Contemporary Art and Culture
Katerina Lanfranco explores through painterly means the intellectual and physical freedom of making art at different scales and in various mediums. In her multi-faceted installations, paintings and sculptures she re-imagines scientific possibilities of human interference, interaction, and creativity in nature. Lanfranco, who is also a curator, educator, and writer, shares some thoughts on her journey, ideas, and curatorial practice with Art Spiel. Continue reading “Katerina Lanfranco- Resisting Binary Oppositions”
Elisa Soliven is a sculptor, curator, and co-founder of the artist collective Underdonk. In her recent body of work, exhibited at the last SPRING/BREAK art show, Soliven experienced a turning point in her art. In our interview for ArtSpiel she elaborated on her process and shared some of the thought process behind her work. Continue reading “Elisa Soliven – Genesis of making in Clay”
Peter Gynd is a prolific artist, curator, and gallery director. As a Canadian artist who has been well immersed in the New York City art world, Gynd has a vista on both worlds from a unique perspective. We have been in dialogue for several years and this is a compilation of the issues we have touched upon in our conversations. Continue reading “Peter Gynd – Studio on the Road”
“Amulets Ethereal,” the thought provoking group exhibition curated by Jenny Mushkin Goldman at Barney Savage features works by Kharis Kennedy, Adam Krueger & Tableaux Vivants, Victoria Manganiello & Julian Goldman, Qinza Najm, Cheryl R. Riley, and Ashley Zelinskie. The artworks in this show run the gamut from manipulated found objects, like Cheryl Riley’s old farm tools and Qinza Najm’s carpet, to fabricated sculptures like Ashley Zelinskie’s 3-d printed futuristic cyborgs and Victoria Manganiello / Julian Goldman’s computerized weaving; from wearable art like the sewn tattooed silicon mask by the duo Adam Krueger and Tableaux Vivants to Kharis Kennedy’s mysterious painting of a masked figure with a goat. Collectively the artworks are recontextualized as open-ended ritualized objects and images endowed with the questionable power to shield the viewer from the most tenuous of perceived dangers. Continue reading “Amulets Ethereal at Barney Savage”
Trish Tillman flirts with materials. She fuses in her sculptures elements of fashion and interior décor like leather, vinyl, studs, ropes, and chains, to create art objects which are often both humorous and enigmatic. While her sculptures bring to mind old relics, early symbols, or mysterious calligraphic forms, they also embody the allure of faux luxury. Continue reading “Trish Tillman – Souvenirs of a Moment”
Curated by LYK Art Projects,”Perfected Scene” the upcoming show at John Doe Gallery features work by Jeff Liao, Jaye Rhee and Jason River, whose photographic works share a sense of manipulated stage-like worlds. Jeff Liao creates cityscapes with Utopian undercurrents, Jaye Rhee questions authenticity in making art, and Jason River creates enigmatic spaces with bare bodies and everyday objects. Continue reading “Perfected Scene at John Doe”
Helen O’Leary‘s sculptural paintings are delicate and rough, subtle and raw, literal and metaphoric – they embrace and prick the viewer at the same time. Her current exhibition “Home is a foreign country“ at Leslie Heller indicates not only clear incisiveness and impressive mastery of form, but also a deep generosity- sharing with the viewer her rigorous process of grappling with material: visible jointing, disjointing, bending, folding, knitting. She says that somewhere through the struggle some magic happens. And magic does happen in her artwork. Continue reading ” Helen O’ Leary: No Place for Certainty”
What happens when artists who come from different worlds encounter one another through art? How does access to information and materials in the U.S. and the constraint and lack in Cuba affect making art? What does a dialogue look like without words? The exhibition “Hecho en Tránsito / Made in Transit” that is currently presented at the LIU Salena gallery, is posing these questions with rigor. The artwork in this show is resulting of a long term project which was designed to foster intercultural dialogue between U.S. and Cuban artists, primarily through the exchange and collaborative creation of artwork. The visual dialogue between the artists is sustained in thought provoking ways across time, place, cultural differences, and political transitions. Continue reading “Hecho en Tránsito / Made in Transit at Salena”
