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Kat Chamberlin: TRANSACTIONS

In Dialogue with Kat Chamberlin


BEVERLY’S: Under Construction Sessions Peephole

Kat Chamberlin: TRANSACTIONS for BEVERLY’S: Under Construction Sessions includes works in drawing, glass and aluminum created in response to a year in quarantine and loss of work. In exchange for the year’s shifted labor conditions and loss of independence, the artist uses her 5-year-old daughter’s ideas as payback. The show runs through April 20th, 2021.

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Maria de Los Angeles in Domestic Brutes at Pelham Art Center

In Dialogue with Maria de Los Angeles

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Artist in her Studio. Photo by Ryan Bonilla 2019 . Photo by Ryan Bonilla 2019

Maria de Los Angeles says she feels very blessed to be included in the Domestic Brutes exhibition at the Pelham Art Center. A DACA recipient, she grew up undocumented and currently she is working on getting her citizenship, looking forward to contributing by voting for the first time. “Since I arrived to this country 20 years ago, I have looked forward to Voting. I love this county and consider it my home and can’t wait to do my part by helping elect new people. I truly believe we can build a better future together,” she says.

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Tirtzah Bassel in Domestic Brutes at Pelham Art Center

In Dialogue with Tirtzah Bassel

Tirtzah Bassel grew up in Israel, the oldest of eight in a Jewish Orthodox family. Her father is a traditional scribe and her mother, a ballet dancer by training, was the homemaker when they were growing up. Although both of her parents were very creative and the value of making things by hand was instilled early on, she didn’t know any professional artists and had no concept that making art was something she could do as an adult. This changed when she took a night class at the Jerusalem Studio School in her early twenties. She recalls how she was immediately drawn to the intensity of the atelier-style learning environment, drawing and painting from observation, and the methods of the Old Master paintings. She later decided to pursue an MFA at Boston University and subsequently moved to Brooklyn. “Perhaps it was the continuous traversing of worlds – religious and secular, Israel and the US, Hebrew and English – that led me to ground my work in close observation of seemingly mundane situations,” she says.

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Ashley Norwood Cooper in Domestic Brutes at Pelham Art Center

In Dialogue with Ashley Norwood Cooper

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”How to Draw Your Shoe”, oil on panel, 36” x 30”, 2020.

Ashley Norwood Cooper is an artist and a mother, raising three teenagers in a small town in upstate NY. Her paintings have always dealt with family and home and how the personal connects us to the global and political. She is interested in the schizophrenic role of the artist-mother-wife-teacher and in how to redefine the heroic from a woman’s perspective. Ashley Norwood Cooper is participating in Domestic Brutes and she will present her work in a virtual studio visit hosted by Pelham Art Center on Thursday, October 15th, 5-6pm.

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Manju Shandler in Domestic Brutes at Pelham Art Center

In Dialogue with Manju Shandler


Manju Shandler working on Persistent Mothers in her studio in Brooklyn, NY 2020. Photo Stephen Estrin.

Manju Shandler creates symbolic art that speaks to current events. Building upon established storylines from myth, religion, and history, her mixed media artworks create richly layered narratives that reflect on our dense and complicated times. Shandler believes people are natural storytellers that make sense of the world through by mining both personal experience and collective memories that have been passed down. Her work dips into this well. Training as a theatre designer helps her to envision installations and her background as a puppet builder informs how she approaches building objects. Identifying as a mother seeps into everything she does.

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Artists on Coping: Ashley Norwood Cooper

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Easter Eggs, 2020, oil on linen, 80” x 72”

Ashley Norwood Cooper’s paintings are intensely colored, painterly figurative work, exploring the creative lives of women, the awkwardness of family relationships, and the schizophrenic role of the artist-mother-wife teacher. She has exhibited in solo and group exhibits throughout the US including First Street Gallery (NYC) and ZINC contemporary (Seattle). Her work has been featured in New American Paintings and on the I Like Your Work Podcast. Her recent debut at VOLTA NYC 2020 garnered write ups in the NY Times and Arcade Projects Zine (Columbia University).

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Artists on Coping: Susan Carr

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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The Procession, 18 x 24 inches, oil on wood, 2019

Susan Carr’s art investigates play, color, cartoon art while referencing motherhood, loss, and personal mythology. Her second solo exhibition at Labspace in Hillsdale, NY, has been pushed to summer/fall due to Covid -19. Carr has been in numerous exhibitions throughout the United States and overseas, including the Mash Gallery in Los Angeles, Phillips Art Auctions, New York, Next to Nothing Gallery, NYC, Mark Borghi, NYC, Andrew Edlin, NYC, the Elaine Jacob Gallery at Wayne State University, and Boecker Contemporary in Heidelberg, Germany.

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