mixed media – Page 48

June 12, 2021June 9, 2021, by Sagi Refael

Melanie Daniel – No Man’s Land at Asya Geisberg

*Melanie Daniel, No Man’s Land, Installation view. Courtesy of the artist and Asya Geisberg Gallery, New York*

Melanie Daniel’s fifth solo exhibition at Asya Geisberg Gallery, No Man’s Land, continues the artist’s fascination with creating post-disaster environments, radiating with neon vibrancy and highly dense compositions. Her non-place surroundings are reminiscent of jungle clearings and scorched forests, where the trees are scarred and chopped, the water is acidic and the backgrounds swirl around the central protagonists, whether people or objects, with a restless tempo that leaves no room for the imagined tranquility.

June 10, 2021July 22, 2021, by Etty Yaniv

The Location of Serenity at D R O N E

In Dialogue with Gryphon Rue

A picture containing indoor, floor, building

Description automatically generated — *The Location of Serenity* (installation image, 2021). Photo: Jimi Billingsley

The inaugural group exhibition at D R O N E, a non-profit arts space in Tribeca, brings together four New York-based artists – Elsa Rensaa, Viktor Timofeev, Yasue Maetake and Eddie Natal – who explore recent memory from loss and death to spiritual regrowth. Gryphon Rue, a New York-based artist, composer, and curator, organized the exhibition and sheds some light on its premise. The show closes June 29th, or July 10th, 2021, depending on imminent leasing of the space.

June 7, 2021July 22, 2021, by Etty Yaniv

Nicole Kutz: When the conditions all fall in place

Nicole Kutz in the studio, 2020, Photo courtesy of Nicole Kutz

The Nashville based artist and curator, Nicole Kutz, meditates in her paintings on life’s transience through handmade pigments and dyes. She frequently draws on the Japanese Wabi-sabi aesthetics, as well as the artforms of shibori and kintsugi, to create ethereal abstracted worlds, where you can find beauty in imperfections.

June 4, 2021June 2, 2021, by Iara Pimenta

An Installation to Immerse and Reconnect

Installation view. “To Ripple with Water” at The Border Project Space, 2021. Image courtesy of the artist

In unstable and changing times, haunted by a pandemic and conflicts unfolding worldwide, the installation by artist Bel Falleiros creates an introspective space that allows us to pause and reflect on how we relate to ourselves and the environment. Presented at The Border Project Space and curated by Jamie Martinez, “To Ripple with Water” is an invitation to be present, to disconnect from the frantic times we live in, and reconnect to our bodies and to the earth, in a quietly performative experience.

June 2, 2021May 31, 2021, by michelle weinberg

Down and Dirty at Duck Creek Arts

Installation view, photo courtesy of Gary Mamay

Down and Dirty, recent works by Bonnie Rychlak and Jeanne Silverthorne on view at Duck Creek Arts in East Hampton, NY, is a vaudevillian collection of subtly crafted works that tickle our collective psyche. The narrative of banal objects formed largely from wax and rubber elicits empathy, provokes thought and causes laughter, a complex jumble visually and emotionally. Arranged on the floor in the massive wooden barn, rejecting the hierarchical placement of art on pedestals, the works address a child-sized viewer, or perhaps an imp. They deftly implicate our inner child. The worn wood panels and flooring of the barn are complicit with Rychlak’s and Silverthorne’s works, collaborating to generate an experience in which the “feeling” or “haptic” sense is awakened, enriching the viewing experience. That Down and Dirty also blurs the boundaries between the works of the two artists is gleefully conspiratorial, the word defined here as “to breathe together.” It is a feminist gesture which includes an actual collaborative work titled Grate of Unintentional Consequences.

May 28, 2021November 2, 2022, by Art Spiel

Form or Function at ArtPort Kingston

Art Spiel Photo Story

A picture containing building, way, sidewalk, dirty

Description automatically generated — Exhibition view

The group exhibition Form or Function at ArtPort Kingston features works of various media, exploring the relationship of objects in between contemporary art, design and craft with an attempt to blur the lines and create dialogue. The exhibition overall prompts a question – “Looking at everyday images, objects, tools and materials, we have very diverse emotional bonds with them. An artist creates a dialogue with their materials, providing intentions. Is it an object’s form, their history, or the story we create that attracts us?”

The show is curated by Laurie De Chiara, featuring works by Chuck von Schmidt, Karen Jaimes, Staveley Kuzmanov, Traci Johnson, Barbara Marks, Ellie Murphy, Courtney Puckett, Jim Osman, Rachel Urkowitz and Gabriele Hamill, Inna Babaeva, Clemens Kois, Sophi Kravitz, Christina Kruse, Jeanne Atkin, Kathleen Vance, Erika DeVries, and Rodger Stevens. The show runs through June 6^th.

