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Artists on Coping: Carmen Paulino

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Photo credit: Michael Paulino 

Carmen Paulino is a visual artist who works on providing community art programming in hospitals, community centers, and senior centers around New York City. Raised in the El Barrio section of New York City, her love for the arts was inspired by the murals in her diverse neighborhood, and her father who performed as a musician in several traditional salsa bands. As a young child, she watched her mother and grandmother knit, crochet, and sew unique traditional quilts and patterns. These experiences inspired her to develop her own techniques and produce her own mixed media works that incorporate her own life experiences, visuals from her immediate surroundings, and the inspiration that comes from living in a diverse melting pot of cultures. Paulino works at the Creative Center of University Settlement House, and in 2019 was artist-in-residence at El Barrio’s Art Space PS 109.

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David Rios Ferreira – Catalytic Lines

(detail) Don’t you see I got everythin’ you need, 2019. Photo: Jason Wyche

David Rios Ferreira‘s energetic drawings, paintings, sculptures and installations flirt with cacophony yet manage to stay on the verge, creating an idiosyncratic sense of order out of chaotic turmoils. Through turbulent lines and vibrant colors, his imagery projects a rigorous visual universe where Geo-political and mythical narratives fuse organically. David Rios Ferreira shares with Art Spiel the main ideas behind his work, elaborates on some specific projects, and sheds some light on his prolific curatorial practice. Although our interview process started a few months before the Corona pandemic and the recent global protests related to the Black Lives Matter movement, David Rios Ferreira added his response to the current events, implemented at the beginning of this interview.

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Artists on Coping: Daniel Wiener

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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In the studio with my dog, Ollie. May 11, 2020

Daniel Wiener, who received a Guggenheim Fellowship in 2012, grew up near Los Angeles but has lived in NYC for thirty-nine years. A professional artist since 1977, Daniel’s first show was at the Stephen Wirtz gallery in San Francisco, held shortly after his graduation from UC at Berkeley. In 1982 Daniel was awarded a fellowship for an unusually long stay at Yaddo, which inspired his exodus to the East Coast. Daniel was affiliated with Lesley Heller Gallery, until it closed due to the Covid 19 pandemic, where he had a one-person exhibition titled Wide-eyed & Open-mouthed in September, 2019. In response to this show, Bomb Magazine published an interview with Daniel and Fawn Krieger called The Space of Intimacy: Daniel Wiener. He is currently working on a series of painting-like bas-reliefs made from self-hardening clay based on a technique he developed at Dieu Donne. Daniel lives and works in Boerum Hill, Brooklyn.

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Artists on Coping: Meer Musa

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Meer Musa at his live-in studio in Washington Heights. Photo: Odvar Daley

Meer Musa graduated from Parsons School of Design with a BFA in Communication Design and studied at the School of Visual Arts. He is a co-founder of Trans-cen-der Art Group, a monthly curated artist talk and slide-share event that takes place at Brooklyn Fire Proof. He has exhibited in the Luhring Augustine Gallery, NYC; Sikkema Jenkins & Co. NYC; ZieherSmith Gallery, NYC; Westbeth Gallery, NYC; The Border Project Space. Brooklyn; David and Schweitzer Contemporary Gallery, Brooklyn, among others. His art is inspired and deeply informed by people, nature, and spirituality.

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Artists on Coping: Gwyneth Leech

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Cocoon for Façade Replacement, 2019 , Oil on wood panel, 22” x 24”

Through her paintings of high rise constructions sites, Gwyneth Leech expresses the optimism and anxiety of a rapidly changing New York cityscape. She has been in solo and group shows throughout the United States and Great Britain, including Susan Teller Gallery in New York City; Studio 50 Gallery in Los Angeles; Pearl Fincher Museum of Fine Art in Houston Texas; and Aberdeen Art Gallery and Museum, Scotland. Her work has been featured in The New York Times, American Art Collector Magazine, The Village Voice, and City Realty. She is the subject of a multi-award winning short documentary, The Monolith.

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Artists on Coping: Cibele Vieira

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Cibele Vieira in her studio

Cibele Vieira is a Brazilian-born artist whose work has been exhibited at Petzel Gallery, Gallery Geranmayeh, Valentine, Front Room Gallery, Christopher Henry Gallery, and Soho Photo in NYC; Ateliê 397 Gallery, the Bienal de Fotografia de São Paulo, and Casa de Cultura Mário Quintana, in Brazil. Her work is in the collections of the Ado Malagoli Museum and Rio Grande do Sul Contemporary Art Museum in Brazil, and the Kiyosato Museum in Japan, and has been published in The Village Voice, Brooklyn Rail, Hyperallergic, Visura Magazine, L Magazine, Culture Front, Washington City Paper, O Globo, Correio Braziliense, Zero Hora and Private Magazine. She was awarded First Place, Vision Awards 2000, by the Santa Fe Center for Visual Arts, and is currently an artist in residence at New York Presbyterian Hospital.

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Artists on Coping: Nancy Cohen

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Nancy Cohen in her studio, photo courtesy of the artist

Nancy Cohen’s work examines resiliency in relation to the environment and the human body. Recent exhibitions include Force: Observations from the Interior, a solo show at Kathryn Markel Fine Arts in NYC, and group exhibitions at Accola Griefen and BioBat Art Space in Brooklyn, Dorsky Gallery in Long Island City, Heller Gallery in Manhattan and The Montclair Art Museum, Montclair, NJ. Her current work has been featured in the blogs Artists and Climate Change, Art Spiel, Less than Half and Delicious Line, in the anthology the Body in Language edited by Edwin Torres and in ArtTable’s Artist Perspective Podcast.

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Artists on Coping: Ashley Norwood Cooper

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Easter Eggs, 2020, oil on linen, 80” x 72”

Ashley Norwood Cooper’s paintings are intensely colored, painterly figurative work, exploring the creative lives of women, the awkwardness of family relationships, and the schizophrenic role of the artist-mother-wife teacher. She has exhibited in solo and group exhibits throughout the US including First Street Gallery (NYC) and ZINC contemporary (Seattle). Her work has been featured in New American Paintings and on the I Like Your Work Podcast. Her recent debut at VOLTA NYC 2020 garnered write ups in the NY Times and Arcade Projects Zine (Columbia University).

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Artists on Coping: Meryl Meisler

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Meryl Meisler studied photography at the University of Wisconsin, and with Lisette Model in New York where she began to capture the city’s street life and infamous nightlife. A 1978 C.E.T.A. Artist Grant supported her portfolio on Jewish identity, after which she began a three-decade career as a NYC public school art teacher. Upon retirement, she began releasing large bodies of previously unseen work, including two books, A Tale of Two Cities: Disco Era Bushwick, and Purgatory & Paradise SASSY ‘70s Suburbia & The City. She is currently working on her next monograph, New York PARADISE LOST Bushwick Era Disco, and is represented by CLAMPART.

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Artists on Coping: Melanie Vote

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Melanie Vote, In Studio, photo credit: Jessica Glick

Though Melanie Vote has lived in NYC for over 20 years, she grew up on a functional farm in Iowa. Her work straddles these two worlds, investigating the complexities of the human-land relationship, the cyclical nature of all life, and the impossibility of permanence. In temperate months she works remotely, painting outside. She is a visual scavenger collecting passages, then returns to the studio to reconstruct layers of a place, weaving them together into open-ended narratives. Her most recent body of work, The Washhouse, Nothing Ever Happened Here, at Equity gallery is on view virtually, via Artsy.

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