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Installation image, from left to right: No Exit, In Flesh, Night Sequence. Image courtesy of the artist
Painter Steve Hicks shares with Art Spiel his reflections on the body of work he is currently exhibiting at George Billis gallery, focusing on how he sees these paintings within the wider context of his overall work.
Miami Art Week is bigger than any other global fair as it attracts a wide range of audiences. Centered around Art Basel Miami, Miami Art Week is the catch-all term for the seven day art world bonanza in December packed densely with art fairs, public art, interventions, activations, pop-ups, parties – basically all forms of art shows – often sponsored by companies who capitalize on the opportunity to reach art world professionals, art lovers, celebrities, and trend-setters. You might already know this, great. What you might not have considered is what it feels like to be an artist within this bustling eco/nomy/logy.
In Dialogue with Jennifer Wroblewski Founder of Gold/scopophilia
Leah Tacha, Notice Me. 2019. 20 x 11 x 3 inches. Ceramic with digital decals. Photo by Maeve Fitzhoward.
Gold/scopophilia is a rigorous artist run art venue in Upper Montclair NJ, founded in 2017 by Jennifer Wroblewski. The founder shares with Art Spiel the story behind her gallery, programming, and current exhibition featuring the work of Leah Tacha.
The Immigrant Artist Biennial (TIAB), video still, 2019, Ariel Diaz
An Interview with Katya Grokhovsky, Founding Director of The Immigrant Artist Biennial By Anna Mikaela Ekstrand
Launching across New York City in March 2020, The Immigrant Artist Biennial (TIAB): HERE, TOGETHER! will present multi-disciplinary exhibitions, panel discussions, and events highlighting the multiplicities of immigrant experiences and providing a platform for U.S.-based immigrant artists from around the world, across race and social class, to showcase their work.
Art Spiel in Dialogue with Elisa Gutiérrez Eriksen
The process of calculating one’s position, 2019 (Installation view with works by Niklas Asker and Sophie Dupont). Photo courtesy: NARS Foundation
Elisa Gutiérrez Eriksen has curated The process of calculating one’s position at NARS Foundation.This group show features NARS 2019 season IV residency artists: Esther Hovers, Niklas Asker, Jiin You, Tavi Meraud, Fiona McGurk, Dominique Doroseau, Martin Vongrej, Joonhong Min, Ella Weber, Martin Désilets, Sophie Dupont and Tali Keren. It runs through December 13th. The curator shares with Art Spiel the ideas behind the show, the artists, and a bit about the NARS Foundation venue.
Lily Prince, Arles,1, Acrylic on canvas paper, 16”x16”, 2019, photo courtesy of the artist
Lily Prince makes lush plein air paintings depicting the essence of specific places around the world. By utilizing linear and color vocabularies, she creates pictorial fields which resemble disorienting topographical maps where time is fluid and frozen simultaneously. Lily prince shares with Art Spiel her background, ideas. process, and projects.
Gregory Coates, My Big Brown Peace, 2019 deck brushes 76 x 252 x 3 inches
Each of Gregory Coates’s wall-based assemblages in Actual and Implied, the artist’s solo show at Monica King Contemporary, commands the space with its own powerful presence. Altogether, the show features over a dozen new mixed media assemblages made of found objects created with post-minimalist sensibility, for which Coates is mostly known for. It is a bold encounter with the objects of art at first, but the longer you look, the more subtle and fragile it becomes. The seemingly simple monochromatic surfaces from afar transform to complex arrays of color, line and dot from close-up.
Isabelle Garbani curated the group show Artifacts of Place at Stand4 gallery in Bay Ridge, Brooklyn, running through December 15th. The show features work by Joyce Dallal, Dalia Baassiri, Mary Tuma, Daiffa Dessine, Arghavan Khosravi, Reem Bassous, Armita Raafat, Helen Zughaib, and Ekram Alrowmeim- all women artists who are of Middle Eastern and North African descent and who are dealing in their art with related cultural or political issues. The curator shares with Art Spiel her ideas behind this group show and some information about the participating artists.
Elise Ferguson. Pebble. Pigmented plaster on MDF panel, 2018. Photo courtesy of Able Baker.
“Wisdom was the feeling for what is high, great, broad, sharp, even, heavy, bright, light, colorful . . . Wisdom was the feeling for an essentially shared reality, for the mystical, for the indeterminate indeterminable, for the greatest determinacy of all . . . but art is reality, and the reality we share must assert itself beyond all particularity.” Hans Arp, Introduction to a Catalogue
Prototype for the Kodak DCS 100, floppy discs, and Kodak film
The exhibit at Pioneer Works is called “A History of Digital Photography” and features some of the first images taken with Kodak’s earliest digital camera. The show includes that camera, its maquette, and the ever sharper, smaller cameras Lucien Samaha worked with over the years, plus ephemera. But at its heart, this show is less about technology than an artist’s journey, and is deeper and far more human than its title suggests.