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Jim Condron: Collected Things at Art Cake

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Installation view, Jim Condron: Collected Things at Art Cake, photo courtesy of Etty Yaniv

Collected Things, Jim Condron’s terrific solo exhibition at Art Cake in Brooklyn prompts us to question our relationship with the objects we interact with—objects that we use, discard, and transform through memory and art process. At the heart of this exhibition are Condron’s recent series of sculptures, which brings together everyday objects and ephemeral materials he has collected from artists, writers, and thinkers who participated in the project—these individuals include personal acquaintances like Graham Nickson, Lucy Sante, Rebecca Hoffberger, Carl E. Hazlewood and Cordy Ryman. Among them is the pioneering painter Grace Hartigan, who was Condron’s teacher and for whom he also worked as a graduate assistant in 2004, four years before her death. This body of work highlights how Condron’s process of collecting, editing, and adding other materials, activates the lineage and history of everyday objects, transforming them into playful art objects with renewed vitality and psychological presence. 

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Jim Condron: Texts and Textures

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Jim Condron installing Close to You, Karen Condron’s clothes, straw, yarrow, 50 x 30 x 30 inches at Wings over Wall Street, Chelsea, NY, 2019

In his sculptures and installations Jim Condron merges found objects—fragmented or whole—to create colorful and textural hybrid entities with distinct yet very open-ended textual undercurrents. Bed frames and tractors, furs and fabric, painted pieces of wood and plastic refuse, assert their past function and hint at potential narratives in playful variations, revealing the artist’s hand and his vivid imagination along the way.

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Pablo Garcia Lopez – Fibrous Neuroplasticity


Brainvolution 1, natural silk, PLA filament (3D printing) and fabric. Shadow Box (plexiglass covered) 48x29x7 inches, 2019

The Spanish born, New York based artist Pablo Garcia Lopez makes mixed media reliefs and sculptures which evoke hybrid forms resonating with Baroque imagery, biological forms, and at times Victorian delicate ornaments. His Spanish heritage, coupled with his background in biochemistry and Neuroscience largely inform his visual vocabulary and themes.

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Artists on Coping: Orly Cogan

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

Orly Cogan in front of POW (Power of Women), hand stitched embroidery, paint and
appliqué  on vintage bed linen, from her solo show at The Brattleboro Musume of Art

New York artist Orly Cogan was born in Israel and educated at Cooper Union and the Maryland Institute College of Art. Working with vintage printed fabrics and found embroideries, she has been at the forefront of the fiber arts movement, with an emphasis on Feminism. Notable exhibitions include the Aldrich Museum of Contemporary Art, CT, Museum of Arts & Design, NY, Riverside Museum, Riverside, CA, Hudson River Museum, NY, Textile Museum of Toronto, Brattleboro Museum VT, San Jose Museum of Quilts & Textiles, Woodson Art Museum, Wausau, WI, Fresno Metropolitan Museum, CA, Musee International Des Arts Modeste, Sete, France, Rijswijk Textile Biennial in the Museum Rijswijk, and the Museum of Decorative Arts and Design.

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