Habby Osk: No Tricks Involved

Habby Osk, Installing at Undercurrent for the solo exhibition Connectivity, 2020, photo credit Andrew Hendrick

Habby Osk’s work rests upon basic physics—gravity, balance, movement, time and force. These concepts are the concrete medium for her artistic practice which toys with the limits of balance and stability using gravity and force. Through sculpture, photography, and installations, Osk reveals a tension between movement and stillness by placing objects in seemingly unstable positions, capturing a moment of perpetual precarity. These compositions of fragility emphasize the potential for destruction but within an equally mirrored state of balance and stability using a variety of materials such as concrete, wood, aluminum, wax, sugar and jello. Her work references impermanence and the contingency of an action—probing how far objects can go without tipping over, to capture the moment of stillness before a looming collapse or transformation over time.

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Baris Gokturk: Danse Macabre in Public Spaces: Painting Euphoria and Madness in Times of Crisis


Baris Gokturk, working on All Saints at The Boiler@ ELM Foundation

Baris Gokturk’s installations are intricate, layered, and admirably ambitious in both meaning and form. The Turkish born New York based artist asks the big questions – what is his role as an artist, individual, immigrant within the larger context of a world in crisis? In All Saints he exhibited at the Boiler space at the ELM foundation he combined imagery of dance and fire into a monumental installation.

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