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Artists on Coping: Gail Winbury

During the coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.


Gail Winbury in her studio, photo by Nancy Ori

Gail Winbury brings a psychological lens to her art. She shows in museums, universities and galleries in the States, Europe and Mexico. Her work was in OTAContemporary in Santa Fe, Aferro Gallery in Newark, St Peters University in Jersey City, NJ, The Jersey City Museum, the Monmouth Museum of Art and the Henrich Heine Haus in Germany and other venues. She was a resident at the School of Visual Arts, Manhattan, and at Edgewood Farms, Truro, Ma., a Fellow with the Bau Foundation in Puglia, Italy, and received a grant for an artist exchange in Israel.

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Artists on Coping: Helen O’Leary

During the Coronavirus pandemic, Art Spiel is reaching out to artists to learn how they are coping.

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Photo by Eva O’ Leary, Fader Magazine 

Helen O’Leary is an Irish-born artist best known for constructions that blur the boundaries between painting and sculpture, object and image. She trained at the School of the Art Institute of Chicago and the National College of Art and Design, Dublin, Ireland. Her work has been exhibited internationally, including shows at the Irish Museum of Modern Art, Dublin, the American Academy of Arts and Letters, NYC, The MAC, Belfast, NI and SFMOMA, San Francisco, and been recognized by the John S. Guggenheim Foundation, the American Academy in Rome, Rome Prize, the Pollock-Krasner and Joan Mitchell foundations.

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Valeri Larko – Sign of the Times at Lyons Wier

Valeri Larko in dialogue with Art Spiel

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Valeri Larko, “In the Beginning” on site in the Bronx, 2019, oil/canvas, 30” x 24” Courtesy of Lyons Wier Gallery

Valeri Larko’s paintings in Sign of the Times, her solo exhibition at Lyons Wier Gallery depict urban environments at the fringes, where motels past their time, colossal billboards with bombastic one liners, neglected industrial buildings, and dead trees pepper the landscape. The imagery is familiar yet uncanny. Valeri Larko shares with Art Spiel on the body of work in this show, what draws her to this landscape painting, and how she approaches her painting on-site. Due to the Coronavirus pandemic the show is available online but the physical exhibition has been postponed.

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Milcah Bassel – Poetic Documents

Milcah Bassel, governing vessels, 2019, artist book (variant edition of 5), closed: 4 x 3 ½ x 3”, open: 34 ¼” x 26 ½”

Milcah Bassel is an avid art learner whose curiosity leads to cross disciplines and techniques such as sculpture, performance, and bookmaking. She probes deep into her subjects and investigates her forms with rigor, but also with a playful approach. That playfulness is revealed throughout her diverse body of work, giving us a distinct flavor of her thought process and sensibility.

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Patricia Fabricant – Weaving a Fluctuating Self

After November 2016 Patricia Fabricant‘s paintings shifted  from dense and layered abstractions to self portraits depicting fluctuating expressions and altogether underscoring post election malaise. Fabricant developed an intriguing mechanism of observation and layering. Her gaze is meant to be neutral, just a stare into the mirror but throughout the weaving process,  chance yields  unintended emotions –  knowing, anxious, sad.  The artist describes in this interview for Art Spiel her process, ideas, and on going projects.

Patricia Fabricant, Emotions: Angry, Love, Confused, Sad, Shocked, Anxiety, 2016. Each gouache on paper, 16 x 12 inches, photo courtesy of the artist

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Leveling at Novado Gallery

Diana Schmertz, America’s Social Contract, watercolor on laser cut paper – both sides painted, 7 panels, 28×16 inches each, 2017

“Leveling”, the painting show at Novado Gallery features figurative paintings by Michelle Doll, Charlotta Janssen, Heather Morgan, Stefania Panepinto, Diana Schmertz and Jennifer Watson. Anne Novado,  the director, curator, and co-owner of the gallery, describes the premise of the show as an artistic response to issues that permeate the social, economic, educational, and political landscape –  such as inequality, social status and women’s rights. Continue reading “Leveling at Novado Gallery”