Curatorial visions at Montclair Art Museum

Tom Nussbaum: But Wait, There’s More!, Montclair Art Museum, installation view, photo courtesy of Jason Wyche

During her more than thirty years at the Montclair Art Museum, Dr. Gail Stavitsky, Chief Curator, has shaped the institution’s vision through exhibitions that deepen public understanding of art history while highlighting under-recognized artists. Her work extends beyond the galleries to publications that introduce new scholarly perspectives — including the recent catalogue accompanying Tom Nussbaum: But Wait, There’s More! In this interview, Dr. Stavitsky discusses her curatorial approach and the ideas guiding the Museum’s current exhibitions by Tom Nussbaum and Christine Romanell.

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Nanette Carter: A Question of Balance at Montclair Art Museum

Installation view. Photographer Peter Jacobs

Nanette Carter: A Question of Balance at the Montclair Art Museum is an extensive survey of 46 works from throughout the artist’s career curated by Mary Birmingham. Carter is known for her boundless abstractions and innovative works on mylar. This long-awaited show reflects Carter’s long history with the museum, the community, and the town itself. As one enters the show, the first piece is a video titled The Weight from the pandemic days, where Carter films herself balancing various pieces of her two-dimensional painting as more pieces get “stacked” onto the main mass. Setting the mood for the show, it not only introduces Nanette Carter in flesh but also important themes she has been working on throughout her career.

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Woolpunk®: Sunflowers & Graffiti’d Sky in the Garden State at Montclair Art Museum

Photo Story

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Detail, Sunflowers & Graffitit’d Sky in the Garden State, 2022, 24 x 36. Digital Image with embroidery and textiles. Photo Credit: Megan Maloy

Sunflowers & Grafitti’d Sky in the Garden State is a large-scale wall-based work by artist Woolpunk® in the Laurie Stairwell exhibition space at the Montclair Art Museum. It consists of a photo highlighting inspirational communal land use and dietary wellness, juxtaposed by a spray-painted sky-blue mural that is visible from behind the sunflowers. The use of the graffitied wall in the photo reminds us of the air-polluted sunsets, which are so beautiful that they make us almost forget what causes them.The sunflowers are treated as mutating militants filled with patterns and iconic images multiplying throughout the community garden,” the artist says.

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MVA Open Studios: Philemona Williamson


Philemona Williamson in studio with work in progress, oil on canvas

Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.

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Jennifer T. Ley: MVA Open Studios

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Jennifer T. Ley, work in progress in the studio, 2021, Paper, Anishinaabe Bimishimo tin jingles, watercolor, digital photos, Photo courtesy the artist

Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.

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Katrina Bello – Non Human Expressivity


In the studio in Newark, NJ, 2018. Photo courtesy of the artist.

New Jersey and Manilla based artist Katrina Bello draws on memories of her childhood experiences in the Philippines. Ranging from small to large scales. her drawings depict geological layers as vast fields of textures and colors – alluring us to sense the awe in vastness while also inviting us to get close and sense the fragility and tenderness in each detail.

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Artists on Coping: Jeanne Brasile

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Jeanne Brasile is an artist, curator, art educator and writer and is also the Director of Seton Hall University’s Walsh Gallery.

Jeanne Brasile is interested in repurposed paper as a medium, especially when its original function is outmoded, and structured to communicate information that is currently transmitted in a digital format. Most recently she has been working with library card catalogues, Braille newspaper pages, vintage dictionaries and newsprint to make wall sculptures on canvas or board. She shreds, cuts, folds, weaves, sews and curls paper – reassembling the pieces to alter the data it once conveyed. Her work has been shown most recently at the Montclair Art Museum, The Pascal Gallery at Ramapo College of New Jersey and the Mattatuck Art Museum.

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