migration – Page 2

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November 20, 2023November 20, 2023, by Xuezhu Jenny Wang

The Immigrant Artist Biennial, In Dialogue

Sanié Bokhari and Umber Majeed Discuss the Forbidden

Sanié Bokhari. It’s 11.49 pm here, 2022. 36 x 48 in. Acrylic on canvas. Courtesy of the artist and The Immigrant Artist Biennial.

As part of The Immigrant Artists Biennial: Contact Zone, Sanié Bokhari, and Umber Majeed present their work in the Enmeshed: Dreams of Water group exhibition. As artists of Pakistani descent currently residing in the US, both Bokhari and Majeed tap into the changing landscape of globalization and the unstable experience of international migrants’ identity formation. Evoking water as a symbol of fluidity and change, Bokhari’s painting and Majeed’s video deploy a metaphoric framing that is beautiful and complex. In this conversation with Jenny Wang, they critically reflect on the geopolitics of belonging and identity.

November 23, 2022December 30, 2022, by Christine Sullivan and Marianne Gagnier

Birds, Maps, Migrations

A Conversation Between Christine Sullivan and Marianne Gagnier

Christine Sullivan, The Place Between, 44 x 32” oil/linen

This conversational exchange between artists Christine Sullivan and Marianne Gagnier was catalyzed by artist and writer Paul D’Agostino. He encouraged them to engage in dialogue with one another upon noting that they had both produced new bodies of work, right around the same time, featuring bird imagery. Taking this as impetus for a fertile discussion, Marianne and Christine decided to interview one another regarding themes of journeys and migration, and they discovered a number of surprising points of connection in their lives.

July 28, 2022December 30, 2022, by Melissa Stern

Hew Locke: The Procession at the Tate Britain

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Each year The Tate Britain commissions a large-scale art installation for the iconic Duveen Galleries at the museum. This is a vast space, an art-filled hall, more than a typical gallery that winds its way down the center of the museum on the first floor. This year they tapped the Guyanese-British artist Hew Locke whose visual musings on migration, history, national identity and ritual are well known in the British art world. Locke has long worked these themes, but never on such a scale. It is a wildly ambitious vision that embraces his interests and presents a fully developed Universe.

January 12, 2021February 26, 2021, by Etty Yaniv

Samira Abbassy: Hybrid Iconography

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Description automatically generated with medium confidence — *Studio Portrait, 2016 at EFA Studios*

Samira Abbassy’s paintings and drawings portray mysterious iconic figures, primarily female, who inhabit an ambiguous space. While her pictorial world resonates with archetypal imagery from eastern and western cultures, it equally pulsates with an urgent psychological core, creating an invigorating tension which prompts the viewer to search and discover rich layers for meaning.

November 2, 2020October 19, 2020, by Etty Yaniv

Katrina Bello – Non Human Expressivity

*In the studio in Newark, NJ, 2018. Photo courtesy of the artist.*

New Jersey and Manilla based artist Katrina Bello draws on memories of her childhood experiences in the Philippines. Ranging from small to large scales. her drawings depict geological layers as vast fields of textures and colors – alluring us to sense the awe in vastness while also inviting us to get close and sense the fragility and tenderness in each detail.

May 23, 2020May 6, 2020, by Etty Yaniv

Artists on Coping: Katrina Bello

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

*In the studio, with large drawing titled Terra Magnoliaceae, April 2020*

Born in the Philippines, Katrina Bello is an artist who lives and works in New Jersey. Her work is devoted to drawing, and her subjects are migration, ecology and our complex relationship with the natural world. She has exhibited in solo and group exhibitions throughout the United States and the Philippines, and has been awarded residencies in the United States. She recently received a studio fellowship from the Sustainable Arts Foundation though Gallery Aferro in Newark, New Jersey. Katrina is the founder of North Willow, an informal artist-run attic exhibition space in northern New Jersey.

