landscape photography

September 9, 2024October 6, 2024, by Janila Castañeda

Reshaping space through photography: Anna Berenice Garner & Janila Castañeda

IN CONVERSATION

*Anna Berenice Garner, installation view of exhibition titled, Topografías y otras ficciones, image courtesy of Lateral gallery*

For a few months now, Anna and I have been discussing her practice in preparation for her most recent solo show in Mexico City titled Topografías y otras ficciones. As we have been navigating concepts around the notions of landscape and the role of the image in the construction of truth, our exchanges included topics such as the body and its relationship with space, methods of reshaping space through photography, as well as the potential of merging sculpture and photography to rethink the environments that construct the unquestionable truths under which we guide our existence. This interview compiles key points from our face-to-face and written exchanges while capturing insights into the artist’s current approach to her work.

June 17, 2024June 17, 2024, by Etty Yaniv

Eileen Neff: The Bigger World in Categories

14. Self Shelf — *Self Shelf*, UV pigment on dibond, 30 x 38 inches

Eileen Neff, a multidisciplinary artist with a background in literature and painting, has been creating “photo-based images and installations” since 1981. She recounts her understanding of poetry long before grasping painting. Her academic path led her from being an English major at Temple University, where she immersed herself in painting studios, to the Philadelphia College of Art (the recently closed University of the Arts). While teaching at a private secondary school, a tuition-free photography class captured her unexpectedly. “I began photographing pieces of my paintings and, before long, had convinced a couple of students to build a black and white darkroom in my apartment,” she recalls. This transition directed her focus to natural elements and interiors, subjects she still rigorously explores. Though she no longer paints, Neff states, “I still think more like a painter than a photographer; my photographs are still very driven by how a poem means.” Neff currently exhibits her work in In Some Light Reading, a group show at the Mitchell Art Museum featuring work by five artists and poetic texts by four writers addressing the life-making qualities of light. The show runs through July 7th.

December 15, 2023December 24, 2023, by Anat Or Magal

Photograph anemones, not wars: The legacy of Roee Idan

A field of flowers under a blue sky with Hitachi Seaside Park in the background

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This article was initially published in Portfolio Magazine in Hebrew on October 25, 2023. It was translated into English and edited by Art Spiel. This publication in Art Spiel is in collaboration with Portfolio Magazine.

Photographer and photojournalist Roee Idan preferred to aim his lens at capturing the quiet drama of nature rather than the fraught tension along Israel’s borders—the first anemone bloom, the winter streams of the northern Negev, the majesty of flash floods in the desert, and the joy of bathers on the beach in summer.

August 30, 2023August 29, 2023, by Melissa Stern

Here Now: Contemporary Photographers of the Hudson Valley

Phyllis Galembo Photographer, Carnival Mexico. Fujiflex print. 30 x 30 2017.

The Kleinart James Center in Woodstock, New York, is currently presenting a very ambitious and interesting photography exhibition. Entitled Here Now: Contemporary Photographers of the Hudson Valley, the show presents 17 artists representing a portion of the many photographers working in this geography. Organized by curator Jane Hart, the show offers a wide range of aesthetic visions and techniques.

July 7, 2023June 22, 2023, by Hovey Brock

Mark Tribe: Learning to Love the Future

HOT AIR

Mark Tribe, *Bottsford Hollow,* 2012, inkjet print, 24” x 38”. From the series *Rare Earth.*

A founder of Rhizome, Mark Tribe is known for his early contributions to the field of new media art and his socially-engaged performances and installations. His current practice engages the power of aesthetic experience to illuminate the challenges we and future generations will face in the climate crisis. Since 2012, he has made landscape pictures that unpack American ideas about nature and land, from Manifest Destiny to contemporary environmentalism. In this interview, Mark talks about his views on the climate, his landscapes, and his integration of machine learning tools (AI) into his latest project Learning to Love the Future.

November 25, 2019November 15, 2020, by Tansy Xiao

Tim van den Oudenhoven – A Land For Man’s Absence

Surveillancescapes, Archival pigment print on cotton paper, 2019

Tim van den Oudenhoven is a Belgian-born artist who currently lives and works in Berlin. His photo-based depictions of desolate landscapes with a strong suggestion of surveillance inspire conversations on the dynamic between the visible and the invisible, the witness and the witnessed: in brief, the nature of being seen.

January 24, 2019February 5, 2019, by Etty Yaniv

Rutland: Real and Imagined

Ric Kasini Kadour, The Modern Is The Way, photo courtesy of the artist

Photography is inherently effective at telling a story of place. Not only of documenting its history, but also possibly of predicting its future – projecting how a place is or is in the process of becoming. For the group show, “Rutland: Real and Imagined,” which opens in January 31, 2019 at The Alley Gallery in Rutland, Vermont, artist and curator Stephen Schaub brings together eight internationally recognized artists who interpret through their use of photography what constructs a sense of place. Altogether, the resulting photographic imagery in this exhibition creates an engaging story about Rutland – not as a single place but rather many places that come together in the minds and lives of the people who live there.