Contemporary Art and Culture
Elizabeth Velazquez makes powerful installations in response to the history and geography of a site. While her work often unleashes dark secrets from a hidden past with particular sensibility to social injustice, it also elevates our gaze upwards, conjuring an essence of spirituality out of the materials she is using. The artist shares with Art Spiel the ideas and process behind her recent body of work.
Continue reading “Elizabeth Velazquez: All Realities”
The French born Brooklyn based artist Julien Gardair makes carpets, paper cutouts, paintings, sculptures, video or everything in between. This proclivity for smooth sail between forms in context of specific sites globally paired with his insatiable explorations, make his body of work versatile, whimsical and layered. Julien Gardair shares with Art Spiel his ideas, experiences, and what is behind some of his many projects.
Continue reading “Julien Gardair: Polyphonic Situations”
Rhonda Wall‘s collaged paintings depict surreal landscapes where the wacky and the tragic co-exist. Her topsy-turvy worlds, in which enigmatic and often over the top cartoony characters go on with their daily business, are idiosyncratic and current. Rhonda Wall shares with Art Spiel her downtown NYC art world experience during the 80s, her work process and ideas.
Continue reading “Rhonda Wall: Survival in Delirium States”
Mixed media artist Jada Fabrizio is an insatiable story teller. Her appetite for narratives covers wide grounds and results in dioramas and photographs ranging from a domestic scene of a hen with a fried egg at hand, to a melancholy rabbit sprawling on an armchair. Fervently surreal and underscored with dark humor, these sculptural sets and photographs offer open-ended stories that tease us and draws us in. Jada Fabirzio shares with Art Spiel a bit about herself, her approach to art making, and what triggers her narratives.
Continue reading “Jada Fabrizio: Ardent Fables”TSA & Transmitter, The New York Studio School
TSA & Transmitter
It is often the case that the immediate juxtaposition of aesthetically kindred galleries TSA and Transmitter allows, maybe accidentally encourages visitors to make observations about concurrent exhibitions with relation to one another. I’m not sure the curators at the respective spaces are always keen on hearing such thoughts – especially from me, since over the years they’ve likely tired of knowing that I’ll always be looking for something – but there are times when the formal or conceptual fluidities or contrasts between shows are so striking that commentary of the sort proves simply irresistible. Continue reading “Nota Bene with @postuccio [ix]”
Seren Morey is a maximalist . Her lush mixed media painting- reliefs resemble mutated life forms in the process of proliferation – organic and artificial, funny and freakish, decorative and disorienting. Seren Morey shares with Art Spiel experiences that brought her to art, including some particularly fascinating encounters; in-depth know-how paint-making and painting processes; and reflections on her development as an artist.
Continue reading “Seren Morey: Growing Roses with Thorns”Microscope, Underdonk
“Scrapbook Performances” is an admirably extensive, broadly politically engaged series of evenings of performance art programmed by Microscope Gallery in relation to their current group show of video art, “Scrapbook (or, Why Can’t We Live Together).”
Performances have been scheduled for basically every Monday and Friday for several weeks already, and there are still several more weeks of gatherings to come.
No matter what subject matter Kate Teale’s drawings, installations and photographs depict – a house, a sleeping couple, bed sheets, a Tsunami – her images always lead us into an urgent psychological landscape, prompting us to pause and reflect on what we are looking at. Precise like poems and complex like dreams, her subtle and highly focused artworks take diverse forms ranging from works on paper to tromp l’oeil murals. Kate Teale shares with Art Spiel some concepts behind her work, process, and thoughts about her evolution as an artist.
Continue reading “Kate Teale: Landscapes of Void”
The grouping of mostly floor-bound sculptures in “Ground Histories”, the current group show curated by Will Corwin at PS122 Gallery, not only pulls our attention to the ground, but also makes us aware of what is underneath its surface – archaeological artifacts, graves, excavated memories. In the east room a triangular layout consisting of Will Corwin’s altar-like sculpture, Heidi Lau’s arched-shape ceramic sculpture sprawling, and David Goodman’s forte-like structure, create a sense of both tension and connectivity. Made of plaster and sand, painted with terra cotta and white tempera hues, and tied with rough ropes, Corwin’s “Jaw” is a rectangular free-standing sculpture that draws literally upon teeth and invokes the idea of the archaic – an architectural ruin from an unidentified culture, or an archaeological artifact with an enigmatic ritual significance. The tooth, a pivotal element in both forensics and bioarcheology, can be read in Corwin’s sculptures as a loaded metaphor for what it means to be human.
Continue reading “Ground Histories at PS122”