Contemporary Art and Culture
The Children’s Art Carnival presents Seed Bomb, an exhibition marking the 80th anniversary of the devastating atomic bombings of Hiroshima and Nagasaki. Coinciding with this solemn milestone, the exhibition and its accompanying workshops take place in a deeply resonant location—Harlem, just blocks from Manhattanville, where research for the Manhattan Project was once conducted.
Continue reading “80th Anniversary of the USA-JAPAN Atomic Bombings: Sowing seeds for the future”
Beverly’s is well-known, amongst artists and locals alike, and has been a main fixture of the art community for years. Found on the Lower East Side, right on Grand Street, artists, gallery owners, writers, and curators come here to spend their time after their day is done. Beverly’s owner and creator, Leah Dixon, wanted to make this gallery space an opportunity to get thousands of eyes on work and thousands of conversations started. With their current exhibition, Sunrise, intertwined with the bar, there are many stories to be had.
Continue reading “Sunrise: the Tale of the Urban Cowboy at Beverly’s”
Landscapes, Ronit Goldschmidt‘s solo exhibition at Gordon Gallery, is as unpretentious and straightforward as its title. This group of paintings ranges from 6×4 to 23×27-inch panels—tiny but mighty. Their strength derives from the apparent skill of the painter to transport the viewer to a place so specific that it feels familiar. She successfully translates the full spectrum of a real moment by simple means of acrylic or gouache.
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The exhibition at Field of Play gallery titled Onslaught of the Moment was wonderful, intriguing and timely all in one. The gallery’s exhibitions are always deeply considered and engaging, even within a smaller space, the works all shine and carry with them quite the presence. The shows are always curated with care, and this exhibition was no exception. Curated by Kate Sherman, the works of Lauren Clark, Masie Love, and Brian Karlsson each traverse space and show a progression of both time and experience through each artist’s process.
Continue reading “Feeling the Onslaught of the Moment at Field of Play”
Tsipi Ben-Haim started CITYarts because she saw how often young people—especially teens—are left out of important conversations. She believed that if kids had the chance to express themselves through art, they could inspire real change in their communities. The idea was simple: when young people create, they don’t destroy—they build, they imagine, they connect.
Continue reading “CITYarts: Murals of Shared Stories”
Where Air Turns to Fog at Below Grand, curated by Ray Hwang, gathers Sammy Bennett, Anna Gregor, and Jesse Ng in a sometimes cheeky, but overall multivalent and sincere, investigation of visual perception and the machinery of capital-F/capital-A Fine Art presentation. With his characteristic casual abandon, Hwang exploits the gallery’s awkward architecture to its full potential, letting Bennett install an upside-down trompe-l’œil “group show” in the street-facing walk-in window display while reserving the closet-sized back room for a collection of Gregor and Ng’s paintings.
Continue reading “The Treasure Below Grand”
Artist Adriane Colburn lived in San Francisco for over twenty years. That time was formative—personally and creatively. At the same time, she maintained a consistent presence on the East Coast. She’s from Vermont and has always spent summers there, with a lasting connection to that part of New England and its relationship to the land.
Continue reading “Adriane Colburn: Seeing by Mapping”
Terra Keck and Jan Dickey caught up with artist Weihui Lu a couple of weeks after she completed a residency at Wave Hill in the Bronx. At the time, Weihui was reflecting on that experience while also preparing for her current solo show, when there is no longer a danger of frost, at Tempest Gallery in Ridgewood, Queens. An installation artist with roots in Chinese landscape painting, Weihui continues to explore impermanence, a delicate and sparing use of material, and humankind’s relationship to the natural environment. Her installation at Tempest draws its source material from an aging greenhouse she spent time contemplating during her residency at Wave Hill—understood as a physical embodiment of human systems of care, including their inevitable collapse and repair.
Continue reading “Being There, with Weihui Lu”
This month’s Manhattan highlights focus on artists tapping into the natural world, where these practices converge with the man-made in a clash of stunning reinvention and compelling engagement. These exhibitions channel the experimental through exploratory processes that harness our attention and hold us in their spell.
Continue reading “Art Spiel Picks: Manhattan Exhibitions in May 2025”
Carole d’Inverno and Susan Rostow live a block apart. Over the past year, they passed sculptures between studios, texted images and material references, built paper maquettes, and revised their work without fixed goals. Fellow Imaginaries, now on view at Atlantic Gallery, result from this sustained exchange. The exhibition includes fully collaborative hybrid sculptures made jointly by d’Inverno and Rostow, alongside individual works by each artist: sculptures by Rostow and both sculptures and paintings by d’Inverno. Though distinct in authorship, all the works were developed in close dialogue. They respond to one another in form and material and in how they occupy space. Walking into the show feels like entering a toy store—joyous, playful, a place of invention. The visitor becomes a child again, wondering how things were made and how they might move.
Continue reading “Fellow Imaginaries: Carole d’Inverno and Susan Rostow at Atlantic Gallery”