Contemporary Art and Culture
Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.
Continue reading “J. Steven Patton: MVA Open Studios”
Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.
Continue reading “Mona Brody: MVA Open Studios”
Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.
Continue reading “Jennifer T. Ley: MVA Open Studios”
Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.
Continue reading “Gail Winbury: MVA Open Studios”
Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.
Continue reading “Donna Conklin King: MVA Open Studios”Jac Lahav and Kumasi Barnett in Conversation
In his first solo exhibition at 42 Social Club (Lyme CT), Kumasi Barnett explores American culture, police violence, and stereotypes through the lens of comic books. Barnett’s immaculate paintings over vintage comic book covers masterfully transform well-known superhero tropes into brutal social commentary. Kumasi Barnett and 42 Social Club founder, Jac Lahav, share their reflections on Barnet’s new work.
Continue reading “Burbville – New Works By Kumasi Barnett”
Lauren Whearty paints mostly still life from observation and preliminary sketches. Occasionally she takes photos of things which serve in her painting process as cues to spark a sense of memory rather than a source for likeness. She builds her compositions with a collage-like construction, adding and removing objects from both the paintings and the still life set ups. She loves the process of fitting things into the grid of the canvas, playing between representing objects and maintaining a close sense of the flat painted surface. “Color for me is expressive, connects to memory and play in the studio. In using repeated objects, the excitement in experimentation comes from how an object is painted, from their color to their expression and what I can get paint to do,” she says.
Continue reading “Lauren Whearty: Slippage between Abstraction and Image”
Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.
Continue reading “Kate Dodd: MVA Open Studios”
Manufacturers Village Artist Studios, located in an 1880’s historic industrial complex at 356 Glenwood Avenue in East Orange, NJ, will feature the work of over 60 different artists at its annual open studios weekend, Friday 10/15 (VIP Preview) and Saturday thru Sunday from 11-5, 10/16 and 10/17.
Continue reading “Cheryl Agulnick Hoc: MVA Open Studios”
Between Wounds and Folds, Tamara Kostianovsky’s solo exhibition at Smack Mellon, features sculptures which link issues of gender-based violence, personal memory, and ecological destruction through consumption into a complex and speculative ecosystem. Her dimensional forms, both soft and brutal, combine discarded fabric with industrial materials, often drawing their shape from mutilated fauna and flora in various states of decay, including tree stumps, cow carcasses, and birds of prey.
Continue reading “Tamara Kostianovsky – Between Wounds and Folds at Smack Mellon”