May 27, 2021November 2, 2022, by Art Spiel

Shifting Sands at ChaShaMa

Art Spiel Photo Story

From left to right: Spandita Malik ‘Salwar-Kameez on Clothesline’ 2021 Sun-printing, Phulkari silk thread embroidery on Khaddar fabric, 32 x 40 inches ; Geuryung Lee‘The movement’ 2019 Drypoint on paper 18 x 24 inches; Sofia Luisa Suazo Monsalve ‘Post-photographic landscape #1,2,3’ 2019 Digital chromogenic print on paper, 9 x 18 inches; j.p.mot ‘Stool + boogey’ 2017 Mixed media, 7ft x 5ft x 6ft; Hyun Jung Ahn ‘Blanket Windows’ 2021 Felt and linen, 72 x 62 inches

SHIFTING SANDS is a group exhibition showcasing the creative breadth of 20 artists from the 2020 New York Foundation for the Arts Immigrant Artist Mentoring Program. Each of these artists has crossed physical borders, leaving one part of the world for another – in doing so, they hold space for various identities and shifting realities. From this common experience emerges unique perspectives on identity, belonging, home, memory, hope and resilience. Many of the pieces exhibited were created during the pandemic. They express the rollercoaster of emotions, the shifting states of being, and new possibility.

Exhibiting artists: Zeshan Ahmed, Katya Akuma, Ivana Brenner, Hedwig Brouckaert, Zorica Colic, Carin Kulb Dangot, Bel Falleiros, Nathier Fernandez, Vinay Hira, Jaejoon Jang, Hyun Jung Ahn, Ae Yun Kim, Geuryung Lee, Jiaoyang Li i, Spandita Malik, Levan Mindiashvili, j.p.mot, Ghislaine Sabiti, Leila Seyedzadeh, Sofia Suazo

Curated byYvette Molina, Ghislaine Sabiti and Hedwig Brouckaert

May 26, 2021May 16, 2021, by Etty Yaniv

Sammy Lee: Remind Me Tomorrow at the Emmanuel Art Gallery

In Dialogue with Sammy Lee

BTS (Beating Tadumi Station), 2014, video projection, immersive installation at BMoCA, photo by Tricia Rubio

Denver-based, Korean American artist Sammy Lee’s solo exhibition at the Emmanuel Art Gallery explores motherhood, domesticity, immigration, and prejudice through installation, artist books, performance art, and sculptures. The artist is using a multitude of textures and mediums that re-contextualizes familiar objects, ritual, and scenes into art. Remind Me Tomorrow opens May 25, during Asian American and Pacific Heritage (AAPI) month to celebrate Asian culture and speak out against the alarming bigotry manifested against Asian people. The exhibition runs through July 15th, 2021.

May 24, 2021December 6, 2024, by Etty Yaniv

Clive Knights: Fragmentary Intimations of Shared Meaning

Clive Knights in his studio, Portland, Oregon, 2021, photo courtesy of the artist

Clive Knights practices architecture and art, in particular mixed media and monotype printmaking. He holds professional architectural design undergraduate and graduate degrees from Portsmouth Polytechnic, UK, and a Master of Philosophy in Architectural History and Theory from Cambridge University. Clive has taught architecture since 1984 and was a full-time lecturer at Sheffield University for six years before moving to Portland State University in 1995 where he currently resides as a professor and director of the PSU School of Architecture. His primary areas of interest include the cultural meanings of architectural representation understood through the phenomenology of the human body, with particular reference to the writings of Maurice Merleau-Ponty; the revelatory capacity of metaphor in poetic work; and speculations in architectural design studio pedagogy. Publications include many journal articles and book chapters on the theory, history and pedagogy of architecture.

May 19, 2021May 12, 2021, by Etty Yaniv

Natalie Westbrook: Surface Tension at Freight + Volume

In Dialogue with Natalie Westbrook

Natalie Westbrook in her studio, 2021.Image courtesy the artist. Photography Johannes DeYoung.

The Pittsburgh based painter Natalie Westbrook’s solo show at Freight + Volume in Tribeca features her recent body of bold and highly energetic paintings ranging from monochromes to vivid colors. Jeffrey Grunthaner writes in his essay for the show that Westbrook’s works “confront the limits of what painting makes possible.” The show runs from May 21^st to June 26^th, 2021.