Adam Henry: Parts to a Whole

Opinion
  Installation view, photo credit: Charles Benton.
Adam Henry, Installation view, photo credit: Charles Benton. Courtesy of Candice Madey gallery

Amongst a burgeoning market of retrograde art practices there runs an undercurrent of artists seeking to establish for art and its practices a new sustainable identity as a means of inquiry. What made his work different was that he was using painting as a platform primarily to explore the subjectivity and semiotics of perception—the polarity between painting as an optical event and a conceptual one. Taking his vocabulary from color theory, systemic and color-field painting, and cognitive science, his work focused on the difference between what a thing (materially) is and what it may descriptively represent. As with those works, Henry in his present exhibition at Candice Madey Gallery rejects at every turn the cult of individual expression, the magical thinking of transcendence, the pervasive appeal of accessibility, and spectacle. Instead with his present body of works, he reasserts his ambition is to use art as a means to engage his audience in speculative thought and self-reflection.

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Table of Contents at Time and Space Limited in Hudson

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In October 2021, at the periphery of the parking lot outside of the Time and Space Limited Center in Hudson, artwork by Linda Mussman appeared—about 20 large dictionaries and encyclopedias opened out on a crude wooden table. For several months, round the clock, these dictionaries were exposed to rain, sunlight, and snow, and rifled through by winds. Peach-colored streetlight bathed the texts some nights, and bright sunlight bleached the pages some days. The grass around the table receded and then returned with – mirabile dictu – a green shoot briefly fighting its way between 2 volumes. 

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Artists on Coping: John Descarfino

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

A picture containing room, white, kitchen, many

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Current drawings in progress.

John Descarfino is a Brooklyn based artist whose painting and drawings are informed by places in ways both literal and metaphorical, while exploring the complexities of perception and image structure. He has exhibited at the McNay Art Museum; Galeria Espacio 48, Spain; Centotto, Brooklyn; Lucas Schoormans Gallery; Blum and Poe; The Berkshire Museum; and The Edward Hopper House among other venues, His paintings are included in several collections including the Louisiana Museum of Modern Art, Denmark; JP Morgan Chase; and Capital Group Companies. Descarfino received grants from the Pollock-Krasner Foundation and recently, from the Café Royal Cultural Foundation.

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Artists on Coping: Barak Chamo

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Sunset, 2019, light painting

Barak Chamo’s work explores the limits of perception, what is seen and unseen by the human system, and how its vulnerabilities are laid bare by interaction with technology in an accelerating feedback loop. His research-based practice employs light, video and kinetic sculptures to create intimate subjective spaces that recognize these limits inspire a shift in perspective.

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