Color Matters at Galerie Richard

Color is a function of reflected light and it is intrinsic to everything we see. Color is also freighted with emotion for humans – certain colors can excite or depress us even without our awareness – teases, shouts, whispers, sings. Color can be fugitive or it may sound an alarm. As a painter and former paint-maker, color has been a lifelong obsession for me. It’s also the focus of a new, stunning group show at Galerie Richard on the Lower East Side.

Work by Carl Fudge facing work by Jamie Martinez
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Jeanne Heifetz – Ordered Chance

Jeanne Heifetz‘s art has evolved from weaving and fiber early on to drawing and painting later on.  While her previous body of work has typically derived from a process of material  exploration, the impetus for her more recent work has been prompted by concept. As Heifetz puts it, “in spite of herself,” after the election it can  also be seen as politicized.  She was recently awarded a LABA fellowship for 2018-2019 at the 14th Street Y, where she will study ancient Jewish texts on a given theme with other artists of different disciplines. In this interview for Art Spiel Jeanne Heifetz talks about her art, ideas, and projects.

Jeanne Heifetz, Pre-Occupied 18, 2016, silver graphite on flax paper tinted with iron oxide, 21″ x 29″ Photo: Paul Takeuchi

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Elisa Jensen: Gazing Inward

Elisa Jensen‘s imagery draws upon pre-historic narratives – ancient  rock art scattered in pristine Irish landscapes, a Danish bog person  sacrificed during the Iron age, or stone age burial mounds spotted in a Danish island.  Her paintings and sculptures bring to mind mysterious rites and myths salvaged from a forgotten ancient past or perhaps from the depth of our collective unconscious memory.  In her interview for Art Spiel Jensen shares some thoughts on her process, imagery, and context.

Elisa Jensen , Gold Boat detail, 2018, self drying clay, acrylic paint, gold leaf 2 x 7 inches, photo by Apiwich

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Katya Grokhovsky’s Rigorous Play

Katya Grokhovsky‘s performances and sculptural works embody raw energy fueled by her rigorous and uncompromising process. Grokhovsky’s work is  extreme, fearless, cohesive, and ambitious. With great agility she combines media like performance, video, drawing, and sculpture to create immersive environments that delve us deep into a chaotic unknown – the complexity of self, the duplicity of social norms, the twilight  zones of life and art. In this interview for Art Spiel Grokhovsky elaborates on her impetus, ideas, and projects as a prolific artist and curator.

Katya Grokhovsky,Bad Woman, 2017, video still

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Wild World closing at Cross Contemporary Art

Wild World: Ashley GARRETT, Catherine HOWE and Lily PRINCE, the current painting exhibition at at Cross Contemporary Art  opened on Sat. September 8th. On Sunday, September 30th Richard Klin will be reading from his novel, Petroleum Transfer Engineer, at the Cross Contemporary Gallery in Saugerties, NY  at 4:00 PM. Klin is also the author of two nonfiction books.  Klin’s work–fiction and nonfiction–has been featured on Public Radio International’s Studio 360 and has appeared in the Brooklyn Rail, the Atlantic, the ForwardFlyover Country ReviewAdelaide, NPR’s All Things Considered and others.

Ashley Garrett, Sossusvlei,  2017,  oil on canvas

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Anne Gilman: Marking Beneath the Surface

Anne Gilman, Up close / in the distance / now, 2018, pencil, graphite, tape, ink, BIC ballpoint pen, matte medium on mulberry paper, 340 x 38 inches, photo courtesy of the artist

The surface of Anne Gilman’s scrolls and drawings is characterized by incisive and often repetitive graphic marks which altogether create portals to the artist’s fluid emotive states.  In her Interview for Art Spiel, Gilman reflects on the roots of her intricate process-oriented approach and also sheds light on some of her current projects. Continue reading “Anne Gilman: Marking Beneath the Surface”

Mary DeVincentis – Conscious Rituals

Mary DeVincentis paintings conjure worlds that are simultaneously inner and cosmic, personal and universal, unexpected yet strangely familiar. Some of the core concepts of Buddhism, such as impermanence, emptiness, interdependence and the origins of suffering, aversion and ignorance, often surface in her work in allegorical forms. Her imagery, conveyed with a remarkable fluidity of color and form, takes the viewer deep into their own inner worlds.  The artist shared with Art Spiel some of the experiences that led her to art, some of the ideas behind her work, and her overall process.

Mary DeVincentis, Heaven Can’t Wait, 23” x 35”, acrylic on yupo on panel, 2017, photo courtesy of the artist

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Leslie Kerby: At a Moment of Change

Leslie Kerby,Shots and Ills, 2015, mixed media collage, oil, paper, litho transfer ink, 18-x-20 inches. Photo credit Bill Orcutt

Leslie Kerby creates mixed media collages, installations, and diverse collaborative work with nuanced commentary on current social and cultural climate. In her interview with Art Spiel she sheds some light on her diverse professional background, art-making process, ideas, and plans. Continue reading “Leslie Kerby: At a Moment of Change”

Kelsey Shwetz – Other than Linear Reality

 

Kelsey Shwetz, Rec Room, Oil and Acrylic on Canvas, 62”x32”, 2018, photo credit Lloyd Mulvey

Kelsey Shwetz’s paintings  bring to mind fantastic landscapes and ornamented interior spaces at the same time. Her imagery depicts artificial environments saturated with unexpected color combinations, altogether conjuring intense psychological urgency- unsettling yet playful. In this interview with Art Spiel Shwetz shared some of her thoughts, specifically about color, narrative and style. Continue reading “Kelsey Shwetz – Other than Linear Reality”