On Henry Street, Tianyi Sun Works with Simulacra and Cuteness

Tianyi Sun and Fiel Guhit. “Bakery Story,” installed as part of FROM_LISTENERS, 2023. 30 x 18 x 32 inches, Laser cut and engraved acrylic, aluminium, LCD screen, webcam.

“I love it. I am all for kitschy stuff,” Tianyi Sun says, laughing, as she notices the iridescent glitter liquid phone case. In her practice, Sun engages with the cute and zany using these categories as an entry point to embody how we approach technology in our everyday lives—her work takes the form of installations and responsive environments activated by a reading or performance. With much of her work being modular, the audience moving through the space is as important as the work itself—“bridging the digital and the analog,” she explains. “I want to expose the aesthetics, the beauty, the politics without lessening the visceral response.” A central question of her work is: What happens with the human experience as we navigate technology?

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Beyond the Digital at Venus Over Manhattan (uptown)

Opinion

Installation view of "Beyond Digital", Venus Over Manhattan, 2022
Installation view of “Beyond Digital”, Venus Over Manhattan, 2022. Photo courtesy of Venus Over Manhattan

Artists have been working with technology since the beginning of the 20th Century. This represents an important moment in artmaking’s evolution, which until recently collectors and institutions haven’t wanted much to do with—the result is a lack of historical presence for such works. Without recourse to a history, every few decades promoters herald the emergence of an exciting new realm of expression or experimentation related to a new media, which appears to the uninformed to be without precedence—most recently it was the crypto-driven NFT market. It is this lack of a sense of history that makes it possible for the organizers of Beyond Digital to claim that this exhibition brings together pioneering artists whose works explore the possibilities of bridging the digital and physical realms. Problematically, this project is more than 50 years old and is built upon one that dates back to the start of the 20th century, when artists working in the modernist tradition started to adapt technology to art to produce light organs, slideshows and kinetic art.

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Sophia Sobers: How Life Might Look

Sophia Sobers, Power Tools, 2018, artist with plush fabric sculptures

Sophia Sobers started making site-specific and installation art in what she sees as a somewhat “meandering path.” She studied Architecture at the New Jersey Institute of Technology while taking art courses at Rutgers. There she started learning about working with space, concept, and materials. Simultaneously taking Art and Architectural History as well as Theory, expanded what she imagined as possible in the arts. Site specific works by artists like Robert Smithson and Gordon Matta-Clark as well as architectural projects like the Blur Building by Diller and Scofidio, inspired her deeply and set her on a path of wanting to create large scale installations.

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