The Immigrant Artist Biennial, In Dialogue

Maya Hayuk and Kathie Halfin Discuss Ukrainian Heritage and Identity

Still from Kathie Halfin’s performance Body, Land, and Water at Enmeshed, Dreams of Water on October 6, 2023. Photographed by flaneurshan. studio. Courtesy of The Immigrant Artist Biennial.

Having forced nearly one-third of Ukrainians to flee their homes as of 2022, the Russo-Ukrainian War has been a potent reminder of the absolute necessity to uphold peace, justice, and international solidarity in times of humanitarian crisis. Both being part of The Immigrant Asrtist Biennial 2023, Maya Hayuk and Kathie Halfin are artists who are inspired and empowered by their shared Ukrainian identity and heritage. Hayuk’s processes involve “set and setting,” mapping, and traditional design techniques, which is echoed by Kathie Halfin’s performance and hand-woven tapestry shown at Enmeshed: Dreams of Water. Together with TIAB’s writer-in-residence Xuezhu Jenny Wang, they speak about how their art grows out of cultural and political convictions.

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Women to the Fore at the Hudson River Museum

In Dialogue with co-curators Laura Vookles, Chair of the Curatorial Department, and Victoria Ratjen, Curatorial Assistant

Installation view. (Front) Ola Rondiak (American, b. 1966). Motanka Installation, 2019. Papier-mâché, plaster of Paris, and other mixed media. Courtesy of the artist. © Ola Rondiak. Photo: Steve Paneccasio

To celebrate the 100th anniversary of the passage of the Nineteenth Amendment guaranteeing women’s voting rights, Women to the Fore, the current group exhibition at the Hudson River Museum features more than forty female-identifying artists, spanning one hundred and fifty years. The two curators, Laura Vookles and Victoria Ratjen, selected diverse artworks across media —paintings, drawings, prints, photographs, collage and sculpture— from the Museum’s permanent collection, regional artists, galleries, and collectors. The exhibition includes works by renowned artists like Marisol, Judy Chicago, Louise Nevelson, and Mary Cassatt among many others, and less recognizable contemporary and 20th century artists. For instance, one of the highlights in this show is Anna Walinska’s self-portrait which not only marks her first return to the walls of the Hudson River Museum in over 60 years, but also brings to light her significant role in the art world of her time, including her dedication to promoting the work of other artists, like Arshile Gorky, who got his first New York City solo show in the mid-30s at the Guild Art Gallery, an art venue she founded and ran.

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Artists on Coping: Claudia Chaseling

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Claudia Chaseling in her Berlin studio in April 2020. In the background mutopia 5 in progress.

Claudia Chaseling lives in Berlin and Canberra and received a Masters from Udk, Berlin and a Ph.D. from ANU, Canberra. Claudia is known for “Spatial Painting”, site-mutative biomorphic murals that optically distort the familiar geometry of the space, whilst carrying socio-political content. In 2013 she published the graphic novel Murphy the mutant that became an anchor for her work to follow. Her work has been featured at over sixty exhibitions internationally, including X-Border Biennial, Finland, LAB11 Biennial, Sweden, and the Lorne Biennial, Australia. Recent solo exhibitions were held at Art Gallery Nadezda Petrovic, Serbia; Wollongong Art Gallery, and Yuill Crowley Gallery, Australia; Kunstverein Duisburg and Staatliche Kunsthalle Baden-Baden, Germany; and AiB, NYC. “Vfzkt Berlin” published her monograph in 2016. Grants include DAAD, Karl-Hofer Award, Samstag Scholarship, OZCO and artsACT. Residencies include Art Omi and ISCP, NYC. 

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