mixed media – Page 49

May 10, 2021July 22, 2021, by Etty Yaniv

Tomo Mori: Fibrous Points of Origin

Filling the gap, 2020. 24″x30″. Acrylic, painted canvas fabric on masonite board.

Tomo Mori is a Japanese-born and New York City-based fiber artist who has been focusing on two main bodies of work: wall based collage series and sculptural
installations . In both she is working with used materials like old clothes and linens, fabrics she keeps reusing and transforming into new forms. During this 2021 Asian American and Pacific Islander Heritage Month, Tomo Mori shares what brought her to art making, what role her cultural background plays in her work, and what are some of her recurrent themes and processes.

May 7, 2021December 6, 2024, by Etty Yaniv

Jennifer Macdonald: We Met in Kaarthijenkia at Sala Projects

In Dialogue with Jennifer Macdonald

Jennifer Macdonald, We Met in Kaarthijenkia installation at Sala Projects, 2021, photo courtesy of Tania Cross

Jennifer Macdonald’s solo inaugural exhibition at Sala Projects features a group of unique cast bronze sculptures, made by using prototypes that are built from textured wax and wax-coated materials such as card stock, pasta, balsa wood.

May 3, 2021May 3, 2021, by Etty Yaniv

Nandini Bagla Chirimar: Becoming Who We Are

Nandini Bagla Chirimar’s richly layered drawings, prints, paintings and installations draw on her daily life as a mother, daughter, homemaker and artist living in New York. She grew up in Jaipur, India and came to the USA to complete her undergraduate art education at Cornell University. Here, she found herself working with many of the elements she had encountered in her daily life growing up in India — homes she lived in, her relationships, events, color, block prints, miniature and folk paintings.

April 29, 2021November 2, 2022, by Art Spiel

Ararat: Artists Coming Together in a Time of Crisis

*Ararat Collective zoom session screen capture*; Clockwise from left: Tusia Dabrowska, Orly Noa Rabiniyan, Jon Adam Ross, Diana Wyenn, Noa Charuvi, Randy Ginsburg, Agustin Jais and Robyn Awend

A new art collective was born out of the need to find purpose and connection during the shut down period caused by the Covid 19 pandemic. Now the collective members launch a webzine that invites everyone to peer into their minds, get inspired and think of the various ways creativity has a potential to help cope with a global disaster.

April 26, 2021July 22, 2021, by Etty Yaniv

Loren Eiferman: Drawing in Wood

:Loren in the studio:Loren studio sitting.jpg — The aritst

Loren Eiferman sees her work as the “ultimate recycling”. She collects sticks and branches that have fallen to the ground and typically forms her sculptures by joining together hundreds of small pieces of wood into a cohesive whole through a unique technique she has developed for over 25 years.

April 23, 2021July 22, 2021, by Etty Yaniv

Melissa Joseph: Née at REGULAR•NORMAL

In Dialogue with Melissa Joseph

A picture containing text, indoor

Description automatically generated

Intergenerational, 42 x 131 in, needle felted wool and sari silk on inkjet print on Indian duppioni silk, 2020-2021

Née, Melissa Joseph’s first solo show in New York, features 27 wall based works and 5 sculptures, utilizing mostly wool felt and textiles assembled through a highly intuitive process. The show runs at REGULAR•NORMAL through May 2, 2021.

April 22, 2021July 22, 2021, by Etty Yaniv

Leslie Kerby: Happy Place Project

Art Spiel Photo Story

In early February, the bleakness of winter got to the New York City based artist Leslie Kerby. She decided to reach out to friends near and far, as she had done during lockdown, this time asking them to send photos of the places around their house where they were able to find some solitude. She contacted everyone individually which opened up possibilities for longed for exchange. To her delight she received many beautiful photos. It took her a couple of days to figure out how she would paint from them. Ultimately, she decided on watercolor, acrylic, and mixed media collage on vellum, which enabled painting on both sides, while letting the light in. “It was a gift to visit with everyone in their home. A testament to the value of human connection,” she says.

NEW LINK to whole project

April 19, 2021April 19, 2021, by Etty Yaniv

Brandon Graving: Honing Viscosity and Air Currents

Brandon Graving, Mother: Earth 2 detail, 2021, embossed monoprint, 41”x 108”, photo by artist

Brandon Graving aims to transfer and translate a sense of wonder in her artworks. She describes her process of making as exploring the connectedness of all things with ongoing “delight, immediacy and a sense of virginal untamed discovery with a nod towards Humbolt.” Some of her sculptural works are kinetic and turn, revealing elaborate intricacy and shadow play, while other works, including monoprints with handmade inks and semiprecious stones, alter dramatically in different light. She does not intend to depict nature but rather hone ideas and objects into simplified essential forms, some with elaborate treatment. Through her extensive attention to detail, she reflects on how the micro and macro within the work suggest a system that is both diverse and similar, how these dualities interrelate or even duplicate in nature.

April 17, 2021April 16, 2021, by Etty Yaniv

Kat Chamberlin: TRANSACTIONS

In Dialogue with Kat Chamberlin

BEVERLY’S: Under Construction Sessions Peephole

Kat Chamberlin: TRANSACTIONS for BEVERLY’S: Under Construction Sessions includes works in drawing, glass and aluminum created in response to a year in quarantine and loss of work. In exchange for the year’s shifted labor conditions and loss of independence, the artist uses her 5-year-old daughter’s ideas as payback. The show runs through April 20^th, 2021.

April 16, 2021November 2, 2022, by Anna Mikaela Ekstrand

Katya Grokhovsky: FANTASYLAND at Smack Mellon

In Dialogue with Katya Grokhovsky

A picture containing clothes, cluttered

Description automatically generated — Katya Grokhovsky, Fantasyland, 2021. Images courtesy of Smack Mellon. Photos: Etienne Frossard

Katya Grokhovsky ‘s site-specific installation FANTASYLAND at Smack Mellon explores the rise and fall of a fantastical empire and its uncertain future. Giant plush toys, inflatable beach balls, deconstructed and re-assembled mannequins, an unfinished carousel structure, recycled parachute canopies, wallpaper, a glowing neon sign, and performance videos, altogether underscore American society’s surplus of objects, and unbridled desire for material possessions, ironically, the capitalist symbol of freedom. The artist scrutinizes the American Dream through an immigrant lens, exposing a desirable yet unattainable mirage. Katya Grokhovsky’s work is currently on view in the solo exhibition FANTASYLAND at Smack Mellon, through May 2^nd, 2021.