Revisiting Pritika Chowdhry’s Feminist and Decolonial Installations Speaking to India’s Partition for Women’s History Month

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Pritika Chowdhry. What the Body Remembers, 2008. Paper pulp, mason stains. 6 ft. x 3 ft. x 10 ft. installed dimensions. All photographs courtesy of the artist.

On India’s 75th year anniversary, the horrors of the Partition cannot be forgotten. Yet despite the atrocities committed against women, their experiences are often excluded from discussions of Partition’s impact. In What the Body Remembers and Queering Mother India, artist Pritika Chowdhry pushes back against this historical erasure. Revisiting two of Chowdhry’s installations for women’s history month, one is struck by the sensitivity and delicacy of her work alongside the urgency of her message.

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Peter Gynd – Studio on the Road

Peter Gynd, Blanketed 15-003, 2017, archival inkjet print on Hahnemulhe  photo rag 308gsm, 15.875 x 23.75 inches framed, Edition of 5 +1AP , photo courtesy of the artist

Peter Gynd is a prolific artist, curator, and gallery director. As a Canadian artist who has been well immersed in the New York City art world, Gynd has a vista on both worlds from a unique perspective. We have been in dialogue for several years and this is a compilation of the issues we have touched upon in our conversations. Continue reading “Peter Gynd – Studio on the Road”