Trusting Hands at Andrew Edlin Gallery

One finds a simple common thread between the three exhibitions of women artists in Andrew Edlin Gallery this fall 2021: spiritual internal guidance in the artistic process. The work of German artist and known medium healer Agatha Wojciechowsky (1896-1986), curated by Aurelie Bernard Wortsman, is in Spirits Among Us at the entry and main gallery space, while the work of French artist Margot (b. 1982) is in Margot’s Cosmic Sanctuary at the back gallery. The solo presentation of American artist Karla Knight (b. 1958) was at the recent Independent Art Fair in New York City, which briefly overlapped with these two fall season starters at the gallery. Led by their individual connection to the otherworldly, the artists make work that invites viewers to ponder the source of creation and artistic agency.

Continue reading “Trusting Hands at Andrew Edlin Gallery”

Luisa Caldwell Infinite Butterfly at FiveMyles

In Dialogue with artist Luisa Caldwell


Luisa Caldwell installing Curtain Call at the University of Iowa 2019, photo: Justin Torner

Brooklyn based artist Luisa Caldwell began to exhibit her candy wrapper work in 2002. She collects candy wrappers, from her daily walk on the city sidewalks or gets them from friends who send them to her from all over the world. Caldwell says she likes cleaning up the earth one wrapper at a time. Her current show at FIveMyles runs from September 18th through October 17th.

Continue reading “Luisa Caldwell Infinite Butterfly at FiveMyles”

What Is Your ‘Tipping Point’ for Collective Action?

A picture containing text

Description automatically generated

Scream (detail), 150 x 158 cm, mixed media drawing, 2020

I recently read the article “As the Climate Crisis Grows, a Movement Gathers to Make ‘Ecocide’ an International Crime Against Humanity” from Inside Climate News. The authors state that “international lawyers, environmentalists, and a growing number of world leaders say that ‘ecocide’ – widespread destruction of the environment – would serve as a ‘moral red line’ for the planet.” French President Emmanuel Macron and Pope Francis add that ecocide is an offense that poses a similar threat to humanity as genocide. And Pope Francis describes ecocide as “the massive contamination of air, land and water” or “any action capable of producing an ecological disaster.” The Pope has proposed making ecocide a sin for Catholics, endorsing a campaign by environmental activists and legal scholars to make it the fifth crime before the International Criminal Court in the Hague.

Continue reading “What Is Your ‘Tipping Point’ for Collective Action?”

Becky Yazdan: Finding the Edge of Experience

A person sitting in a chair

Description automatically generated with medium confidence

Becky Yazdan in studio, 2021

Becky Yazdan’s paintings are based on things she encounters in her daily life as well as her memory of events, feelings, and colors. For her the painting process is an active dialogue with the nature of things around her. “The paintings are like dreams—the events of the day reorganized and combined with other events and memories until a new, often surprising reality has taken shape,” she says.

Continue reading “Becky Yazdan: Finding the Edge of Experience”

Briana McLaurin: Unlearning Portraiture 


Briana McLaurin in front of her painting titled, Hope, Love, and What Else…?, 2020, Oil, pencil, and sharpie on canvas, 40 x 30 in. Photo courtesy of the artist

Briana McLaurin takes on an intimate subject matter in her large scale oil paintings, as her practice primarily consists of painting her family members. Her vibrant portraits serve as a tribute to her own experiences and upbringing, while creating a relatable narrative that celebrates African American presence. The honesty and value of family are extremely present in McLaurin’s recent body of work, where she reflects on her relationships with loved ones by depicting intimate snapshots of domesticity.

Continue reading “Briana McLaurin: Unlearning Portraiture ”

Marya Kazoun: Trans-mutational Materiality#


Steady Breath, 2003, installation/ performance, bamboo, wool, fabric, thread, 320 cm x 300 cm x 228 cm , photo credit: Margerida Correia

Each of Marya Kazoun’s sculptures, performances, and installations evolves into its own open-ended narrative, deriving from the artist’s personal journey—childhood memories and cultural background. Throughout her versatile body of work, Marya Kazoun plays with the concepts of time and space by blurring their boundaries, excavating a wide array of imagery from the realms of the collective and the subconscious to form rich and poetic installations evoking parallel universes. The eclectic materials she is using in her work—fabric, bamboo, Murano glass, plastic, paper, and whatever inspires her—assume new life and new meaning within her idiosyncratic, imaginative, and elaborate visual vocabulary.

Continue reading “Marya Kazoun: Trans-mutational Materiality#”

Louisa Pancoast at Main Window DUMBO

Previewing – Pinch Back

A painting on a wall Description automatically generated with low confidence

Louisa Pancoast will perform her movement-based art installation Pinch Back at Main Window in DUMBO September 10th at 7:30pm. This will be the final performance on view at this non-profit public art space in Dumbo. The performance was commissioned by Main Window as a companion piece for Evan Paul English’s Inexterior.

Continue reading “Louisa Pancoast at Main Window DUMBO”

Earthscapes: Emerging to a Brighter World: Pamela Casper at Wisner House

Art Spiel Photo Story


Installation view

In her solo art exhibition at Reeves-Reed Arboretum, Pamela Casper invites the garden-loving public to reconcile a personal relationship of guardianship that goes beyond admiring nature’s beauty. The artist says that the trajectory of the work in this show follows her own path of transformation—from observing beauty and imagining nature “above ground” to exploring the endless networks hidden below. The show is curated by Executive Director Jackie Kondel and runs through October 31tst, 2021.

Continue reading “Earthscapes: Emerging to a Brighter World: Pamela Casper at Wisner House”

‘Til The Moon Turns Pink at SPANTZO

Judy Giera and Nathaniel Garcia In Conversation

In her first solo exhibition at SPANTZO Gallery, Judy Giera, explores the nuances of girlhood and the expectations of the feminine through painting, video, and performance. Giera’s bright colors and synthetic materials reference Barbie and her Dream House as well as the patriarchal conceits of the action painters of the 1950s. Judy Giera and SPANTZO founder and director, Nathaniel Garcia, share their reflections on the exhibition.

Continue reading “‘Til The Moon Turns Pink at SPANTZO”