multi-disciplinary – Art Spiel

October 8, 2021November 2, 2022, by Art Spiel

The Factory Project during London Frieze Week

Featured Project: Nicholas Stavri and Eric Thorp – Answering collectively as THORP STAVRI

The Factory Project – Warehouse Internal – Thorp Stavri

Whilst The Factory Project runs through the most commercially driven week of the London art calendar, Frieze week, it is championed as a non-profit museum scale multi-disciplinary exhibition that has been produced by the duo Thorp Stavri with the aim of amplifying underrepresented voices of emerging to mid-career artists and curators, offering them the opportunity to exhibit new work without the constraints of commercial bias. It is set to open from October 9th to the 22nd, showcasing 10 exhibitions by 10 curators and over 110 artists within the former Tate & Lyle 67,640 sq ft warehouse and yard complex at Thameside Industrial Estate by City Airport. ” We’ve been thinking of the project as a sort of music festival, where you can travel from stage to stage (exhibition to exhibition), catching your favorite acts while discovering loads of new ones,” The Factory Project producers say.

November 18, 2019September 10, 2023, by Etty Yaniv

Iris Häussler – Invented Biographies

Throughout her multi-faceted installations, the German-born Canadian based artist Iris Häussler has been slipping in and out of multiple characters. Her invented underdog protagonists live through diverse historical periods and traverse vast geographies. Häussler’s rigorous installations transform any categorization. They are placed between life and art, coalescing multi-disciplinary collaborations including performance, literature, and richly layered visual vocabularies such as drawing, installation and sculpture. The visitor is invited to experience an individual’s life within a specific context of place and history, to decipher the clues from the artifacts and materials throughout installations that reflect on fiction, history and the meaning of a creative identity.

October 29, 2019November 21, 2019, by Katie Hector

When the Artist Speaks

A Review of Michael A Robinson’s Solo Exhibition

The Object as Evidence at SL Gallery, New York

Michael A. Robinson, The Origin of Ideas, 2013, found lamps, tripods, and electrical cords, 6 x 6 x 9 ft,, Image: courtesy of SL Gallery

Trekking down 38th Street in the heart of the garment district on a Thursday evening in October, I made my way to SL Gallery where Michael A. Robinson’s solo exhibition, The Object as Evidence, was on view. As I pushed open the large steel door to the gallery I found myself immediately subsumed within a group of onlookers similarly clad in all-black. The artist’s talk had already begun and attention was fixed upon Robinson, a tall slender man with sandy-blonde hair standing beside a projector that cast images of artwork onto the wall behind him. Arms extended and eyes twinkling, Robinson elucidated upon the evolution of his work.