Samuelle Green: A Human Vocabulary with Steel

In Dialogue
Samuelle Green. By Day: By Night. 2025. (variable size) Installation View — Honesdale, PA. steel, reflective material. photo credit: Samuelle Green Studio

In Samuelle Green’s previous installations such as The Paper Caves and Polypore, viewers encountered forms that were wildly organic in appearance. They were comprised of somewhat amorphous essentialized forms in nature that exist on the micro and macro levels, executed on an immersive human scale, enabling viewers to make a variety of associations with the natural world — pollen grains, clouds, or coral reefs. The new work, By Day: By Night, 2025, is much more specific in its references and seeks to speak a different visual language almost entirely.

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A Sight for the Senses: Dance the Distance at Atlantic Gallery in Chelsea

The two-person show of luminous abstract wall works at Atlantic Gallery offers viewers a dynamic sensory experience where light, shadow and unexpected materials form a conversation about how we see and engage with the world.

Installation view of Dance the Distance in Atlantic Gallery, 2025

Dance the Distance: Anne Berlit and Michele Foyer at Atlantic Gallery.
Curated by Suzan Shutan. It runs through March 23, 2025

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Fiat Lux: Matthew Lusk Illuminates Newburgh with his solo show at Elijah Wheat Showroom

Encyclopedia of Light (Today in Two Parts) at Elijah Wheat Showroom, installation view

On March 31, 1884, the Village of Newburgh became New York’s second municipality to receive electricity, just two years after New York City. On September 14, 2024, Matthew Lusk achieved a similarly electrifying milestone by launching his solo show, Encyclopedia of Light (Today in Two Parts), an outstanding exhibition running through December 1 at Elijah Wheat Showroom in Newburgh, NY.

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Holly Wong: Guardian of the Spirits

Featured Artist
Installation views, photo courtesy of Wes Magyar

Holly Wong’s solo exhibition Guardian of the Spirits at the Curfman gallery, Colorado State University at Fort Collins, combines sewn patchwork of silk, organza, other transparent materials, and drawings—to memorialize her mother whom she lost to alcoholism and domestic violence. The text for her show says that the installation is a “prayer for revolt against the limiting notions of beauty and body size.”

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Michael A. Robinson — Somma at DISPLAY

Installation view of Somma

Michael A. Robinson’s site-specific project Somma, at DISPLAY in Parma, Italy, is the sum of many parts, all operating in tandem. The installation appears simple, featuring three wall-mounted LED works and metal arcs and hoops suspended from the ceiling. The space’s glossy floor and glass façade and door reflect the light emitted by the LEDs, potentially multiplying their presence based on the viewer’s position and the level of ambient light.

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Edge of Light at Plaxall

Previewing with Jonathan Sims

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Jess Holz, Borderlands, 2020. Installation with laser cut Fresnel lenses and video of the artist’s skin being examined under the scanning electron microscope at the HoloCenter exhibition EDGE OF LIGHT

The Edge of Light began with the intent to create a group exhibition of artists who work in light. Jonathan Sims, a light artist himself and the curator of this group show at Plaxall, says that although there are a very large number of artists currently working with light as a medium and a material, but their chances to exhibit, particularly in a group setting, are limited. 

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Susan Luss at the Museum of Art & Culture in New Rochelle

Artist in Residence Susan Luss highlights her installation in House 4 MAC Gallery and windows.

Partial installation view, today, I am…Photo credit: Susan Luss

In 2019 Artist Susan Luss was invited by the New Rochelle High School to be their first visiting artist working on site responsive installations. The school has its own museum and cultural center on its campus, called The Museum of Arts & Culture, which is the only Regents-chartered museum inside of a school in the state of New York. This collaborative project became a formative experience for the artist. Susan Luss describes the ways she formed her ideas, her collaborative work with students and faculty, as well as her takeaway from this multi layered project overall. The exhibition runs through Feb 13th.

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Annesta Le at Yi Gallery

Art Spiel in Dialogue with Cecilia Zhang Jalboukh, founder of Yi Gallery in Bushwick

Installation view of Annesta Le solo exhibition “Inner Space” at Yi Gallery Project Room in Bushwick, Brooklyn, 2020. Photo by Yi Gallery.

The Bushwick based Yi Gallery evolved out of Cecilia Zhang Jalboukh’s experience and vision. At its current form it shares space with The Border at 56 Bogart. Yi Gallery’s founder elaborates on Annesta Le’s current solo exhibition, shares with Art Spiel the genesis of Yi Gallery, as well as her vision for the space.

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Solstice at Flux Factory

Art Spiel in Dialogue with Jonathan Sims, curator of Solstice: An Exhibition of Works in Light

Solstice at Flux Factory

The group show “Solstice” at Flux Factory in LIC brings together ten installation, sculpture and performance artists who utilize light as a core element in their work. The gallery is darkened and the only light in the space will emanate from the artists’ work – LED, fiber-optics, incandescent, altogether “lensed into being.” The show features installations by Luba DrozdLaurent FortSizhu LiLindsay PackerKsenia SalionJonathan Sims and Performances by ÉMUNight ShiningPaloma KopTestu Collective . Jonathan Sims, the curator whose work is also featured in the show, shares with Art Spiel the idea behind this project and some info on the venue.

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Long Time Passing – A Campfire Story

Jeannine Bardo at Stand4

In her recent exhibition at the New York Stand4 gallery, Jeannine Bardo displays her art in the wall and on the wall. The Brooklyn artist paints, scratches, plasters, and finds objects from nature that add up to a set of narratives that she titles “Long Time Passing/ A Campfire Story.” The artworks are subtle, with almost no color. The carvings and objects are not clearly visible at first glance. Bardo invites her viewers to take their time, sit by the fire, and listen as she unravels her tales, using shiny spots that glitter along their progression. As the stories unfold, her calm work reveals a sense of menace that continues throughout the narrative path.

Lifelines, 2019; image by Laura Sacks

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