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Gal Nissim – Sci-Art Encounters


Gal Nissim & Leslie Ruckman, SurveillAnts at Science Gallery Detroit, 2018, live ants, acrylic, sand, wood, electronics. 41.5 X 29 X 29 Inch. Image courtesy of the artist. Photo by Mark Sullivan.

Gal Nissim creates collaborative experiential multi media installations which stimulate the visitor to track and decode the behaviors of animals through audio-visual patterns, ranging from a colony of living ants in a gallery space to wild life in Central Park. Nissim shares with Art Spiel her fascination with the link between science and art, some insight into her elaborate collaborative process, and on her projects. Our interview process had been taking place before the pandemic and the artist was given an opportunity to bring her responses fairly up to date.

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Artists on Coping: Sally Boon Matthews

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Sally Boon Matthews with Soundscape for March, April, May 2020. Water Colour, Ink, Felt Tip, Pencil, Thread on Mulberry Paper. 12”x 288”, 2020

Sally Boon Matthews is a British born and educated artist, educator, and yogi living in New York City. Though her background was originally in photography, in the last eight years she has developed a multi-discipline practice that includes video, painting, collage, and drawing. Her work has been exhibited and published in Europe, the United States and Latin America. Publications include Tricycle Magazine, NY Times, Blitz Magazine, British Journal of Photography, Penguin Books, Random House, Warner Books, A&M Records, Om Yoga, Battersea Museum of Art, UK, Galerie Solado, Caracas, Venezuela, Santa Barbara Museum of Art, Louisiana Museum of Art, Chateau de Trousse-Barriere, Briare, France, Jamaica Arts Center, NY.

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Artists on Coping: Katherine Jackson

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Small Oils (Little Oil 79,80,81), glass, lightbox, 2019-20

Katherine Jackson has been bringing glass and light together for many years, often deriving them from drawing. Recently, in a series called Little Oil, (alluding to Big Oil), and/or Small Oils, as in oil painting, she has cast solid glass versions of vintage oil cans and set them on lightboxes. Recent shows include Park Place Gallery, 1 Gap Gallery, Odetta (Chelsea), and Odetta Harlem. She will participate in the sculpture show of the Venice Architectural Biennale (August 29, 2020 – February 16, 2021); Kunstraum LLC.

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Todd Bienvenu – Stories within Stories

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Todd Bienvenu, Bain de Pâquis, 88x76in, acrylic on canvas, 2019 .
Courtesy Todd Bienvenu Studio

No matter what Todd Bienvenu chooses to depict in a painting – a male nude lying on a bear skin rug in a Venus pose, a fearless female city bike rider, or a crowded water-park vista- his surfaces consistently pull you in by their bold vitality and idiosyncratic humor. Todd Bienvenu shares with Art Spiel some insights on his process, ideas and studio work.

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Kate Teale: Landscapes of Void

Kate Teale, Going Dark 15x12x8” paintings, on graphite wall drawing 120″ x 164″, Grand Rapids MI, 2018, photo courtesy David Henderson

No matter what subject matter Kate Teale’s drawings, installations and photographs depict – a house, a sleeping couple, bed sheets, a Tsunami – her images always lead us into an urgent psychological landscape, prompting us to pause and reflect on what we are looking at. Precise like poems and complex like dreams, her subtle and highly focused artworks take diverse forms ranging from works on paper to tromp l’oeil murals. Kate Teale shares with Art Spiel some concepts behind her work, process, and thoughts about her evolution as an artist.

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Julie Peppito: Making Meaning out of Anything

Toxic Frock (This Changes Everything by Naomi Klein), 2016, canvas, trim, oil paint, gouache, thread, acrylic paint, found objects, fabric paint, fabric, grommets, variable dimensions (84″ x 156″ x 10″), photo courtesy Dan Gottesman

Julie Peppito‘s visceral and imaginative installations refer to our ecological, cultural, and political environments through explosive colors, textured surfaces, and interconnected loopy forms. Julie Peppito recalls how growing up in Oklahoma and later moving to NYC impacted her development as an artist. She shares some of her thought process, her work as an activist, and some of her projects.

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