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Singing in Unison, Part 12: Painting in Space

Judy Pfaff, Barcelona, 1990, steel, plastic, glass, table and chairs, 168 x 168 x 168 inches

It began, as many enduring ideas do, over wine and conversation. Michael David, painter, curator, and gallerist of M. David & Co., was speaking at a dinner with Judy Pfaff about her close friend and early champion Al Held. The talk drifted to another dear friend, Elizabeth Murray, and then to her admiration for Frank Stella. From that exchange evolved the idea for Singing in Unison, Part 12: Painting in Space, curated by Michael David, and now on view at Art Cake in cooperation with The Brooklyn Rail.

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Judy Pfaff Taught Them to Break the Rules—Now They’re Sharing the Stage

A room with art pieces on the wall

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Installation view

Judy Pfaff has never played by the rules—her art bends them, her teaching breaks them, and her career is proof she never needed them. A MacArthur “Genius” who reshaped installation art, she has spent five decades throwing order out the window in favor of energy, movement, and sheer creative force. That ethos is on full display at Art Cake in Brooklyn, where Pfaff and three former students have reunited—not in a classroom, but as equals in a space that refuses to sit still.

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