Margaret Koval: The Uncanny Valley of Everyday Life at ArtWRKD

In Dialogue
Margaret Koval in her studio. Photo courtesy of Kate Hammett.

The paintings in Margaret Koval’s latest exhibition, The Uncanny Valley of Everyday Life, capture a sense of disorientation—recognizable urban and suburban scenes where something is slightly off. They are rich in color and composition, drawing viewers in with pleasing views, yet an underlying unease lingers. Like waking up to find someone has rearranged your furniture overnight, they create a feeling of estrangement within the familiar.

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Just say YES to NADA!

Paul Wackers- First Time, Long Time. Jack Hanley Gallery

I’ve been to more art fairs than I can count, but the ones that I’ve had fun at I could count on two hands. Many are too big, dealers are either stressed out or bored, mundane work or work that is inaccessible or silly. The last show that I went to before the pandemic was The Armory Show at the westside piers. It was a few days before the world shut down and the fair was eerily empty. I wandered alone through a fair that typically had been jam packed with beautiful art lovers. And then everything went quiet for about a year and a half.

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Hew Locke: The Procession at the Tate Britain

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Each year The Tate Britain commissions a large-scale art installation for the iconic Duveen Galleries at the museum. This is a vast space, an art-filled hall, more than a typical gallery that winds its way down the center of the museum on the first floor. This year they tapped the Guyanese-British artist Hew Locke whose visual musings on migration, history, national identity and ritual are well known in the British art world. Locke has long worked these themes, but never on such a scale. It is a wildly ambitious vision that embraces his interests and presents a fully developed Universe.

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The Baroness at Mimosa House London

Art Spiel Photo Story

Elsa von Freytag-Loringhoven (c. 1921-22), George Grantham Bain Collection, Library of Congress Prints & Photographs Division, LC 5677-2. From digital scan of photograph.
Elsa von Freytag-Loringhoven (c. 1921-22), George Grantham Bain Collection, Library of Congress Prints & Photographs Division, LC 5677-2. From digital scan of photograph.

The Baroness at Mimosa House in London is a group exhibition dedicated to Dada artist, the Baroness Elsa von Freytag-Loringhoven (1874–1927). The exhibition manifests the ongoing influence of the Baroness on contemporary artists and poets, showcasing artworks and performative contributions created in homage to Elsa von Freytag-Loringhoven or influenced by her radical work and effervescent personality. The show questions the legacy of Dada poetry and performance today, in a feminist and queer dimension in particular. How can artists navigate the art world, politics and society while creating a work which resists and disrupts the conventional canon? Elsa von Freytag-Loringhoven becomes a role model and inspiration for international artists of different generations and media of work.

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Now + Never – Marcus Aitken

In Dialogue with Jacob Barnes, Editor in chief, Soft Punk Magazine

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Marcus Aitken, Now + Never print, Limited edition of 50 on 300gsm Hanehmuhle German etching paper,42×29.7cm

Now + Never, a virtual solo exhibition of new works by London-based gestural artist Marcus Aitken, is released in tandem with Soft Punk’s latest publication. The exhibition will be made available online from November 16th, 2020 via Soft Punk’s web platform. In this interview for Art Spiel, Jacob Barnes, the London and New York based co-founder and editor of this literary arts and culture quarterly, shares some of the background for his publication and for Marcus Aitken’s virtual art exhibit.

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Todd Bienvenu – Stories within Stories

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Todd Bienvenu, Bain de Pâquis, 88x76in, acrylic on canvas, 2019 .
Courtesy Todd Bienvenu Studio

No matter what Todd Bienvenu chooses to depict in a painting – a male nude lying on a bear skin rug in a Venus pose, a fearless female city bike rider, or a crowded water-park vista- his surfaces consistently pull you in by their bold vitality and idiosyncratic humor. Todd Bienvenu shares with Art Spiel some insights on his process, ideas and studio work.

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Spotlight: “On Collecting Works of Art- An interview with Yelena Ambartsumian and Miroslav Grajewski”

Yelena Ambartsumian and Miroslav Grajewski at their home with work by Andre Butzer. Image courtesy of collectors and author.

Yelena Ambartsumian and Miroslav Grajewski are two young collectors who are passionate about contemporary art. They both have a sharpened sensibility of the art market. With a keen understanding of the auction prices, one of the things that separates them from other collectors is they firmly believe in going after the work they feel is most important to them. If there is such a thing as destiny their story would define it. Fittingly, they first met at the Museum of Modern Art in 2016. Six months into their relationship they purchased their first work of art together. They got married and continue to actively appreciate art and collect as a couple. I conducted an interview with them this past summer. I narrowed the field of questions to the nature of collecting; what interests them, and; the advice they would provide to other young collectors. The following is a transcribed interview.

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