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Image from the opening of the exhibition at the gallery
For its final exhibition of the gallery year, Commonweal in Philadelphia is featuring mixed media works by Yikui (Coy) Gu & Eustace Mamba, whose imagery and use of material create layers of multi faceted cultural cues, prompting a nuanced glimpse at the complexity of American identity. The exhibition runs through July 30th, 2022.
Lauren Whearty in her Philadelphia Studio, August 2021, photo courtesy of the artist
Lauren Whearty paints mostly still life from observation and preliminary sketches. Occasionally she takes photos of things which serve in her painting process as cues to spark a sense of memory rather than a source for likeness. She builds her compositions with a collage-like construction, adding and removing objects from both the paintings and the still life set ups. She loves the process of fitting things into the grid of the canvas, playing between representing objects and maintaining a close sense of the flat painted surface. “Color for me is expressive, connects to memory and play in the studio. In using repeated objects, the excitement in experimentation comes from how an object is painted, from their color to their expression and what I can get paint to do,” she says.
Logan Gabrielle Schulman + Benjamin Behrend in Conversation
Gallery View of Exhibition A Golem Sleeps and Wakes in the Mourning, 2021
A Golem Sleeps and Wakes in the Mourning, featuring works by Philadelphia based artist Logan Gabrielle Schulman and writer Benjamin Behrend,is a collaborative interactive exhibit of images, objects, and video from the theatre of grief, on view at the Old City Jewish Arts Center in Philadelphia, PA through July 2nd. Benjamin Behrend, a writer and performer, says he has recently been straddling the worlds of comedy, performance art, and also various explorations of faith, especially these past few years. Logan Gabrielle Schulman (they/them) is a queer interdisciplinary artist, with a background in theatrical performance, directing, playwriting, and designing, while also developing over the last few years a foundation in the visual arts. They say their work “primarily investigates modern crises of faith and collapse,” which they started investigating initially by drawing on their theatrical design experience through installation work, and gradually later on, in smaller scale work as well. Schulman’s work also draws upon their experience as a Jewish educator teaching about the Jewish diaspora and Holocaust history.
The Immigrant Artist Biennial (TIAB) is a volunteer, female-led, artist-run project. TIAB 2020 launched in March in New York City at Brooklyn Museum, and continues in September through December at EFA Project Space, Greenwood Cemetery, and virtually, presenting 60+ artists. This interview series features 10 participating artists.
Yikui (Coy) Gu was born in 1983 in Nantong, China and emigrated to the United States at the age of seven, growing up in Albany, NY. Yikui (Coy) Gu has a BFA from Long Island University and an MFA from the Pennsylvania Academy of the Fine Arts. He has exhibited his work nationally in New York, Miami, Philadelphia, Washington, D.C., Boston, and St. Louis; and internationally in London, Berlin, and Siena, Italy. His work has been reviewed in the Washington Post, KunstForum International, the Philadelphia Inquirer, and the Yale Daily News. His work has appeared on the cover of the Lower East Side Review, and in Fresh Paint and Art Maze. He resides in Philadelphia and teaches as Associate Professor of Art at the College of Southern Maryland. He is currently plotting in his South Philly studio, while remaining mostly harmless.
Bonny Leibowitz makes site responsive sculptural installations with painterly sensibility – they hover in the air, spill on the floor, or sprawl on the walls. Her love of Baroque compositions, Abstract Expressionist gestures is underscored throughout her work. Bonny Leibowitz had a long-standing interest in the illusory nature of experience and the supposition of stability. In Terra Unfirma, her most recent body of work, she tackles what it means to deconstruct expectations and perceptions by using a variety of materials which play off one another – natural appearing manufactured, manufactured appearing natural – constructing environments which may feel ephemeral, eternal, fleeting, solid, light or looming at the same time. The artist refers to this quote: “Everything worth knowing is cloaked in paradox because everything substantial defies being revealed in its totality” – Mark Nepo
In Dialogue with Lori Bartol and Samantha Mitchell
Untitled (Herbies), by Doug Tan. Image credit: CCW/Virginia Fleming
Center for Creative Works (CCW) is a PA based unique professional art studio where artists with intellectual disabilities can access not only equipment and supplies but also dedicated mentorship, including help in promoting their work. Furthermore, it offers a permeable space which prompts collaboration and idea sharing between CCW artists, artists outside of the studio, and community members at large. Lori Bartol, director, and Samantah Mitchell, exhibition coordinator, share with Art Spiel their vision for the organization and an insight into some of CCW artists’ work. Lori Bartol has recently revisited our discussion on how her team and artists have coped with the pandemic.
During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
John Moran with Endless Night in his studio in Ghent, Belgium. Photo: Evert Van Laere
John Moran is a politically and socially engaged hot glass sculptor, mixed media artist, and all around nice guy. Originally from Philadelphia, Moran currently resides in Ghent, Belgium and is also the director of Gent Glas, a community glass studio he co-founded in 2014. He received his BFA from Tyler School of Art, MFA from Illinois State University, and is currently pursuing his PhD at Eugeniusz Geppert Academy in Wroclaw, Poland. His work has been exhibited in many galleries and museums across the United States and Europe, including Habatat Galleries, SiC! Gallery, Glasmuseet Ebeltoft, and Delaware Contemporary. His work is dedicated to his interests in politics, pop culture, social awareness, and contemporary art.
Jackie Neale is a hybrid photographic artist creating storytelling installations in mediums ranging from alternative processes to low-fidelity recordings. Her process relies on community immersion to depict honest interactions in underrecognized communities and serving as personal testimonials as oral histories. She is the former Online Features Imaging Director at New York’s Metropolitan Museum of Art, completing over 300 storytelling projects over 15-plus years. She is also a published author, and undergraduate Photography Professor at Saint Joseph’s University and the New York Film Academy. Neale has completed residencies in New York City, Philadelphia, Texas, Mexico, Calabria and Milan, Italy.
Andrew Cornell Robinson in the studio, photographed by Alex Reyes 2017
Andrew Cornell Robinson ‘s website indicates: “art + crafts research studio.” Largely known as a prolific ceramicist, Robinson’s oeuvre embraces a wide range of craft and design methods – resulting in an extensive body of drawings and diverse mixed media installations, all the way to performance. Throughout our multiple conversations I have been increasingly intrigued by his multi faceted imagination and asked him to learn more about his visual explorations. Continue reading “Andrew Cornell Robinson – Transgressing Across Time and Line”