Myron Stout: Materiality, Meaning, and the Geometry of Abstraction

opinion
Myron Stout (1908–1987), Untitled, at Peter Freeman, Inc.
Untitled, no date, charcoal on Strathmore paper, 25 1/8 x 19 inches, (63.8 x 48.3 cm), PF8230

An exciting exhibition of Myron Stout’s early charcoal drawings is currently on view at Peter Freeman Inc. in the SoHo district of NYC, running from January 16th to March 1st, 2025. This collection of approximately 35 works from the late 1940s and early 1950s offers a glimpse into the evolution of Stout’s personal style as he shifted toward reductive geometric abstraction. Positioned within the broader context of mid-20th-century abstraction, these drawings mark a bold departure from the era’s dominant trends, which often incorporated symbolic, gestural and representational elements.

Continue reading “Myron Stout: Materiality, Meaning, and the Geometry of Abstraction”

Whisperings from the Wormhole with @talluts

The (Real) Dream in Art

A picture containing painting, drawing, illustration, art

Description automatically generated
Cadavre Exquis with Valentine Hugo, André Breton, Tristan Tzara, Greta Knutson Landscape c.1933, Museum of Modern Art, Purchase

In an online artists’ talk in January 2022 between artists Chie Fueki, Alexi Worth and Catherine Murphy at DC Moore Gallery (produced by Painters’ Table), Murphy mentioned that her paintings were occasionally based on dreams. She revealed that her most recent show at Peter Freeman Inc. included two dream paintings: Flight (2020) and Begin Again (2019). “Flight” shows a gingham apron splayed at the bottom of four carpeted stairs and “Begin Again” shows five blue hand outlines on yellow-green wallpaper. During the course of the conversation, Worth also noted that Jasper Johns’ Flag painting came from a dream. And it got me wondering: How common is dream inspiration in art?

Continue reading “Whisperings from the Wormhole with @talluts”