May 8, 2020November 2, 2022, by Catherine Kirkpatrick

Artists on Coping: Maria de Los Angeles

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

MdlA_MadonnaOfTheRoses_Acrylic_on_Canvas_36x48_2020sm.jpg — *Madonna of the Roses, Acrylic on Canvas, 36 x 48 inches, 2020*

Maria de Los Angeles is a multidisciplinary artist who addresses issues of migration, displacement, identity, and otherness through her drawing, painting, printmaking, and fashion. She holds an MFA in Painting & Printmaking from Yale School of Art (2015), a BFA in Painting from Pratt Institute (2013), and an Associate Degree in Fine Arts from Santa Rosa Junior College (2010). In 2015, she was awarded the Blair Dickinson Memorial Prize by Yale University for her art and role in the community. Recent exhibitions include a solo show at the Museum of Sonoma County, and group shows at Schneider Museum of Art in Ashland, Oregon, and the Colorado Springs Fine Arts Center. Her work has been featured in Hyperallergic, New York Magazine, and Hellowgiggles.

February 26, 2020November 15, 2020, by Etty Yaniv

Zac Hacmon at the Border

Eva Mayhabal Davis in dialogue with Art Spiel – Beyond the Pale

Installation view of *Beyond the Pale* by Zac Hacmon. Image courtesy of the artist. Photo by Etienne Frossard

Zac Hacmon‘s sound sculptures at the intimate Border project space are overpowering in size, as if cutting the air with their sharp diagonal tiled lines to create a sense of suffocating sterility. Their oddity is intriguing and repelling simultaneously, and their placement in the room forces the visitor to navigate around with considerate effort. The sound consists of a series of stories recorded at the Arizona-Mexico border, and adds another layer of urgency, creating altogether an inspired fusion of sound/form. Eva Mayhabal Davis, the curator of Beyond the Pale , elaborates on the premise behind the show.

May 28, 2019November 15, 2020, by Etty Yaniv

Tansy Xiao – The Echo of Journeying

Domestic Language, multimedia installation, 2017

Tansy Xiao is a curator, artist, writer, translator, and an overtly out of the box thinker. She shares with Art Spiel some insights on her upcoming curatorial project at Radiator, her art-making, as well as translation and writing processes.

AS: Tell me a bit about yourself and what brought you to art – writing, translation, curation and making.

Tansy Xiao: I wasn’t properly schooled, neither did I consider myself an artist when I was travelling around and painting abstract murals in exchange for food and accommodation. Now you might call it an unprompted residency. During my long trips and brief sojourns, I would write book length letters to my friends, with a mutual understanding that they were not obligated to reply. I joined and formed communities, then left them, until I have relatively settled in New York, a city with such transience that the fear of being trapped in a constricted niche no longer haunts me. That’s when I began my practice as a curator and translator. If I were to describe my status quo now, I’d quote D. H. Lawrence’s last paragraph in Rainbow:

February 7, 2019May 30, 2020, by Etty Yaniv

Re-Orientation at La Esquina Gallery

Carrying Herself as a Corpse (red), Samira Abbassy (2014) (oil on gesso panel), dyptych #2, image courtesy of the artist

The group show “Re-Orientations” at La Esquina in NYC features Samira Abbassy, Camille Eskell, Dhanashree Gdiyar, and Sheida Soleimani, 4 US based female artists who bring through figurative representation feminist perspectives rooted in the Near East and South Asia. The co-curators Natasha Stefanovic and Audra Lambert present these distinct feminist voices in context of “Orientalism,” the 1978 seminal and polemic book by renowned scholar Edward W. Said, a must read in Post-Colonial Culture Studies. Ranging formally from painting to embroidery, and thematically from identity to immigration, the images overall depict tragic and at times nostalgic moments rooted in the artists’ cultural background. Underscored with post-colonial sensibility, these intimate narratives humanize and defy the stereotype of what is “oriental.”