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Samuelle Green: A Human Vocabulary with Steel

In Dialogue
Samuelle Green. By Day: By Night. 2025. (variable size) Installation View — Honesdale, PA. steel, reflective material. photo credit: Samuelle Green Studio

In Samuelle Green’s previous installations such as The Paper Caves and Polypore, viewers encountered forms that were wildly organic in appearance. They were comprised of somewhat amorphous essentialized forms in nature that exist on the micro and macro levels, executed on an immersive human scale, enabling viewers to make a variety of associations with the natural world — pollen grains, clouds, or coral reefs. The new work, By Day: By Night, 2025, is much more specific in its references and seeks to speak a different visual language almost entirely.

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Lance Rautzhan and Cabin Contemporary      

In conversation
Lance Rautzhan standing in front of Cabin Contemporary. Photo courtesy of Cabin Contemporary

Established in June 2022, Cabin Contemporary culls local, urban, and international artists for solo and group exhibitions, hosting contemporary art concepts and dialogue in a rural context, from April through October. Multidisciplinary artist and educator Lance Rautzhan curates exhibits of installation, new media, painting, and outsider art in an outbuilding on his family farm near the Appalachian Trail, Hawk Mountain Sanctuary, and Pennsylvania State Game Lands.

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Theresa Hackett: Flipping the plane

Image from 1977 courtesy of the Artist

The PA based painter Theresa Hackett has been reflecting on landscape and environmental issues throughout her extensive body of work, Her paintings combine elements of drawing as well as different materials such as earth material and plastic. Altogether the process of coalescing all these elements is readily visible on the surface —the marks, bold shapes, vivid colors, texture— create landscapes resonating with vitality but also with an urgent sense of loss.

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Performance Anxiety at Allegheny College Art Galleries

In Dialogue with Paula Burleigh


Installation view, Performance Anxiety, on view at the Allegheny Art Galleries, 2021. Featuring works by Eric D. Charlton, Taha Heydari, Wednesday Kim. Image courtesy of the Allegheny Art Galleries.

The three person show Performance Anxiety at the Allegheny Art Galleries in PA features videos, paintings, and sculptures by Eric D. Charlton, Taha Heydari, and Wednesday Kim, who all respond in their work to the intense digital terrains most of us inhabit, exploring how the intrapersonal and interpersonal elements interplay— how self-image is being manifested and how does it affect communication with others in an ever-shifting social media landscape? Paula Burleigh, the curator of the show and the gallery director, elaborates on the premise of the exhibition, the artists’ artwork, and her curatorial process.

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Center for Creative Works – Human Development

In Dialogue with Lori Bartol and Samantha Mitchell

Untitled (Herbies), by Doug Tan. Image credit: CCW/Virginia Fleming

Center for Creative Works (CCW) is a PA based unique professional art studio where artists with intellectual disabilities can access not only equipment and supplies but also dedicated mentorship, including help in promoting their work. Furthermore, it offers a
permeable space which prompts collaboration and idea sharing between CCW artists, artists outside of the studio, and community members at large. Lori Bartol, director, and Samantah Mitchell, exhibition coordinator, share with Art Spiel their vision for the organization and an insight into some of CCW artists’ work. Lori Bartol has recently revisited our discussion on how her team and artists have coped with the pandemic.

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Artists on Coping: Heather and Raphael Rubinstein

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Heather and Raphael Rubinstein

Heather and Raphael Rubinstein divide their time between New York City, northeastern Pennsylvania and Houston. Heather’s most recent exhibitions of her paintings were at the beginning of 2020 in New York, pre-covid, with a solo in Houston at McClain Gallery. Raphael had two books come out in early March as New York was shutting down: a monograph on artist Guillermo Kuitca, published by Lund Humphries, London, as part of their Contemporary Painters Series edited by Barry Schwabsky; and Albert Oehlen: Spiegelbilder 1982-1990, published by Holzwarth Publications, Galerie Max Hetzler Berlin and Nahmad Contemporary. Planned for 2020 was a new curatorial project of theirs: an exhibition on the topic of Poet+Painter collaborations—scheduled to open at a downtown non-profit in New York (pre-covid)—and in many ways, an extension of their 2019 “Under-Erasure” exhibition that took place at Pierogi Gallery in New York. In lieu of in-person projects, Heather is working on expanding their “Under-Erasure” digital archive, publishing an Under-Erasure image-book, and a virtual Poet+Painter exhibition. Raphael is currently writing The Miraculous: New York—with episodes appearing monthly in The Brooklyn Rail —a sequel to his book, The Miraculous (Paper Monument, 2014). They are currently working towards publishing The Miraculous: New York as a public art project in New York for 2021-22.

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Artists on Coping: Jennifer Coates

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Tabletop studio, Poyntelle, PA

Jennifer Coates is a painter living and working in New York City and Poyntelle, PA. She is a recent recipient of the Sharpe Walentas Studio (2018-2019) and was a fellow at the Civitella Ranieri Foundation in Italy (Fall 2019). Recent solo exhibitions include Toxic Halo (High Noon Gallery) and Correspondences and All U Can Eat (Freight & Volume Gallery). Her work has been written about in the Brooklyn Rail, Bomb Magazine, Art Critical, Hyperallergic, the Huffington Post, Smithsonian Journeys and Art News.

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Artists on Coping: Helen O’Leary

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

HO_In_Studio.jpg

Photo by Eva O’ Leary, Fader Magazine 

Helen O’Leary is an Irish-born artist best known for constructions that blur the boundaries between painting and sculpture, object and image. She trained at the School of the Art Institute of Chicago and the National College of Art and Design, Dublin, Ireland. Her work has been exhibited internationally, including shows at the Irish Museum of Modern Art, Dublin, the American Academy of Arts and Letters, NYC, The MAC, Belfast, NI and SFMOMA, San Francisco, and been recognized by the John S. Guggenheim Foundation, the American Academy in Rome, Rome Prize, the Pollock-Krasner and Joan Mitchell foundations.

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