Material Wonder: Jewish Joy and Mysticism at Drawing Rooms

A display of art on a white surface

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Anne Trabuen (left wall), Denise Treizman (right wall), Carol Salmanson (front)

At Drawing Rooms in Jersey City, Material Wonder: Jewish Joy and Mysticism in 2025 presents works that engage with Jewish identity, mysticism, and inherited traditions. Curated by Anne Trauben, the exhibition, on view from February 13 to April 5, 2025, features artists Carol Salmanson, Denise Treizman, Rachel Klinghoffer, Pesya Altman, and Trauben herself. Their works—encompassing drawing, painting, fiber, mixed media, and light-based sculpture—explore memory, ritual, and transformation.

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Art Spiel Picks: Boston Exhibitions in February 2025

Highlights
Constituent Parts at Boston University Art Galleries, Boston, MA

February is the depth of winter in Boston, but there are still many ways to stay warm, including seeing some great art that thaws the senses and pleases the soul. Several exhibitions are in full swing at various galleries, museums, and university galleries across the city. These highlights focus on a few of the university gallery shows and a gorgeous new exhibition at the MFA in Boston featuring the late John Wilson, a Boston native whose work celebrates fatherhood and the rich tapestry of Black life in Boston and beyond.

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Pat Lay at New Jersey City University

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A yellow and orange art piece on a white wall

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Installation view of Pat Lay’s exhibition at the Lemmerman Gallery, NJCU

At first sight, Pat Lay’s vertical scrolls sit comfortably within the soaring Gothic-style Lemmerman Gallery at New Jersey City University. Their mosaic or tapestry-like forms, in glowing red, blue, and gold, echo the tall grided window panes and the elaborate ceiling. Yet once it becomes clear that these scrolls are entirely digital, the contrast generates a sense of fertile dualities.

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Art Spiel Picks: Philly Exhibitions in February 2025

HIGHLIGHTS
Carl Cheng, Alternative TV #3, 1974-2016. Plastic chassis, acrylic water tank, air pump, LED lighting and controller, electrical cord, aquarium hardware, conglomerated rocks, and plastic plants. Courtesy of the artist and Philip Martin Gallery, Los Angeles

I often think about the first scientist who looked into a microscope and saw the dividing of cells, the jiggle of bacteria, and the movement of microorganisms. They must have marveled at the invisible worlds that were revealed. Similar to uncovering fossils of long-extinct species, we are humbled when we discover that we are only a tiny part of a much larger story. These monumental confrontations move us emotionally as much as they do intellectually, evoking within us a sense of awe and wonder. Close Encounters at Box Spring Gallery and Carl Cheng: Nature Never Loses at the Institute of Contemporary Art both ask us to consider our position within the cosmos, drawing attention to the fragility of our existence and the complicated ecosystems in which we live. Turning inward, allow yourself to be nourished by Ann Wehrwein’s Tender Ground at Pentimenti, where she renders quiet moments of everyday life with layers of color and care.

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Judy Pfaff Taught Them to Break the Rules—Now They’re Sharing the Stage

A room with art pieces on the wall

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Installation view

Judy Pfaff has never played by the rules—her art bends them, her teaching breaks them, and her career is proof she never needed them. A MacArthur “Genius” who reshaped installation art, she has spent five decades throwing order out the window in favor of energy, movement, and sheer creative force. That ethos is on full display at Art Cake in Brooklyn, where Pfaff and three former students have reunited—not in a classroom, but as equals in a space that refuses to sit still.

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Emergent Strategies: In Defense of Weeds at Stand4 Gallery

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Kariann Fuqua, Emergent Strategies: In Defense of Weeds, 2025. installation shot: front gallery. Image credit, Brad Farwell

In her latest exhibition, Emergent Strategies: In Defense of Weeds, Kariann Fuqua invites viewers to reconsider their relationship with the natural world—specifically the wild plants we so often dismiss as nuisances. Through a collection of drawings, photographs and found objects gathered from her acre of land in Mississippi, Fuqua examines the ecological and cultural narratives tied to “weeds,” challenging the capitalist obsession with control that underpins the American lawn.

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Jim Condron: Collected Things at the New York Studio School

Installation view, photo courtesy of Etty Yaniv

Jim Condron’s exhibition at the New York Studio School, curated by Karen Wilkin, continues his consistently thoughtful Collected Things series, inviting viewers to see everyday objects as vessels of personal and cultural memory. The sculptures, varying in size from around 20 to 96 inches, playfully transform seemingly ordinary items into layered narratives that bring unexpected elements together.

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Art Spiel Picks: Manhattan Exhibition in February 2025

HIGHLIGHTS
Hassan Sharif, Gathering at Alexander Gray Associates

Alternative worlds abound, collide, and gravitate in a transfixing lineup that is circumspect of the new year and ruminations of what lies ahead. Unique in presentation, yet united in exploring the vulnerabilities of coexistence amidst a delicate balance, their clandestine orbits intersect and align around the precarity of humanity. Shape-shifting, portals, relics, and worlds collide and mystify in alchemical formulations. As our planet spins on an axis beyond human capacity, one can find solace and pleasure in the mystery and adventure that awaits through these masterful and delightful odysseys of discovery. Michael Brennan and Matthew Deleget create pathways of knowledge through otherworldly means. David Dixon melds stories seamlessly that serve as portals into realms that might exist in such a world.

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Prayer / Pattern / Prayer at Morgan Lehman

Installation view of Prayer / Pattern / Prayer

Installation view of Prayer / Pattern / Prayer

Prayer / Pattern / Prayer at Morgan Lehman offers a mesmerizing view of patterns as a deeply seated human instinct. Fittingly, a radial symmetry unfolds from the vertex of the L-shaped room. Yet curator Jan Dickey balances this evenness with a syncopated rhythm of paired artworks and bold standalone pieces. In creating a pattern of patterns, this show offers a metonymic view of artists running with different strands from the fabric of a species-wide impulse toward order and adornment.

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