Manet and Degas as Realists

Opinion
The Metropolitan Museum of Art
The Metropolitan Museum of Art

Technically, Edouard Manet (1832–1883) and Edgar Degas (1834–1917 are not Impressionists; instead, they are Realists whose works owe a debt to Gericault, Goya, and Daumier and the invention of photography. Unlike Monet, who sought solace and inspiration in nature, which can be seen as a reaction to the urbanization associated with the rise of the bourgeoisie, Manet and Degas instead embraced the industrialization and urbanization driven by bourgeois economic interests. They were unconcerned with the dehumanizing effects of rapid technological advancement. Realism is aimed at depicting scenes and subjects based on the everyday lives of ordinary people.

Continue reading “Manet and Degas as Realists”

Melissa Stern: Chat & Chew at Garvey Simon: Previewing

Installation detail

In her solo exhibition Chat & Chew at DFN Projects, multi-disciplinary artist Melissa Stern features drawings, assemblages, and sculptures which probe into the surface of social decorum not only with a biting wit but also with a tender gaze. Her outlandish characters invoke in the viewer an unsettling tension between elusive simplicity of forms and deep psychological complexities. Couples stare or reach out to one another, mouthless faces seem to whisper—whether rendered with graphite, pastel, and colored pencils, or molded with clay, these figures form an array of characters we may interpret as archetypes in dreams or comic strips. They remind me of duos in a Becket play or characters in Saul Steinberg’s absurd universe—with Stern’s very own take. Stern’s protagonists express distinct attitudes and appear to have lots to say. Underneath the verbiage, you can sense a vulnerable core that is silent, on the verge of coming up to the surface.

Continue reading “Melissa Stern: Chat & Chew at Garvey Simon: Previewing”

Test Kitchen: Carolyn Case at Reynolds Gallery


Shadow Sink, 2021 oil on panel 42 x 50 inches

Test Kitchen, Carolyn Case’s show at Reynolds Gallery in Richmond, Virginia, consisted of 4 oil paintings on panel along with 8 pastel drawings. Hefty brush strokes fill the surface area of the oil paintings. The painterly process involves a buildup of incremental adjustments, the layers of paint applied one by one until the shapes solidify into a kaleidoscopic arrangement; one nudge and the elements will shift accordingly, morphing the image into an entirely new pattern. Each of the paintings gives the impression of a specific time of day, indicated by the character of light and color playing across the space. Monet’s Water Lilies come to mind. But in place of Monet’s serene refuge, Case’s light lingers over a sink full of dirty dishes.

Continue reading “Test Kitchen: Carolyn Case at Reynolds Gallery”

The Alternative States at Project Gallery V

In Dialogue with Arina Novak


Arina Novak is holding a laptop with the main page of The Alternative States displayed on the screen. Photo courtesy: Robert Oliver

The Alternative States is a virtual exhibition at Project Gallery V on view from May 3 through June 30, 2021. Inspired by a condition of daydreaming, the show explores the alternative states of mind where one finds solace in creative freedom and ethereal fantasies.

Continue reading “The Alternative States at Project Gallery V”

The Location of Serenity at D R O N E

In Dialogue with Gryphon Rue

A picture containing indoor, floor, building

Description automatically generated

The Location of Serenity (installation image, 2021). Photo: Jimi Billingsley

The inaugural group exhibition at D R O N E, a non-profit arts space in Tribeca, brings together four New York-based artists – Elsa Rensaa, Viktor Timofeev, Yasue Maetake and Eddie Natal – who explore recent memory from loss and death to spiritual regrowth. Gryphon Rue, a New York-based artist, composer, and curator, organized the exhibition and sheds some light on its premise. The show closes June 29th, or July 10th, 2021, depending on imminent leasing of the space.

Continue reading “The Location of Serenity at D R O N E”

Alexander Rutsch, The Voluptuous Eye at Kenise Barnes Fine Art


Sunset, mixed media on board, 36 x 44 inches, 1990s

My first encounter with the work of the artist Alexander Rutsch was through his daughter, the artist Alexandra Rutsch Brock (Alexi), a friend and one of my fellow co-founders of the London Calling Collective. I visited the Rutsch family home in Pelham where she grew up and where her mother still lives. The home, an eccentric, polymathic cacophony of hand-hewn art and embodied life, reflects my experience of Alexi as a passionate and energetic artist, teacher, and friend. A labyrinthine artist’s house- the type that real estate brokers abhor, is brim-full of paintings, sculptures, built-in furniture, object d’art, hand-tiled stone walls, curved nooks, hallways to a warren of rooms, and Alexander Rutsch’s overflowing attic studio, where the work from this exhibition came. I marvel at the fecundity of imagination a childhood in that house must have fostered. This history makes it a special honor to step back and review the exhibition, Alexander Rutsch, a Pop-Up, at Kenise Barnes Fine Art in Larchmont, NY, on view March 4-7 and March 11-14. 2021. The exhibition includes paintings on panel, works on paper, sketchbook pages, and whimsical bronze sculptures cast from industrial materials and found objects.

Continue reading “Alexander Rutsch, The Voluptuous Eye at Kenise Barnes Fine Art”

Fellow Travelers at PeepShow Space

Photo Story

Partial installation view

Fellow Travelers, PeepShow Space’s fifth and final exhibition, features the work of Joshua Rosenblatt, Jason Phillips and William Norton. The three artists reflect on travel, which at this moment is impossible in their lives as they shelter, wait and dream about places that no longer exist, except in memory.

Continue reading “Fellow Travelers at PeepShow Space”