in blending qualities of highbrow and lowbrow art, through experimentation with various media. Lombardi’s life-long journey began with his exposure to modern art when he first saw a reproduction of Picasso’s Guernica (1939) at a very young age and continued with his introduction to the seductive world of Zap Comix in 1968. Curator T. Michael Martin says, “Lombardi’s masterful mix of high and low culture is as current as the day it was created, showing how little the aesthetics of human behavior have changed. In some ways, Lombardi’s distortions are a more truthful look at society than our daily facade of polite policy and political correctness, especially in the way we prompt contention, as Lombardi offers a much-needed change and disruption through his unique sense of humor.”
The artist in front of the billboards featuring her work, I Wish I Had a River, The Underground Lobby Garden.Photo credit:ZAZ10TS
Keren Anavy’s site-specific multi-media installation I Wish I Had a River creates a sense of a painted garden made of paintings, drawings, laser cutouts, sculptures, and video within the confines of the lobby of 10 Times Square. The artist draws on the history, architecture, and ecology associated with her installation site–the center of the bustling garment district; and Art Deco architecture of the building. Moreover, merely 40 years before its completion, New York’s biggest reservoir and supplier of all of Manhattan’s drinking water in the 19th century was decommissioned and torn down one avenue to the East. This relationship between nature, particularly water, functioning as a cultural agent and an important element of consumerism is of particular importance for Anavy, who grew up in a desert region of conflict, where the water resource was scarce. The show is curated by Lauren Powell and runs at ZAZ10TS through August 31, 2021.
Carol Salmanson, Lightshift 1 with the artist, LEDs, reflective sheeting, plexi, beads, 50.5″ H x 69″W x 5.5″D, 2018
Carol Salmanson began as a painter and then gradually started embracing the use of LED lights in her work. In “Two Sides to a Coin,” Salmanson’s recent solo show at SL Gallery, she shows her paintings and light work side by side. This results in a dynamic conversation between the two forms. Salmanson shared with Art Spiel the genesis of her work, thought process, and projects. Continue reading “Carol Salmanson: Two Sides to a Coin”