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Tag: #jandickey

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The Treasure Below Grand

ISammy Bennett, Above Grand (Echoes of Language as Code), 2025, photo courtesy of Flaneurshan Studio

Where Air Turns to Fog at Below Grand, curated by Ray Hwang, gathers Sammy Bennett, Anna Gregor, and Jesse Ng in a sometimes cheeky, but overall multivalent and sincere, investigation of visual perception and the machinery of capital-F/capital-A Fine Art presentation. With his characteristic casual abandon, Hwang exploits the gallery’s awkward architecture to its full potential, letting Bennett install an upside-down trompe-l’œil “group show” in the street-facing walk-in window display while reserving the closet-sized back room for a collection of Gregor and Ng’s paintings.

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The Bone and Muscle: A Conversation with Dona Nelson

In Dialogue
Dona Nelson in her studio

For decades, Dona Nelson has dissolved the formal boundaries of painting: refusing to apply pigment to just one side of the canvas, mounting the stretchers of her double-sided paintings on freestanding metal stands, and letting them occupy gallery floors like sculptural interlopers. In her current two-person show with Andrew Ross at Thomas Erben Gallery, however, the painter has ceded the floor space entirely, anchoring her three new works squarely to the wall.

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Being There, with Weihui Lu

In conversation
Weihui Lu at Wave Hill, March 2025, photograph by Jan Dickey

Terra Keck and Jan Dickey caught up with artist Weihui Lu a couple of weeks after she completed a residency at Wave Hill in the Bronx. At the time, Weihui was reflecting on that experience while also preparing for her current solo show, when there is no longer a danger of frost, at Tempest Gallery in Ridgewood, Queens. An installation artist with roots in Chinese landscape painting, Weihui continues to explore impermanence, a delicate and sparing use of material, and humankind’s relationship to the natural environment. Her installation at Tempest draws its source material from an aging greenhouse she spent time contemplating during her residency at Wave Hill—understood as a physical embodiment of human systems of care, including their inevitable collapse and repair.

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Jan Dickey with Amanda Millet-Sorsa

in conversation
A person sitting in a chair in a studio Description automatically generated
Jan Dickey. Photo Credit: Farfar Studios

Jan Dickey moved to New York City during the pandemic by way of Hawaiʻi, where he completed his MFA from the University of Hawaiʻi at Mānoa. In New York, he has shown his paintings at My Pet Ram, D.D.D.D., and Below Grand gallery among other locations. Recently he completed a materials-based residency at the Sam and Adele Golden Foundation (2023) and this interview seeks to delve deeper into his unique use of hand-mixed natural painting mediums like rabbit skin glue, casein, egg tempera, and oil paint. Currently he has an exhibition of new work at Bob’s Gallery, an experimental space in Bushwick: “The Generations” on through August 18th, 2024. Dickey is also the newest member of Artcake, an art center in Sunset Park that provides artists with affordable studio spaces and artistic programming.

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