The Last Ones Standing

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Sea-Change Installation at MARS gallery, Melbourne, Australia, 2017. Photo by Matthew Stanton

Many artists have begun making work related to the climate crisis in recent years. But Australian visual artist Penelope Davis decided to address the subject eight years ago. Originally trained as a photographer with a portfolio including mainly camera-less photographs, she turned to sculpture and the looming environmental disaster after observing her first jellyfish blooms along the Melbourne coastline. Although alarmed by what appeared to be an unnatural and terrifying phenomenon, she was also attracted aesthetically to the jellyfish’s semi-transparency and how they reflected light. 

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Amanda Thackray: Surface Tension at NJCU

Featured Artist

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Amanda Thackray with A Tangle; A Swarm; A Precondition of the Plastisphere, 2021

In her solo exhibition at the Lemmerman Gallery in NJCU curated by Doris Cacoilo, Amanda Thackray presents her handmade paper installations, prints and sculpture which altogether comment on plastic pollution and the fragility of marine environment. The artist creates an allegorical environment which both reflects and distorts an aquatic world.

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