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Artists on Coping: Rodney Dickson

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Untitled

Born in 1956 in Northern Ireland, Rodney Dickson grew up during the troubled years of civil disorder that engulfed that country. Having drawn and painted since childhood, he reacted to his early experience by considering the futility and hypocrisy of war through art. As time went by, he developed an interest in Vietnam and Cambodia where he researched and completed a number of art projects since 1992. There he witnessed the aftermath of conflict in its indiscriminately brutal form and it is from that point that his work proceeds.

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Artists on Coping: Helen O’Leary

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Photo by Eva O’ Leary, Fader Magazine 

Helen O’Leary is an Irish-born artist best known for constructions that blur the boundaries between painting and sculpture, object and image. She trained at the School of the Art Institute of Chicago and the National College of Art and Design, Dublin, Ireland. Her work has been exhibited internationally, including shows at the Irish Museum of Modern Art, Dublin, the American Academy of Arts and Letters, NYC, The MAC, Belfast, NI and SFMOMA, San Francisco, and been recognized by the John S. Guggenheim Foundation, the American Academy in Rome, Rome Prize, the Pollock-Krasner and Joan Mitchell foundations.

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Artists on Coping: Mary Mattingly

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Swale, Concrete Plant Park 2018, Photo: Subhram Reddy

Mary Mattingly works with photography and sculpture. She is currently artist in residence at the Brooklyn Public Library. In 2016, she founded Swale, an edible landscape on a barge to circumvent New York City’s public land laws, and in 2018 dismantled a military vehicle and deconstructed its mineral supply chain with BRIC Arts.  Her work has been exhibited at the Museo Nacional de Bellas Artes de la Habana, the Bronx Museum of the Arts, Storm King, the Brooklyn Museum, and the Palais de Tokyo. It has been featured in Artforum, The New York Times, Le Monde, New Yorker, NPR, Art21, and included in books such as MIT Press Documents of Contemporary Art, and Henry Sayre’s A World of Art.

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Artists on Coping: Jeffrey Morabito

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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L.A., 2019

Born in Bronxville, half Hong Kong-ese and half Italian, Jeffrey Morabito spent his early years traveling between New York and Hong Kong. Much of Morabito’s work is playing with the legibility of objects in painting. Recognizable figures are put in unrecognizable picture planes, or sometimes the reverse. He has exhibited nationally and internationally. In 2019, he had a retrospective of his work entitled Glossolalia curated by Karen Wilkin at 1 GAP gallery. Morabito’s work has been reviewed by the New York Times, Hyperallergic, White Hot Magazine, Art Spiel, Youngspace, Deliciousline and China Daily. A recipient of the Art Cake Studio Program, he currently works in Sunset Park, Brooklyn.

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Artists on Coping: William Norton

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


William Norton in his studio. Photograph by Rafael Fuchs

William Norton’s medium of choice is a mixture of drawing and carving, using a dremel and a router to carve lines by hand into large plexiglass sheets, letting light be what illuminates the artwork through casting shadows and reflections. Working from charcoal drawings and photographs all the work is autobiographical in nature, mostly an attempt to understand what it means to be a man, an issue that’s plagued him for decades stemming from the moment his 4 year old son was kidnapped and disappeared.

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Artists on Coping: Kay Sirikul Pattachote

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Kay Sirikul Pattachote in her studio. Photograph by Pratya Junkong

Kay Sirikul Pattachote‘s paintings utilize the abstracted forms of flowering plants as a vessel for channeling her daily meditations. These plant forms provide parameters for her interpretive brushwork and within them she is able to record her experienced energies and emotions. Ritualistic actions, such as sewing and repetition, further her meditative practice and deepen her ability to record the ephemeral on her surfaces.

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