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Chellis Baird – Redefining Sculpture

Featured Artist

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Portrait of Chellis Baird in her studio. Photo courtesy of the artist

Chellis Baird’s work bridges the fine line between painting, sculpture and textile work, which is no easy feat. Baird’s sculptures require that extra layer of attention in order to really take in all the details: bright colors interwoven with gold accents, as well as the hint of foreign materials bulging from underneath. Her current exhibition, The Touch of Red, explores the significance of the color red in Baird’s practice. The color red is Baird’s favorite color, and holds much significance to her. The color conjures a wide range of symbols, feelings and history, including the contrasting emotions of love and pain, as well as symbols such as good luck, war and seduction. For this exhibition, Baird developed a shade of red with local suppliers in New York and Georgia and also developed her first metal and rosin works titled Serpentine and Flirt with the assistance of a foundry in Long Island City. The exhibition is up through April 8th at the National Arts Club.

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Painting the Narrative at the National Arts Club

In Dialogue with Dee Shapiro

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Installation view

In the group exhibition Painting the Narrative at the National Arts Club in New York City the artist Dee Shapiro brings together six contemporary artists who explore content and form of narrative painting ranging from interiors to landscapes, personal to imagined, realistic to fantastic. Featured artists: Jennifer Coates, Laura Karetzky, Judith Linhares, Ernesto Renda, Kyle Staver, and George Towne. The show runs through June 28th.

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Artists on Coping: Patricia Fabricant

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Patricia Fabricant, Alexi Rutsch Brock, Beth Dary at the opening for Among Friends, May 2019

Patricia Fabricant is a painter and book designer, from New York City. She received her BA from Wesleyan University and studied painting in Italy. Her abstract paintings have been exhibited widely at such galleries as SFA projects, M David & Co, Front Room, Morgan Lehman, the Painting Center and the National Arts Club. More recently she has worked figuratively, both on a political series, Paper Dolls, and on woven self-portraits, which she began in response to the 2016 election and its aftermath. She is also curating shows. She lives in Brooklyn and shares a studio at the EFA, in Manhattan.

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