Contemporary Art and Culture
In Dialogue with Patricia Fabricant
The group show With the Grain, curated by artist and curator Patricia Fabricant at the New York Artists Equity, features artists who work directly with wood grain. Patricia Fabricant, who is also a participating artist, shares some of her thoughts on the exhibition. With the Grainopens today, Thursday, Nov 5th from 6-8PM and runs through Sat, Nov 28th, 2020.
Continue reading “With the Grain at New York Artists Equity”
I haven’t seen Rachel MacFarlane’s painting Sliver (2020). It would be reasonable to assume that I had, because Sliver is the centerpiece of Paradise, the show that this review is about. In fact, Sliver is the only painting in Paradise.
Continue reading “Rachel MacFarlane’s Paradise at Super Dutchess Gallery”During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.
Cheryl Wing-Zi Wong is a New York-based artist and trained architect working at the boundary of art, architecture and social practice. Cheryl investigates the transformation of shared space over time through sculpture, installation, performance and site-specific architectural interventions. Cheryl received her B.A. in Art and Italian at the University of California at Berkeley, studied sculpture at Brera Academy and earned her Master of Architecture from Columbia University GSAPP. Cheryl’s work has been commissioned by NYC Parks and DC Percent for Art and she has exhibited at Triangle Arts Association, NYFA, Istanbul Design Biennial, Taliesin West, Venice Biennale, Berkeley Art Museum, Museo della Permanente.
In Dialogue with Andrew Woolbright
Andrew Woolbright, a NY based artist, curator and founder of Super Dutchess, shares with Art Spiel the genesis of this lower east side art space, sheds some light on its key organizers, and describes the philosophy behind it. He elaborates on Cartoon in a Cartoon Graveyard, the 3-person current show that he has curated at the venue, with an upcoming reception on January 10th.
Continue reading “Cartoon in a Cartoon Graveyard at Super Dutchess”curated by Emily Burns
Linger Still, (installation view). Image courtesy of Assembly Room Gallery
Diaspora consciousness is an acute mindfulness of one’s cultural origins post-migration. This awareness can be, “heightened by communication and visits, and is retained in memories, storytelling and other creative forms.” Individuals or families who take the risk to migrate must navigate a series of unanticipated complexities away from the support of their families and communities. For those who choose to leave or flee from their homelands the sensation of “otherness” is a pervasive factor in their quest for opportunities, stability, and safety. This uncanny sensation serves as the conceptual pulse and subtle heartbeat for Kaveri Raina’s solo exhibition “Linger Still,” curated by Emily Burns currently on view at Assembly Room Gallery.
Continue reading “Linger Still – Kaveri Raina at Assembly Room”
Jackie Mock’s recent body of sculptures and installations is currently featured in her solo show, “I Want to Believe,” at Proto Gomez. Mock is a visual story teller who frequently mines in her work offbeat narratives from American history to question notions of authenticity and belief. For Art Spiel the artist elaborates on her exhibition and shares some ideas on her art.
Continue reading “Jackie Mock: Second Class Relics”Step off of the gray pavement, step out of the chilly dullness of an impending New York City Winter, traverse the threshold of Next to Nothing Gallery, and indulge in the celebration of painting currently on view at 181 Orchard Street.
“Plush Paint: please do not pet, caress, fondle” features the work of Jason Stopa, Osamu Kobayashi, and Susan Carr in a bounty of paintings and sculptural hybrids that boast tenacious gestures, mysterious shapes, and amped up colors. As the eyes adjust to the stark whiteness of the minimalist space, at first glance the work appears as a collection of unearthly gemstones unified by candied commercial hues and vibrating combinations of paint. Robert Erani, Gallery Director and Curator employed the cohesion of color to serve as an “accessible commonality that any viewer can appreciate.” For Erani the visual pleasure of these works seduces the viewer to take a deeper look and discover less obvious nuances that distinguish the individual work of each artist.
Continue reading “Plush Paint: please do not pet, caress, fondle”Color is a function of reflected light and it is intrinsic to everything we see. Color is also freighted with emotion for humans – certain colors can excite or depress us even without our awareness – teases, shouts, whispers, sings. Color can be fugitive or it may sound an alarm. As a painter and former paint-maker, color has been a lifelong obsession for me. It’s also the focus of a new, stunning group show at Galerie Richard on the Lower East Side.
All Photos by Sharilyn Neidhardt
Cadences, a lovely show in the Equity Gallery curated by Michael Gormley, teases at the language of abstract expressionism without overwhelming the viewer. Continue reading “Cadences at Equity Gallery”
In 2008, The National Trust for Historic Preservation placed the LES on their list of America’s Most Endangered Historic Places. “LES YES!” at The Storefront Project upcoming exhibition features Meryl Meisler’s photographs of the Lower East Side during the 1970’s & 1980s. Meisler, who was born in the Bronx and raised in Long Island, captured in her photos a tight knit immigrant and working-class neighborhood during difficult times in NYC history. Continue reading “Meryl Meisler – LES YES!”