A Gathering: Gardens, Portals, Protests

Installation View, A Gathering: Gardens, Portals, Protests, Left to right: Lu Heintz, Kristy Hughes, Eva Zasloff, Kevin Umaña, Liza Bingham, Lu Heintz, Kate Holcomb Hale, Bhen Alan, Dara Benno, Damien Hoar de Galvan. Elizabeth Ellenwood Photography.

Why do we need art in this moment? What art sustains both practitioners and audience in difficult times? These urgent questions pulse at the heart of curator and artist Olivia Baldwin’s extraordinary exhibition at the Kniznick Gallery, part of Brandeis University’s Women’s Studies Center—and the answers she’s assembled are luminous.

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Art Spiel Picks: Philly Exhibitions in July 2025

HIGHLIGHTS
Artwork by Raúl Romero. Photo by Studio 105

Since the beginning of time, artists have drawn inspiration from and found it within the natural world. This month, Philly boasts a variety of work where artists are going deeper to discover what can be imitated and learned from the evolutionary beings around us. Some artists take direct motifs like coqui sounds or daffodil patterns, while others venture into new utopias or dreamworlds to live in as the real world diminishes underneath their feet. Studio 105 at RAY presents a bold reimagining of electrical current and vibrations that echoes the power of communication and sound. Philadelphia Magic Gardens reframes the purpose of the mushroom not just as a decomposer but as a symbol of rebirth and perseverance. The Arts Leagues suggests a world where the organic is depleted and society must build again. Arch Enemy Arts throws logic out the window as they find mercy in the mystical realm.

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Lineage and Latitude – Divergent views sparking newfound conversations at IW Gallery

Overall Installation Shot

This group exhibition at the IW Gallery brings together a wide array of artists, visions, and mediums. Each of the eighteen artists in the show is connected in some way, whether it be from Pratt Institute, they are former international students who have decided to stay and continue making work, all the way to friends and former classmates. This grouping is an eclectic amalgam of stories and inspirations that diverge in their own ways and reconverge to create new conversations. Many of the artists in this exhibition use their work to embody their stories, memories, and histories. Pieces of their lineages, carrying across various places to join together in one location starting an ever expanding dialogue with each other.

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Phantom Attractions at Astor Weeks

Zoe Beloff, Model for Drive-In Dreamland by Albert Grass (c. 1945), 2012, Wood, paint, plexiglass, found objects, 67 × 27 ⁵⁄₁₆ × 19 ³⁄₈ inches, 170 x 70 x 48.5 cm., photo courtesy the artist and Astor Weeks

When my mother was very old, I wanted to tell her what it was like to be in the art world. I said, “It is a little like joining the carnival.” While not affording her much comfort, I tried to convey the disorderly balancing act of the ridiculous and the transcendent, the illusory and the real, the sincere and the piratical. I wanted to suggest a midway of precarious lives, thrill rides, and a dubious game of chance.

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Why Black Art Is Rarely Just Abstract

Algernon Miller’s work bends space, time, and expectations, redefining what abstraction means when history isn’t optional

Algernon Miller Afrofuturism and Beyond, Installation view, courtesy of Ethan Cohen Gallery

I met Algernon Miller the way I tend to meet people in the art world: by asking too many earnest questions at a panel. That day, at a Mel Edwards talk at Hauser & Wirth, I caught a smile from the soft-spoken man next to me. We chatted and clicked. Two native New Yorkers—he from Harlem, I from the Lower East Side—drawn together by chance, we followed each other with no particular reason, and what felt like nothing quietly became something.

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Art Spiel Picks: NYC Exhibitions in July 2025

HIGHLIGHTS

Installation view, Michael Pribich at Transmitter

Pathways of migration, transit, turbulence, and foundational knowledge lead us across the city through three boroughs that speak to time and reflection. Through the slightest gestures cleverly calculated by the selected artists, we can trace symbolic movements as indicative of something greater and inherently profound. This lineup is a reminder to delve into one’s humanity and to mine for empathy and change. These themes are as relevant today as they were long ago, and it’s important to acknowledge the work of artists who are using their talents to envision an equitable world for all. Let us carry forth this mindset so that the present we build is a true path forward towards a more mindful future.

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Nanette Carter: A Question of Balance at Montclair Art Museum

Installation view. Photographer Peter Jacobs

Nanette Carter: A Question of Balance at the Montclair Art Museum is an extensive survey of 46 works from throughout the artist’s career curated by Mary Birmingham. Carter is known for her boundless abstractions and innovative works on mylar. This long-awaited show reflects Carter’s long history with the museum, the community, and the town itself. As one enters the show, the first piece is a video titled The Weight from the pandemic days, where Carter films herself balancing various pieces of her two-dimensional painting as more pieces get “stacked” onto the main mass. Setting the mood for the show, it not only introduces Nanette Carter in flesh but also important themes she has been working on throughout her career.

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Feeling the Onslaught of the Moment at Field of Play

Lauren Clark, Four Points Round, oil, acrylic, cotton mesh, copper, glass beads, iron, malachite, 40 x 20 inches

The exhibition at Field of Play gallery titled Onslaught of the Moment was wonderful, intriguing and timely all in one. The gallery’s exhibitions are always deeply considered and engaging, even within a smaller space, the works all shine and carry with them quite the presence. The shows are always curated with care, and this exhibition was no exception. Curated by Kate Sherman, the works of Lauren Clark, Masie Love, and Brian Karlsson each traverse space and show a progression of both time and experience through each artist’s process.

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UNBIND: FIGURING THE LAYERS OF BEING with the New York Studio School

Leaves, oil on canvas, 54 x 36 inches

Upon entering the exhibition I was struck at the presence every artist’s work had. While every piece was quite different from one another, they all shared similar conversations and offered viewers the opportunity to question human experience, histories, intimacy versus public viewing, and dealing with what it means to feel human. With nine artists, and diverse mediums, the complexities of being are shown clearly and each artist has their own take on “layers of being”.

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Art Spiel Picks: Philly Exhibitions in June 2025

HIGHLIGHTS
Installation view of Tea Party at Locks Gallery, courtesy of Locks Gallery

As we get into the summer months, June exhibition picks for Philadelphia are vibrant, sensuous, and bold. Works currently on display at the Pennsylvania Academy of the Fine Arts, Locks Gallery, and Moore College of Art touch on subjects surrounding how we see ourselves and each other, and the transitory nature of existence. All things physical and sensual ultimately act as a foil to death, and these surreal and vivid works offer the viewer insight into how each artist considers what makes us human. Whether created of glitter, paint, ceramic, velvet, or butterflies, the works in these exhibitions remind us that we are stardust, and golden.

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