In The Tale of Lost Waters at Five Points Arts in Connecticut, Susan Hoffman Fishman exhibits seven vertical scrolls resembling satellite imagery. Four are layered in deep, earthy browns—recalling land formations and dry blood—pressing against vibrant blues reminiscent of water. The bodies of water seem suspended between presence and disappearance, drifting toward an undefined space—a light or a void.
Pauline Decarmo, CHAMPION, 2024, acrylic on wood panel, 24 x 24 inches, LABspace
145 galleries, venues, historical sites, performances, and a few fashion stops and upscale grocers for foodies thrown in for good measure, all scattered across 10 counties north of New York City. This comprised Upstate Art Weekend, a four-day festival highlighting the diversity and breadth of culture in Upstate New York. This was not for the faint of stamina. This is not an art fair. It is a celebration of the creative communities lining the Hudson and the enclaves embedded in the Catskills. I have to believe the intent was never for escapees from urbanity to stop at each little circle on clustered maps. Below are some of the galleries that are the marrow, the heartbeat of the cultural community in specific regions. These are also galleries that exhibit small group and one-person shows that provide a larger window into the artist’s or artists’ thought process. If you missed Upstate Art Weekend, don’t despair; these and other sites are a stable part of the Hudson Valley, enabling anybody to make their own Upstate Art Weekend on their own time. It’s always here, 12 months of the year.
Transgressing Lands: Eleven Contemporary Artists Reimagine a Horizon Installation View. Photo: Martin Seck
The current group exhibition at The Boiler | ELM Foundation, Transgressing Lands, curated by A.E. Chapman, features work by Jeannine Bardo, Nancy Cohen, Cristina de Gennaro, Deborah Jack, Natalie Moore, Itty S. Neuhaus, Nazanin Noroozi, Lina Puerta, Corinne Teed, Elizabeth Velazquez, and Letha Wilson, who interpret the horizon’s role as a foundational element for understanding our place in the world. The artists confront pressing issues—preserving landscapes under threat, the ramifications of climate change, the realities of displacement and conflict, the significance of mindfulness, challenging colonial legacies, and the ever-present cycles of destruction and rejuvenation. Chapman’s direction for the exhibition invites viewers to engage with how landscapes can anchor us in the present moment and our collective history.
Images and Art: In and Out of Politics with Carlos Franco and Keren Anavy
Keren Anavy. Archipelago, 2023. Ink and colored pencils on mylar, plexiglass, shells, concrete bricks, and plywood. Dimensions variable. Courtesy of the artist and The Immigrant Artist Biennial.
As part of The Immigrant Artist Biennial 2023, artists Carlos Franco (b. Puerto Rico) and Keren Anavy (b. Israel) both showed their work in the group exhibition Enmeshed: Dreams of Water at NARS Foundation. Franco’s work often deploys appropriated images and linguistic symbols. He seems to be exploring the contextual complexities behind how signification takes shape and how signification continues to evolve as a context-dependent subject. Anavy’s site-specific work has been connected to the multifaceted paradigm of “ecological order,” according to the book Transnational Belonging and Female Agency in the Arts. Her fabricated environments consider the “liminal geographic spaces between political art and escapism.”
Curator Jennifer McGregor in conversation with the artists
Kate Collyer, Bundle: Alaska, 2022, mixed media and video, dimensions variable. Courtesy of the artist.
Artists Kate Colyer, Lorrie Fredette, and Megan Porpeglia talk with curator Jennifer McGregor about their framework to create whispered conversations, on view at Stand4 Gallery and Community Space in Bay Ridge, Brooklyn. The collective was active during COVID via Zoom reading about the natural world. They created bundles in response to their individual trips in 2021. These were shared through the mail to instigate a series of new artworks. Jennifer McGregor was brought in as curator to help shape the exhibition.
Anne Peabody, Love Letter, 2020, Antique silver leaf, gold sparkle, and japan paint on glass, 24” x 18” Photo courtesy Blake McGrew – Moremen Gallery
A few weeks before the Corona pandemic assumed an overpowering presence in our daily lives throughout the whole country, Art Spiel has scheduled an interview with Anne Peabody on her upcoming solo exhibition at Moremen Gallery in Louiseville Kentucky, where she was born and raised. In that interview the artist discussed her unique technique and the thought process behind her landscapes that are filled with a subtle spirit of longing, memory and loss. Anne Peabody’s images are fine tuned to our Zeitgeist, the ghost of our time. She will participate in the Virtual Dumbo Open Studios 2020, that was scheduled for this weekend, June 4-7 and postponed in solidarity with the Movement for Black Lives matter (TBD).