Guzman Revisits Kurt and Courtney

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Guzman, Kurt Cobain In Bed, Los Angeles, 1992, Archival Ink on Mulberry Paper, 32 x 22 inches

Portraits are collaborations between the sitter and the artist. Sometimes the artist can be overwhelming or patronizing but in most cases the sitter’s vision of how they would like to be seen now and in perpetuity wins out. This is particularly seen in cases of well known personalities. Prime examples are the portraits of Andy Warhol exposing his scars after being shot to both Alice Neel and Richard Avedon. In these vastly different images Warhol clearly wanted the world to know what had been perpetrated against him and how his suffering lingered. When the portraits are images of celebrities, particularly those in the last few decades, the public has a strange sense of possession, teetering on full-blown obsession. The success of the portrait hinges on several factors from the artist including generosity, intelligence, empathy, skill, and creative facility. Fortunately this is what is on exhibition at LABspace in Hillsdale NY, Kurt and Courtney, by collaborative photography duo Guzman. Guzman is made up of Constance Hansen and Russell Peacock. In their 30+ years of photography they have solidified a reputation across all genres from conceptual and documentary work to bringing cool, enlightened, humanizing aesthetics to the commercial worlds of fashion, advertising, and celebrity portraits. As summed up in a recent discussion about their work, Constance Hansen said the intent is not to make a mean photo, but a photo that embraces the person.

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Kathy Goodell: Infra-Loop at the Dorsky Museum

In Dialogue with Kathy Goodell


Kathy Goodell, Mesmer Eyes, 2020, ink on synthetic paper, 120 x 300”, photo courtesy of Ferris Ramirez

Infra-Loop, Kathy’s Goodell’s survey exhibition at the Samuel Dorsky Museum of Art in New Paltz, explores the visual vocabulary that runs throughout the artist’s diverse disciplines, across geographies and time periods. Guest curator and artist Andrew Woolbright brings together more than 40 artworks including paintings, sculptures, and multimedia installations from 1994 to 2020. This is the first time Goodell’s work has been presented on a large scale. The exhibition runs through July 11th.

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Artists on Coping: Diane Englander

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Gatherings I (2019), 21 x 24 x 2 inches, mixed media

With color, composition, line, texture, Diane Englander is aiming for a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. Her inspiration to work on a specific piece comes from curiosity about the materials. She’s always thinking (though not necessarily in a conscious way), What would happen if I did this? What would this other thing do? But always bending back to the goal of creating a place of calm energized by tension.

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Anne Gilman: Marking Beneath the Surface

Anne Gilman, Up close / in the distance / now, 2018, pencil, graphite, tape, ink, BIC ballpoint pen, matte medium on mulberry paper, 340 x 38 inches, photo courtesy of the artist

The surface of Anne Gilman’s scrolls and drawings is characterized by incisive and often repetitive graphic marks which altogether create portals to the artist’s fluid emotive states.  In her Interview for Art Spiel, Gilman reflects on the roots of her intricate process-oriented approach and also sheds light on some of her current projects. Continue reading “Anne Gilman: Marking Beneath the Surface”