mixed media – Page 10

March 5, 2025March 19, 2025, by Melissa Stern

Insider Outsider

A painting of a person in a suit and tie

AI-generated content may be incorrect. — Adhemar Ahmad- portray 1969. Oilt, thin wooden board, unprimed canvas, staples. 32.5 x 24.25 2002

This past weekend New York saw the latest iteration of the Outsider Art Fair. Started in 1993, it has become a NYC institution and seems to be thriving after a few lean pandemic years. The Fair serves a field that has evolved a great deal over the past 30 years, and I really felt that this year more than in the past. As the number of now “blue chip” or “Old Master Self-Taught” artists dwindle, there’s been an influx of both younger artists and some who push against the definitions of self-taught in the first place. It’s a sticky subject and one that I have no answer to.

March 4, 2025March 19, 2025, by Yasmeen Abdallah

Art Spiel Picks: All Around NYC Exhibitions in March 2025

HIGHLIGHTS

Nick Cave at Jack Shainman photo courtesy of Yasmeen Abdallah

Spatial dynamics and human hybridity are central to this month’s roundup of highlights in New York. From monumental sculpture to works intimately interspersed within the home, all things great and small commune and offer reflection upon their relationships to the environments in which they currently reside. The hierarchy between the natural and the manmade is in conversation within this selection of shows through shifting currents of tenuous and harmonious moments.

March 3, 2025March 3, 2025, by Anna Shukeylo

OXH Gallery Setting the Stage for Women Artists in the Heart of Tampa

In dialogue

*Motherhood Mediated* installation view, courtesy OXH Gallery

Odeta Xheka, an artist, curator, and mother, has been an avid advocate for women in the fine arts. Her latest endeavor is an ambitious and exciting one, as she opened OXH Gallery in the heart of Tampa’s Ybor City Historic District just a few months ago. I’m sitting down with Odeta to discuss her new gallery, her mission, exciting collaborations, and the current two-person show Time Shards, which will be on view through March 20th, 2025.

February 27, 2025March 3, 2025, by Emily Wilson

Rope and Revolver at Catharine Clark Gallery

Installation shot of WOUNDED, Courtesy of Catharine Clark Gallery, San Francisco

In 2023, I saw Ansel Adams in Our Time at San Francisco’s de Young Museum. Along with Adams’ famous gelatin silver photographs of national parks and the Southwest, the show had work by contemporary photographers such as Binh Dahn and Meghann Riepenhoff, and it aimed to present a narrative of the West that didn’t depict it as a vast, empty land ready for settlement. I was thinking about this show and how art and the way institutions present it isn’t neutral when I saw Rope and Revolver: Artists Respond to Frederic Remington’s ‘The Broncho Buster’, the engaging exhibition at San Francisco’s Catharine Clark Gallery.

February 25, 2025March 3, 2025, by Etty Yaniv

Material Wonder: Jewish Joy and Mysticism at Drawing Rooms

A display of art on a white surface

AI-generated content may be incorrect. — Anne Trabuen (left wall), Denise Treizman (right wall), Carol Salmanson (front)

At Drawing Rooms in Jersey City, Material Wonder: Jewish Joy and Mysticism in 2025 presents works that engage with Jewish identity, mysticism, and inherited traditions. Curated by Anne Trauben, the exhibition, on view from February 13 to April 5, 2025, features artists Carol Salmanson, Denise Treizman, Rachel Klinghoffer, Pesya Altman, and Trauben herself. Their works—encompassing drawing, painting, fiber, mixed media, and light-based sculpture—explore memory, ritual, and transformation.

February 21, 2025February 20, 2025, by Etty Yaniv

Diane Burko: Bearing Witness at Cristin Tierney

hot air

Installation View 4 Diane Burko Bearing Witness Cristin Tierney Gallery 2025 Adam Reich — Installation view

Diane Burko’s Bearing Witness at Cristin Tierney Gallery combines mixed-media paintings shaped by her experiences in extreme environments—glaciers, coral reefs, deserts, and rainforests. She has engaged with the shifting landscape for fifty years, responding to the accelerating changes that threaten these places. This marks a significant moment in her career—her first solo exhibition in New York in over forty years and her debut at Cristin Tierney Gallery.

February 19, 2025March 3, 2025, by Riad Miah

Jenny Hankwitz and Amanda Church at Steven Harvey Fine Art Projects

Installation of “Intersection” at Steven Harvey Fine Art Projects. Image courtesy of the gallery.

The current exhibition by Jenny Hankwitz and Amanda Church at Steven Harvey, running from February 8 to March 8, explores a subject central to painting since its inception. Independently, their work engages with abstraction and figuration, using color, surface, and shape as primary vehicles. When viewed in person, the exhibition demonstrates how each artist approaches their medium to address their own interest between abstraction and the figure. However, when this exhibition is viewed together in the digital realm, another issue emerges—one that was pivotal in art criticism during the 1980s and 1990s that deals with an issue that pre-occupied Jean Baudrillard and Umberto Eco: the topic of simulation and simulacra or simulacra and hyperreality.

February 18, 2025February 17, 2025, by Andrew Fish

Art Spiel Picks: Boston Exhibitions in February 2025

Highlights

*Constituent Parts* at Boston University Art Galleries, Boston, MA

February is the depth of winter in Boston, but there are still many ways to stay warm, including seeing some great art that thaws the senses and pleases the soul. Several exhibitions are in full swing at various galleries, museums, and university galleries across the city. These highlights focus on a few of the university gallery shows and a gorgeous new exhibition at the MFA in Boston featuring the late John Wilson, a Boston native whose work celebrates fatherhood and the rich tapestry of Black life in Boston and beyond.

February 17, 2025February 17, 2025, by Etty Yaniv

Pat Lay at New Jersey City University

photo story

A yellow and orange art piece on a white wall

AI-generated content may be incorrect. — Installation view of Pat Lay’s exhibition at the Lemmerman Gallery, NJCU

At first sight, Pat Lay’s vertical scrolls sit comfortably within the soaring Gothic-style Lemmerman Gallery at New Jersey City University. Their mosaic or tapestry-like forms, in glowing red, blue, and gold, echo the tall grided window panes and the elaborate ceiling. Yet once it becomes clear that these scrolls are entirely digital, the contrast generates a sense of fertile dualities.

February 12, 2025February 11, 2025, by Claire Haik

Art Spiel Picks: Philly Exhibitions in February 2025

HIGHLIGHTS

Carl Cheng, Alternative TV #3, 1974-2016. Plastic chassis, acrylic water tank, air pump, LED lighting and controller, electrical cord, aquarium hardware, conglomerated rocks, and plastic plants. Courtesy of the artist and Philip Martin Gallery, Los Angeles

I often think about the first scientist who looked into a microscope and saw the dividing of cells, the jiggle of bacteria, and the movement of microorganisms. They must have marveled at the invisible worlds that were revealed. Similar to uncovering fossils of long-extinct species, we are humbled when we discover that we are only a tiny part of a much larger story. These monumental confrontations move us emotionally as much as they do intellectually, evoking within us a sense of awe and wonder. Close Encounters at Box Spring Gallery and Carl Cheng: Nature Never Loses at the Institute of Contemporary Art both ask us to consider our position within the cosmos, drawing attention to the fragility of our existence and the complicated ecosystems in which we live. Turning inward, allow yourself to be nourished by Ann Wehrwein’s Tender Ground at Pentimenti, where she renders quiet moments of everyday life with layers of color and care.