Gestural Painting in Spotlight at Independent Art Fair

A painting of people in a room

Description automatically generated
Matthias Franz (German, born 1984), infantile gestures, 2024, Oil on canvas, 170 x 160 cm. (66.9 x 63 in.) courtesy of GRIMM Gallery

From dark and moody to blithe and bright, gestural painting is having a resurgent moment at the Independent Art Fair this year. Representational, abstract, and everything in between, artists showcase a wide range of motions and gesticulations of the artists’ hand tell the stories.

Continue reading “Gestural Painting in Spotlight at Independent Art Fair”

TRAPS! Ebecho Muslimova at Magenta Plains

Exhibition review by Torey Akers


Ebecho Muslimova, Fatebe Deep Frog Organza, 2019, oil and acrylic on cavas, 60” x 66”, courtesy of Magenta Plains

Human civilization has always maintained an uneasy relationship with female monstrosity—just watch the cavalcade of sirens, witches, harpies and hags that stalk the perimeters of every major mythology on earth, luring hapless men to their deaths. This hyper-visible, oft-storied, but deeply erasive marginalization has long plagued the non-normative woman; however, there’s a certain freedom in the fringes. Take Baubo, the Orphic goddess of chaos and mirth, whose paunchy, wizened appearance belied a frisky bawdiness that ancient Greeks adored. Ebecho Muslimova’s ‘Fatebe’ character, whom she has been drawing since 2011 and features vivaciously in her latest solo exhibition, TRAPS!, at Magenta Plains, New York, builds on Baubo’s cultural legacy with appropriately grotesque panache, taking a wide-eyed, manic approach to the tandem joys and pitfalls of embodiment.

Continue reading “TRAPS! Ebecho Muslimova at Magenta Plains”