Ceramics+ Drawing Into Sculpture at LIC

photo story
A colorful paper ball with barbed wire

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Sok Song,- SoNoBe: Legermain Barbed and Coiled. Clay, paper, plastic, 16”x16”x16”.2023, Me, Mom, and the War on Identity. Acrylic, screen print, collage on paper, 36”x28” 2023 ( on wall)

The Long Island City Artists, an art non-profit known as LIC-A, is currently presenting a bold exhibition that brings together artists who work simultaneously in two media not always thought of as compatible. Curator Matt Nolen has gathered a fascinating group of artists from the NYC metropolitan area who work in both clay and drawing–one influencing and bouncing off the other. The synthesis is a fascinating and genre-bending exhibition.

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Rachel Frank: Ritual and Rehabilitation

Hot Air
A collage of hands holding a clay dog

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Rewilding Franconia Sculpture Park, Participatory Performance as part of 4Ground: Midwest Land Art Biennial, Franconia Sculpture Park, 2022. Photographer: Rachel Frank

Rachel Frank is a Brooklyn-based artist whose practice includes sculpture, video, and performance. Her art explores our shifting perspectives towards natural history, climate change, and relationships with non-human species. She grew up near Big Bone Lick, Kentucky, the birthplace of American paleontology, where large mammoth and other megafauna fossils were found, altering Western views on extinction and evolution. She works as a staff wildlife care manager at The Wild Bird Fund, a wildlife rehabilitation center in Manhattan.

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Dov Talpaz: The Sound of Longing at SARAHCROWN

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A painting of a person riding a horse

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Holding the Mountain, 2018-23, Oil on Wood, 36X24 Inches

An acute sense of yearning permeates the ten artworks showcased in Dov Talpaz’s debut exhibition at SARAHCROWN in Tribeca. The exhibition, The Sound of Longing, was thoughtfully composed by curator Sarah Corona, who selected small to medium-sized oil paintings characterized by their strikingly vivid hues. The modest dimension of the paintings enhances a sense of an intimate space, while the rich, dynamic colors seem to resonate with a loud auditory experience.

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Cross-Continental dialogue: Marie-Chloé Duval and Yulia Bas

In Conversation
Yulia Bas, Barcelona 2023 and Marie-Chloé Duval, NYC 2022, credit: Keith Selby

Art’s ability to transcend borders becomes evident as two distinct artists engage in a cross-continental dialogue. Yulia Bas, hailing from the sun-soaked landscapes of Spain, and Marie-Chloé Duval, an artistic force from Canada, come together to delve into the intricacies of their creative processes. This exchange goes beyond cultural distinctions, bridging the gap between mediums. Through their conversation, Bas and Duval explore inspirations, techniques, and the universal language that connects artists worldwide.

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A Garden Grows in the Meatpacking District

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A group of objects made out of wood

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Specimens.- 2018. 287 pieces of wood with powdered graphite, 42” x 35” x 6” approx

Sculptor Loren Eiferman has brought a veritable garden of strange to Ivy Brown Gallery this summer. Her meticulously fabricated wood sculptures create a fantastical garden of forms that are both biomorphic and often anthropomorphic at the same time.

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Norte Maar’s CounterPointe10 – Tamara Gonzales and Julia Gleich

DANCE

A group of people dancing on a stage

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“Colibri” (2023). Dancers: Sara Jumper, Timothy Ward, Dianna Warren, Margot Hartley, Mikalla Ashmore. Photo: Julie Lemberger

The impetus for this series of conversations between a visual artist and a choreographer comes directly from my recent collaborative work with a choreographer as part of Norte Maar’s CounterPointe10. In this unique project a choreographer is paired with a visual artist to create together over two months a dance performance that integrates the two disciplines into a cohesive vision. Here is the conversation between co-founder, director, and choreographer: Julia K. Gleich and artist: Tamara Gonzales.

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Ruby Palmer: Painter with a Kaleidoscope Eye

A person sitting on a couch with a dog

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Ruby Palmer with dog, “Oscar,” in her studio in Red Hook, NY, Photo credit: Yuko Yamamoto

Ruby Palmer’s new acrylic and Flashe paintings, currently on display in her solo show Shift at Morgan Lehman through June 30, look like colorfully doodled Rorschach tests. Each work is densely populated with swirling kaleidoscopic symbols like flowers, feathers, and geometric shapes, all set over jewel-toned or neutral grounds. At her previous exhibition with the gallery, she showed wall sculptures made up of painted clusters of basswood, and her new paintings seem to take those networks of wood a step further and expand them outward like Hoberman spheres in a big-bang fashion. It was my pleasure to speak with her and find out more about this exciting new direction in her work.

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Norte Maar’s CounterPointe10 – Marcy Rosenblat and Amanda Treiber

Dance
A group of people on stage

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Giulia Faria and Mónica Lima in Sideslip, Photo taken by Marcy Rosenblat

The impetus for this series of conversations between a visual artist and a choreographer comes directly from my recent collaborative work with a choreographer as part of Norte Maar’s CounterPointe10. In this unique project a choreographer is paired with a visual artist to create together over two months a dance performance that integrates the two disciplines into a cohesive vision. Here is the conversation between artist Marcy Rosenblat and Choreographer Amanda Treiber.

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The Liu Shiming Foundation Celebrates the Life and Legacy of Acclaimed Sculptor Liu Shiming Through Supporting Emerging Artists

Liu Shiming. All photos courtesy of The Liu Shiming Foundation.

Art non-profits play a critical role in fiscally supporting and guiding emerging artists. Founded in August 2021, The Liu Shiming Art Foundation was created to preserve the legacy of artist Liu Shiming’s work as well as to support art students and emerging artists. In April, the Foundation announced the very first ten recipients of the Liu Shiming Art Grant. Channeling Shiming’s longstanding passion for the arts, the $3,000 grant is given to young artists who are no longer enrolled in school or students enrolled in institutions outside of the Foundation’s partner universities and colleges.

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Just say YES to NADA!

Paul Wackers- First Time, Long Time. Jack Hanley Gallery

I’ve been to more art fairs than I can count, but the ones that I’ve had fun at I could count on two hands. Many are too big, dealers are either stressed out or bored, mundane work or work that is inaccessible or silly. The last show that I went to before the pandemic was The Armory Show at the westside piers. It was a few days before the world shut down and the fair was eerily empty. I wandered alone through a fair that typically had been jam packed with beautiful art lovers. And then everything went quiet for about a year and a half.

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